River Stones With Quotes

#1. Now whither does THIS trail lead?" Kaa's voice was gentler. "Not a moon since there was a Manling with a knife threw stones at my head and called me bad little tree-cat names, because I lay asleep in the open. #Quote by Rudyard Kipling

#2. As the stag which the huntsman has hit flies through bush and brake, over stock and stone, thereby exhausting his strength but not expelling the deadly bullet from his body; so does experience show that they who have troubled consciences run from place to place, but carry with them wherever they go their dangerous wounds. #Quote by Gotthold Ephraim Lessing

#3. It could only be the employment of carriage whips, tongs, iron pokers, handsaws, stones, paperweights, or whatever might be handy to break the black body, the black family, the black community, the black nation. The bodies were pulverized into stock and marked with insurance. And #Quote by Ta-Nehisi Coates

#4. God did not live in this church; these statues gave an image to nothingness. I was the supernatural in this cathedral. I was the only Supermortal thing that stood conscious under this roof! Loneliness. Loneliness to the point of madness. The cathedral crumbled in my vision; the saints listed and fell. Rats ate the Holy Eucharist and nested on the sills. A solitary rat with an enormous tail stood tugging and gnawing at the rotted altar cloth until the candlesticks fell and rolled on the slime-covered stones. And I remained standing. Untouched. #Quote by Anne Rice

#5. The central ceremony of Ritual Witchcraft was the so-called "Sabbath" - a word of unknown origin having no relation to its Hebrew homonym. Sabbaths were celebrated four times a year - on Candlemass Day, February 2nd, on Rood Mass Day, May 1st, on Lammas Day, August 1st, and on the eve of All Hallows, October 31st. These were great festivals, often attended by hundreds of devotees, who came from considerable distances. Between Sabbaths there were weekly "Esbats" from small congregations in the village where the ancient religion was still practiced. At all high Sabbaths the devil himself was invariably present, in the person of some man who had inherited, or otherwise acquired, the honor of being the incarnation of the two-faced god of the Dianic cult. The worshipers paid homage to the god by kissing his reverse face - a mask worn, beneath an animal's tail, on the devil's backside. There was then, for some at least of the female devotees, a ritual copulation with the god, who was equipped for this purpose with an artificial phallus of horn or metal. This ceremony was followed by a picnic (for the Sabbaths were celebrated out of doors, near sacred trees or stones), by dancing and finally by a promiscuous sexual orgy that had, no doubt, originally been a magical operation for increasing the fertility of the animals on which primitive hunters and herdsmen depend for their livelihood. The prevailing atmosphere at the Sabbaths was one of good fellowship and mindless, animal joy. Whe #Quote by Aldous Huxley

#6. The calm skies that drifted above us lulled us into thinking this traversée would be smooth, but after several hours, the unsteady sea had taken its toll on me and after a light lunch and a brief swim in the open sea failed to do so, I attempted to remedy my mal de mer with rest. When I awoke, the sun had already set and the cool air and soft light of twilight helped recalibrate my disoriented thoughts. Although my seasickness had subsided, I lay starboard side facing the heavens - that were now a deep shade of purple - so as to not provoke another episode. We set to anchoring behind several large volcanic pillars just a stone's-throw away from where the Tyrrhenian Sea kissed the east of the island. A handful of wishes scattered the skies as we approached the shores of Aci Trezza. As these stars traced their dying song across the void above, part of me felt ashamed for even entertaining the notion of wishing upon a star, but that voice was speedily silenced by words He had once shared with me in Scotland: "There is always some truth to fiction. #Quote by R.J. Arkhipov

#7. Save me from hatred, that destructive impulse, the poison that ravages the heart and liver. I must stop wanting to take revenge on other lives, on other minds; I must forget hatred, reject it, refuse to answer it with more hatred. I must rise above it. Help me to renounce this crippling bond, to leave without hindrance this body that no longer looks like one, but like a jumble of deformed bones; direct my eyes to other stones. This darkness suits me: when I look inside myself, I see more clearly the world, even if my feet are still freezing on this damp cement floor. The back of my neck hurts because I cannot stand up straight. No--I feel no pain. I am certain that I feel no pain. I do not feel anything any more. My prayer has been answered. I am not ill. I will never be, here, no matter how I suffer. O my God, I have learned from You that a healthy body teaches us about the beauty of the world. It is the echo of enchantment, produced by life and light. It is light. Light in life. When it is withdrawn from life, isolated and imprisoned in a black hole, it no longer echoes anything, it reflects nothing. Thanks to Your will, I shall never be extinguished. #Quote by Tahar Ben Jelloun

#8. Question four: What book would you give to every child?
Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads.
That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside. #Quote by Derrick Jensen

#9. …I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don't bathe much when they are there.

It is the same when you go to the sea-side. I always determine - when thinking over the matter in London - that I'll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don't feel somehow that I want that early morning bathe nearly so much as I did when I was in town.

On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven't enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can't see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting.

One huge wave catches me up and chucks me i #Quote by Jerome K. Jerome

#10. Jenny, if this case develops anti-Semitic overtones, I can deal with them. I'm a big boy. Sticks and stones can break my bones, and all that shit . . . #Quote by Mark M. Bello

#11. Up and away for life! be fleet!-
The frost-king ties my fumbling feet,
Sings in my ears, my hands are stones,
Curdles the blood to the marble bones,
Tugs at the heart-strings, numbs the sense,
And hems in life with narrowing fence.
Well, in this broad bed lie and sleep,-
The punctual stars will vigil keep,-
Embalmed by purifying cold;
The winds shall sing their dead-march old,
The snow is no ignoble shroud,
The moon thy mourner, and the cloud. #Quote by Ralph Waldo Emerson

#12. I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a signboard had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles - no matter the imminent peril - these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from common sense and its logic, that we know the world to be good. #Quote by Vladimir Nabokov

#13. That was the thing neither Roja nor the senoras understood. Sometimes what a story needed was not a girl who would do what the prince told her, who would content herself with meeting him only in the dark, who would not question why she must not open her eyes. Sometimes a story needed the girl who would find him among the crumbling stones where he did pretending all o fit was a castle. It needed the girl who took the prince's orders and crushed them between her back teeth, who bound his wrists if that was what it took to set him free. #Quote by Anna-Marie McLemore

#14. Death arrives among all that sound
like a shoe with no foot in it,
like a suit with no man in it,
comes and knocks,
using a ring with no stone in it,
with no finger in it,
comes and shouts with no mouth,
with no tongue,with no throat.
Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. #Quote by Pablo Neruda

#15. There were in the camp a number of Mexican slaves and these ran forth calling out in spanish and were brained or shot and one of the Delawares emerged from the smoke with a naked infant dangling in each hand and squatted at a ring of midden stones and swung them by the heels each in turn and bashed their heads against the stones so that the brains burst forth through the fontanel in a bloody spew and humans on fire came shrieking forth like berserkers and the riders hacked them down with their enormous knives and a young woman ran up and embraced the bloodied forefeet of Glanton's warhorse. #Quote by Cormac McCarthy

#16. And the poser has a girlfriend. Ten years younger. The Blond Weed, Ove calls her. Tottering around the streets like an inebriated panda on heels as long as box wrenches, with clown paint all over her face and sunglasses so big that one can't tell whether they're a pair of glasses or some kind of helmet. She also has one of those handbag animals, running about off the leash and pissing on the paving stones outside Ove's house. She thinks Ove doesn't notice, but Ove always notices. #Quote by Fredrik Backman

#17. When I was young they used to say people only threw stones at the tree that was loaded with fruit. #Quote by Rachel Field

#18. But as he plodded along a vague and almost hallucinatory pall hazed over his mind; he found himself at one point, with no notion of how it could be, a step from an almost certain fatal cliffside fall - falling humiliatingly and helplessly, he thought; on and on, with no one even to witness it. Here there existed no one to record his or anyone else's degradation, and any courage or pride which might manifest itself here at the end would go unmarked: the dead stones, the dust-stricken weeds dry and dying, perceived nothing, recollected nothing, about him or themselves. #Quote by Philip K. Dick

#19. Once upon a time there were two cities within a city. One was light and one was dark. One moved restlessly all day while the other never stirred. One was warm and filled with ever-changing lights. One was cold and fixed in place by stones. And when the sun went down each afternoon on Maximus Films, the city of the living, it began to resemble Green Glade cemetery just across the way, which was the city of the dead. #Quote by Ray Bradbury

#20. She knew the way of things. She knew if
you weren't always stepping lightly as a bird the whole
world came apart to crush you. Like a house of cards.
Like a bottle against stones. Like a wrist pinned hard
beneath a hand with the hot breath smell of want and
wine. . . . #Quote by Patrick Rothfuss

#21. I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys. #Quote by Beck

#22. It seemed to Niels that he understood everything: the hardness in her, the dreary humility, and her coarseness, which was the bitterest drop in the whole goblet. By degrees he came to see also that his delicacy and deferential homage must oppress and irritate her, because a woman who has been hurled from the purple couch of her dreams to the pavement below will quickly resent any attempt to spread carpets over the stones which she longs to feel in all their hardness. In her first despair she is not satisfied to tread the path with her feet: she is determined to crawl it on her knees, choosing the way that is steepest and roughest. She desires no helping hand and will not lift her head--let it sink down with its own heaviness, so that she may put her face to the ground and taste the dust with her tongue! #Quote by Jens Peter Jacobsen

#23. The Rolling Stones are constantly changing, but beneath the changes they remain the most formal of rock bands. Their successive releases have been continuous extensions of their approach, not radical redefinitions, as has so often been the case with the Beatles. #Quote by Jon Landau

#24. When you're a child, grownups always tell you that "sticks and stones will break your bones, but words will never hurt you". They say it as if it's a kind of spell that's going to protect you. I've never seen the logic of it. Cuts and bruises quickly disappear. You forget all about them. The psychological wounds inflicted by bullies with words go much deeper. #Quote by Susan Boyle

#25. FOR A WOMAN WHO FEARS SHE IS TOO DAMAGED TO LOVE AGAIN

A Prayer adapted from the Heart and Soul of Sex by Gina Ogden, PhD.

Holy Spirits of Fire befriend and warm me.
Earth and Water wrap me in bounty.
Spirits of Air guide me to walk the paths of my heart.
Sun smile on me. Stones accept me. Stars remind me.
Ocean storms burnish my terrors to translucent pearls.
Creatures of hills and hollows, beings beneath the ground watch over me, comfort and nourish me.
Snakes and rivers, ancient dragons, dance sinuously with me.
Swirling spirit of volcano invest me with power.
Eagle and sparrow give me wings and sight.
Snails of Buddha, saints of God, Great Spirit, Yahweh, Magus, Shiva, Isis, Astarte of the flowing heart, Goddess of Grain, Angel of Sweetness, Higher Power, protect me, fearful, angry, and armored; as I am the giver, healer, striver, survivor and lover.
Cherish me - waif and victim, elf and Amazon.
See me a holy woman now. Touch me.
Brush me with the breath of love.
Ganesh, sacred elephant who cries human tears and oversees new ventures, help me begin again. #Quote by Gina Ogden

#26. The Rolling Stones suffered a great loss with the death of Ian Stewart, the man who had for so many years played piano quietly and silently with them on stage. #Quote by Andy Peebles

#27. There is a tendency to romanticize the abilities of the ancient Egyptians because they produced structures that were miraculous for their time and certainly would pose a serious challenge to ours. They were somehow immensely more talented with sticks and stones than modern researchers have been able to demonstrate using the same implements. When pondering the theories proffered by Egyptologists, one gets the impression that an ancient Egyptian quarry worker was like a maestro playing a complete symphony on a violin made of a cigar box and a stick and producing the quality of a Stradivarius.
The argument is pleasing and poetic, but the trouble is that, metaphorically speaking, when modern scholars make a violin from a cigar box and a stick, its results are precisely what you would expect from a cigar box and a stick. So the question persists: From what instruments did the symphonic architecture of Egypt materialize? #Quote by Christopher Dunn

#28. Fragment"

What is poetry? Is it a mosaic
Of coloured stones which curiously are wrought
Into a pattern? Rather glass that's taught
By patient labor any hue to take
And glowing with a sumptuous splendor, make
Beauty a thing of awe; where sunbeams caught,
Transmuted fall in sheafs of rainbows fraught
With storied meaning for religion's sake. #Quote by Amy Lowell

#29. No motion has she now, no force; she neither hears nor sees; rolled around in earth's diurnal course, with rocks, and stones, and trees. #Quote by William Wordsworth

#30. Cathedrals, luxury liners laden with souls, Holding to the east their hulls of stone. #Quote by W. H. Auden

#31. That which draws us by its mystical force; what every created thing, even the very stones, feels with absolute certainty as the center of its being ... is the force of love. Christians call this "eternal blessedness." It is a necessity of man for growth and joy. #Quote by Gustav Mahler

#32. From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment.
Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror #Quote by Shizuko Gō

#33. You Have to Be Very Careful"

You have to be careful telling things.
Some ears are tunnels.
Your words will go in and get lost in the dark.
Some ears are flat pans like the miners used
looking for gold.
What you say will be washed out with the stones.

You look for a long time till you find the right ears.
Till then, there are birds and lamps to be spoken to,
a patient cloth rubbing shine in circles,
and the slow, gradually growing possibility
that when you find such ears
they already know. #Quote by Naomi Shihab Nye

#34. I'm here to present my findings at the symposium. I'm an esteemed member of the Society, with an impressive record of scholarship, and I have something of value to contribute to these proceedings. I also happen to be female. I'm a woman who knows a great deal about rocks. I suggest you find the stones to deal with it. #Quote by Tessa Dare

#35. Wind, weather, power, load - gradually these elements stop churning in my mind. It's less a decision of logic than a feeling, the kind of feeling that comes when you gauge the distance to be jumped between two stones across a brook. Something within you disengages itself from your body and travels ahead with your vision to make the test. You can feel it try the jump as you stand looking. Then uncertainty gives way to the conviction that it can or can't be done. #Quote by Charles Lindbergh

#36. The latter part of our Journey from the entrance of Wiltshire into Salisbury was very rough and abounded with Jolts, the Holes we were obliged to go through being very many and some of them Deep; and so it was with much Relief that we left the Coach at Salisbury and hired two Horses for the road across the Avon to the Plain and Stone-henge. When we came to the edge of this sacred Place, we tethered our Horses to the Posts provided and then, with the Sunne direct above us, walked over the short grass which (continually cropt by the flocks of Sheep) seemed to spring us forward to the great Stones. I stood back a little as Sir Chris. walked on, and I considered the Edifice with steadinesse: there was nothing here to break the Angles of Sight and as I gaz'd I opened my Mouth to cry out but my Cry was silent; I was struck by an exstatic Reverie in which all the surface of this Place seemed to me Stone, and the Sky itself Stone, and I became Stone as I joined the Earth which flew on like a Stone through the Firmament. And thus I stood until the Kaw of a Crow rous'd me: and yet even the call of the black Bird was an Occasion for Terrour, since it was not of this Time. I know not how long a Period I had traversed in my Mind, but Sir Chris. was still within my Sight when my Eyes were cleard of Mist. He was walking steadily towards the massie Structure and I rushed violently to catch him, for I greatly wished to enter the Circle before him. I stopped him with a Cry and then ran on: whe #Quote by Peter Ackroyd

#37. I am reading The Lord of the Rings. I suddenly wanted to. I almost know it by heart, but I can still sink right into it. I know no other book that is so much like going on a journey. When I put it down to this, I feel as if I am also waiting with Pippin for the echoes of that stone down the well. #Quote by Jo Walton

#38. A beggar came to an emperor's palace. The emperor was just in the garden so he heard the beggar. The man on the gate was going to give something, but the beggar said, "I have one condition. I always take from the master, never from servants."
The emperor heard. He was taking a walk so he came to look at this beggar, because beggars don't have conditions. If you are a beggar how can you have conditions? "Seems to be a rare beggar." So he came to look – and he WAS a rare beggar. The emperor had never seen such an emperor-like man before; he was nothing. This man had some glory around him, a grace. Tattered his dress was, almost naked, but the begging bowl was very very precious.
The emperor said, "Why this condition?"
The beggar said, "Because servants are themselves beggars and I don't want to be rude to anybody. Only masters can give. How can servants give? So if you are ready, you can give and I will accept it. But then too I have a condition, and that is: my begging bowl has to be completely filled."
A small begging bowl! The emperor started laughing. He said, "You seem to be mad. Do you think I cannot fill your begging bowl?" And then he ordered his ministers to bring precious stones, incomparable, unique, and fill the begging bowl with them. But they got into a difficulty, because the more they filled the begging bowl, the stones would fall in it and they would not even make a sound, they would simply disappear. And the begging bowl remained empty.
#Quote by Osho

#39. I designed this and had it made especially for you. The trefoil is the symbol of immortality: a beginning without an end, like our life together. The hearts represent my love for you. Forever love. Unending like the knot they form. I chose opals instead of diamonds, because opals are warm living stones, each color a birth stone, yours being the center of this ring just like you are the center of our family. "I know the inscription isn't original, but the meaning behind the words is. I wrote those words for the wife I dreamed of. And here you are. With My Last Breath. #Quote by Julieanne Reeves

#40. For many people it is depressing even to move house. A lost fragment of life always remains. To move to another town, settle in a foreign country, is for everyone a major decision. But, to be suddenly driven forth, within twenty-four hours, from one's home, one's work, the reward of years of steady industry. To become a helpless prey of help. To be sent defenceless out to Asiatic highroads, with several thousand miles of dust, stones, and morass before one. To know that one will never again find a decently human habitation, never again sit down to a proper table. Yet this is all nothing. To be more shackled than any convict. To be counted as outside the law, a vagabond, whom anyone has the right to kill unpunished. #Quote by Franz Werfel

#41. Stoans want to be lissent to. Them big brown stoans in the formers feal they want to stan up and talk like men. Some times youwl see them lying on the groun with ther humps and hollers theywl say to you, Sit a wyl and res easy why dont you. Then when youre sitting on them theywl talk and theywl tel if you lissen. Theywl tel whats in them but you wont hear nothing what theyre saying without you go as fas as the stoan. You myt think a stoan is slow thats becaws you wont see it moving. Wont see it walking a roun. That dont mean its slow tho. There are the many cools of Addom which they are the party cools of stoan. Moving in ther millyings which is the girt dants of the every thing its the fastes thing there is it keaps the stilness going. Reason you wont see it move its so far a way in to the stoan. If you cud fly way way up like a saddelite bird over the sea and you lookit down you wunt see the waves moving youwd see them change 1 way to a nother only you wunt see them moving youwd be too far a way. You wunt see nothing only a changing stilness. Its the same with a stoan. #Quote by Russell Hoban