Rosicrucian Museum Quotes

#1. Florence Dempsey, played by Torchy Blane actress Glenda Farrell, goes so far as to memorably declare to her friend Charlotte in The Mystery of the Wax Museum, "You raise the kids; I'll raise the roof! #Quote by Erika Janik

#2. In a museum in London there is an exhibit called "The Value of Man": a long coffinlike box with lots of compartments where they've put starch phosphorus flour bottles of water and alcohol and big pieces of gelatin. I am a man like that. #Quote by Stephane Mallarme

#3. Trying to exhaust himself, Vaughan devised an endless almanac of terrifying wounds and insane collisions: The lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. To Vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse. #Quote by J.G. Ballard

#4. There were minutes of silence then and in them I thought about the only truth that mattered, the only morality that mattered, the only sin, the only crime. When Lily de Seitas had told me her version of it at the end of our meeting at the museum I had taken it as a retrospective thing, a comment on my past and on my anecdote about the butcher. But I saw now it had been about my future.

History has superseded the ten commandments of the Bible; for me they had never had any real meaning, that is, any other than a conformitant influence. But sitting in that bedroom, staring at the glow of the fire on the jamb of the door through to the sitting room, I knew that at last I began to feel the force of this super-commandment, summary of them all; somewhere I knew I had to choose it, and every day afresh, even though I went on failing to keep it. Conchis had talked of points of fulcrum, moments when one met one's future. I also knew it was all bound up with Alison, with choosing Alison, and having to go on choosing her every day. Adulthood was like a mountain, and I stood at the foot of this cliff of ice, this impossible and unclimbable: Thou shalt not inflict unnecessary pain. #Quote by John Fowles

#5. If you have walked into a museum recently - whether you did so to attend an art exhibition or to escape from the police - you may have noticed a type of painting known as a triptych. A triptych has three panels, with something different painted on each of the panels. For instance, my friend Professor Reed made a triptych for me, and he painted fire on one panel, a typewriter on another, and the face of a beautiful, intelligent woman on the third. The triptych is entitled What Happened to Beatrice and I cannot look upon it without weeping.
I am a writer, and not a painter, but if I were to try and paint a triptych entitled The Baudelaire Orphans' Miserable Experiences at Prufrock Prep, I would paint Mr. Remora on one panel, Mrs. Brass on another, and a box of staples on the third, and the results would make me so sad that between the Beatrice triptych and the Baudelaire triptych I would scarcely stop weeping all da #Quote by Lemony Snicket

#6. Many comedic stars have tried to a do a 'Night at the Museum' type film, in which an everyday Joe reacts to insane circumstances. Many flat out failed. #Quote by Shawn Levy

#7. In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing. #Quote by Andrew Bird

#8. Some archives and record offices are housed in your local museum or library; others have their own stand-alone building. Wherever they are, they are a treasure trove. #Quote by Kate Williams

#9. But i missed nothing- because everything that truly mattered to me was either already gone or right here next to me in the museum holding my hand #Quote by James Patterson

#10. Over the years I have written creative non-fiction related to the curricula I produced, first as an elementary school art instructor, then for nearly two decades as a museum education curator. While any curriculum I wrote was based on facts as well as best and accepted practices, to add imaginative interest and encourage my students' engagement I put those facts in the context of stories, invented situations that brought to life the remote or unfamiliar #Quote by Susan Bass Marcus

#11. The center of the American Museum of Natural History's Hall of Biodiversity, there's an exhibit embedded in the floor. The exhibit is arranged around a central plaque that notes there have been five major extinction events since complex animals evolved, over five hundred million years ago. According to the plaque, "Global climate change and other causes, probably including collisions between earth and extraterrestrial objects," were responsible for these events. It goes on to observe: "Right now we are in the midst of the Sixth Extinction, this time caused solely by humanity's transformation of the ecological landscape. #Quote by Elizabeth Kolbert

#12. In a scheduled world, you are told you have half an hour to peruse an exhibit at the museum; in a programmed world, you are strapped into the ride at Disneyland and conveyed through the experience at a predetermined pace. However richly conceived, the ride's complexity is limited because its features are built-in, appearing and unfolding in sync with the motions of your cart. The skeleton dangles, the pirate waves, and the holographic ship emerges from the cloud of smoke. In the programmed life, the lights go on and off at a specified time, the coffee pot activates, the daylight-balanced bulb in the programmable clock radio fades up. Active participation is optional, for these events will go on without us and at their own pace. #Quote by Douglas Rushkoff

#13. I'll be giving a speech at the randomest place, like a bank or something, and a guy in a suit will say, 'I'm totally freaked out that I'm talking to the girl from 'Cremaster.' For the rest of my life, that movie will be playing in a museum somewhere. I never could have expected that huge response. #Quote by Aimee Mullins

#14. When you travel and go sight seeing you imagine seeing castles, lakes etc but you would not normally have a cemetery at the top of your to see list! Cimitero Monumentale is an old cemetery and, in a way, can also be considered a museum. Many people think of it as one of the most beautiful cemeteries in the world, because of its monumental mausoleums, impressing sculptures and tombs. #Quote by Blether Travel Guides

#15. The whole of language is a continuous process of metaphor, and the history of semantics is an aspect of the history of culture; language is at the same time a living thing and a museum of fossils of life and civilisations. #Quote by Antonio Gramsci

#16. I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street ... I do prefer to see good art, when I see art, but it doesn't matter where I see it. #Quote by James Nares

#17. Growing up in New York is like living in a horror museum because there are so many strange people walking the streets and riding the subways. You learn to develop a tough front if you live here, just in case you get into any kind of trouble and you need to talk your way out of it. #Quote by Christopher Walken

#18. If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white. #Quote by David Carson

#19. If there are no films or plays of interest to me, I don't go. I know how to go to a museum or a library or pick up a good magazine or I can watch the sun set. I know how to live. There's a whole creation out there full of magic and wonder to be explored. #Quote by Phylicia Rashad

#20. From the Peabody Museum of Archaeology and Ethnology at Harvard came a note from Professor F. W. Putnam, rapturous in his commendation of "your great work. #Quote by Timothy Egan

#21. A record is a concert without halls and a museum whose curator is the owner. #Quote by Glenn Gould

#22. New Rule: Since our new national position on science is, "Screw it, we prefer witchcraft," let's not just retire the Space Shuttle Atlantis. Let's drive it to one of the five stupidest States and have the locals beat it with sticks. Putting it in a museum is too dangerous. Someone could steal it, fly it into space and notice we revolve around the sun. #Quote by Bill Maher

#23. 9:12 P.M. - GROUND ZERO, WASHINGTON, D.C. Without warning, the capital of the United States was obliterated. At precisely 9:12 p.m. Eastern, in a millisecond of time, in a blinding flash of light, the White House simply ceased to exist, as did everything and everyone else for miles in every direction. No sooner had the first missile detonated in Lafayette Park than temperatures soared into the millions of degrees. The firestorm and blast wave that followed consumed everything in its path. Gone was the Treasury building, and with it the headquarters of the United States Secret Service. Gone was the FBI building, and the National Archives, and the Supreme Court, and the U.S. Capitol and all of its surrounding buildings. Wiped away was every monument, every museum, every restaurant, every hotel, every hospital, every library and landmark of any kind, every sign of civilization. #Quote by Joel C. Rosenberg

#24. He was beautiful, like looking at a favorite piece of artwork. Not something one can own, but something in a faraway museum, where she would have to go halfway around the world, push through crowds on people, just to catch a glimpse of his unreal splendor. #Quote by Caroline Hanson

#25. Do you have children, Dominick?"
"Nope."
"Well if you did," she said, "you would most likely read them not only Curious George but also fables and fairy tales. Stories where humans outsmart witches, where giants and ogres are felled and good triumphs over evil. Your parents read them to you and your brother. Did they not?"
"My mother did," I said.
"Of course she did. It is the way we teach our children to cope with a world too large and chaotic for them to comprehend. A world that seems, at times, too random. Too indifferent. Of course, the religions of the world will do the same for you, whether you're a Hindu or a Christian or a Rosicrucian. They're brother and sister, really; children's fables and religious parables ... #Quote by Wally Lamb

#26. It's great, I guess, when your paintings are hanging up in a museum. #Quote by Banksy

#27. For the most part, our jobs require us to use our skills, engage our minds, and pursue our goals - all things that have been shown to contribute to happiness. Of course, leisure activities can do this too, but because they're not required of us - because there is no "leisure boss" leaning over our shoulder on Sunday mornings telling us we'd better be at the art museum by 9 A.M. sharp #Quote by Shawn Achor

#28. When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.

And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.

When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.

When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."

And yet, for someone who's apparently done this already, I still haven't figured anything out yet.

My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.

But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.

My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.

And m #Quote by Sarah Kay

#29. There are so few other things we can look at with pride,' said Allen. 'We don't have a large university that has thirty or forty thousand students in it. We don't have the art museum that some communities have and are world-renowned. When somebody talks about West Texas, they talk about football. There is nothing to replace it. It's an integral part of what made the community strong. You take it away and it's almost like you strip the identity of the people. #Quote by H. G. Bissinger

#30. Fine art galleries are the excellent setups for exhibiting art, generally aesthetic art such as paints, sculptures, and digital photography. Basically, art galleries showcase a range of art designs featuring contemporary and traditional fine art, glass fine art, art prints, and animation fine art. Fine art galleries are dedicated to the advertising of arising artists. These galleries supply a system for them to present their jobs together with the works of across the country and internationally popular artists.

The UNITED STATE has a wealth of famous art galleries. Lots of villages in the U.S. show off an art gallery. The High Museum of Fine art, Alleged Gallery, Henry Art Gallery, National Gallery of Art Gallery, Washington Gallery of Modern Art, Agora Gallery, Rosalux Gallery, National Portrait Gallery, The Alaska House Gallery, and Anchorage Gallery of History and Art are some of the renowned fine art galleries in the United States. Today, there are on the internet fine art galleries showing initial artwork.
#Quote by Famous Art Galleries

#31. She saw for the first time the way we fill our homes with macabre altars to the live things we've murdered__ the floral print of the twin mattress in her childhood bedroom, stripped of its sheets when she soiled them; ferns on throw pillows coated in formaldehyde; poppies on petrochemical dinner plates; boxes and bags of bulk pulpstuffs emblazoned with plant imagery the way milk cartons are emblazoned with children. A rock on a window ledge, cut flowers stabbed in vases, a wreath of sprigs nailed to the front door
every house a mausoleum, every house a wax museum. #Quote by Claire Vaye Watkins

#32. I grew up with family who liked to travel and sightsee, so I have this pressure inside me: If I'm in a city and I have enough free time, I'd better go to a museum. I try to see parks, go outside. Or else try to feel really normal like go to Target or a drugstore, or go see a movie. #Quote by Lisa Loeb

#33. The most basic task of any museum must be the protection of works of cultural significance entrusted to its care for the edification and pleasure of future generations. #Quote by Martin Filler

#34. Speeches are for the younger men who are going places. And I'm not going anyplace except six feet under the floor of that little chapel adjoining the museum and library at Abilene. #Quote by Dwight D. Eisenhower

#35. It should be illegal to look this good in public. He should be confined to a museum and never let out in real life. His looks are distracting. They could cause an accident one day. #Quote by T. Torrest

#36. Seeing your work go into storage in an art museum is obviously a tragedy of any cultural product - which doesn't mean I am anti-institutional. #Quote by Aleksandra Mir

#37. electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that's jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone's been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It's no joke, he tells the viewers. Don't think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child's pink nap blanket. A gelid baby #Quote by Margaret Atwood

#38. 'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new. #Quote by Jerry Saltz

#39. There's a lot of surplus rage from the '60s that was never really worked through publicly. I think a lot of that rage still exists, and I think you see that when John McCain runs a commercial that beats up on Hillary Clinton's earmark for a Woodstock museum. #Quote by Rick Perlstein

#40. Homer begged and Rembrandt went bankrupt. Aristotle, who had money for books, his school, and his museum, could not have bought this painting of himself.
Rembrandt could not afford a Rembrandt. #Quote by Joseph Heller

#41. I maintain that if you're a novelist and you go into an art museum, you'll come out a better novelist. And if you paint a picture for an hour you're a better actor at the end of it. #Quote by John Hawkes

#42. I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy! #Quote by Patti Smith

#43. For all the casual slurs about 'cultural imperialism', British imperialists were more interested in other cultures than anybody before or since, and, if they hadn't dug it up and taken care of it, we'd know hardly anything about the ancient world. What's important about a nation's past is not what it keeps walled up in the museum but what it keeps outside, living and breathing as every citizen's inheritance. #Quote by Mark Steyn

#44. Man reaches a point in his life when unchanging becomes a matter of pride; the habits and remnants of youth are thereafter kept in the museum of the self. #Quote by Aleksandar Hemon

#45. [At the British Museum] For it is a perennial puzzle why no woman wrote a word [in the time of Shakespeare] when every other man, it seemed, was capable of song or sonnet. What were the conditions in which women lived, I asked myself; (...)
[In] Professor Trevelyan's History of England [one can read that] wife-beating [or daughter-beating] was a recognized right of man (...) [A woman] could hardly read, could scarcely spell, and was the property of her husband [or father].
Here I am asking why women did not write poetry in the Elisabethan age, and I am not sure how they were educated; whether they were taught to write; whether they had sitting-rooms to themselves; how many women had children before they were 21; what, in short, they did from eight in the morning till eight at night. They had no money evidently; (...) they were married whether they liked it or not (...) at fifteen or sixteen very likely... [Under these circumstances] It would have been extremely odd (...) for any woman to have written the plays of Shakespeare in the age of Shakespeare.
(...)
When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet (...). Indeed, I would venture to guess that Anom, who wrote so many poems without signing them, was often a woman. (...) And undoubtedly, I thought, looking at the shelf #Quote by Virginia Woolf

#46. The British Museum was our first real museum, the property of the public rather than the monarch or the church. #Quote by Kate Williams

#47. To visit a museum is fine,
to be a museum piece is terrible!

- Gioconda and Si-Ya-U #Quote by Nazim Hikmet

#48. I think with my hands. I design things to be touched-not for a museum. A piece is ready when it has the shape of something to cherish. #Quote by Eva Zeisel

#49. Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes.
I opened it. In the folder I found four 8x10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out.
The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes.
Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake.
'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.'
'A pot,' I said.
'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word "krater". I heard it connected with another Greek word: "poros". The words "poros krater" essentially mean "limestone font". '
There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guess #Quote by Philip K. Dick