Quercitron Yellow Quotes

#1. The intruder hesitated, turned, and anchored itself in the corner, where the ceiling met the wall. It sat there, fastened to the paneling by enormous yellow talons, still and silent like a gargoyle in full sunlight. I took a swig from the bottle and set it so I could still see the creatures reflection. Nude and hairless, it didn't carry a single ounce of fat on its lean frame. Its skin stretched so tight over the cords of muscle, it threatened to snap. Like a thin layer of wax melted over an anatomy model.
Your friendly neighbourhood Spiderman. #Quote by Ilona Andrews

#2. I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mo #Quote by Anne Rivers Siddons

#3. Maybe I could have done fifty things to avoid the accident. Left the car in the garage that day. Hurried through a yellow light that I'd stopped at. Gone to the beach instead of mini-golf. Been alone, not talking to friends. But I did all those things, and Celine hadn't done the many things she could have to avoid the accident, either. All the things get done and you regret them and then you accept them because there's nothing else to do. Regret doesn't budge things; it seems crazy that the force of all that human want can't amend a moment, can't even stir a pebble. #Quote by Darin Strauss

#4. When I first went to Kmart, I was so excited that I could bring my kind of taste to the masses. They didn't have 100 percent cotton sheets at mass market in 1987. We made those in yellow and pink and pale blue. #Quote by Martha Stewart

#5. Nell was like a witch. Her long silvery hair rolled into a bun on the back of her head, the narrow wooden house on the hillside in Paddington, with its peeling lemon-yellow paint and overgrown garden, the neighborhood cats that followed her everywhere. The way she had of fixing her eyes so straight on you, as if she might be about to cast a spell. #Quote by Kate Morton

#6. I'M SORRY

I am developing a new board game. It's called "I'm Sorry." It's also a form of "Self-Help Psychological Therapy!"

You take turns moving around the board like Monopoly. But if you land on a Yellow or Green "I'm Sorry Space"… you have to make a Phone call. Both green and yellow cards are labeled- the same with things like: Your Ex, Parental figure, friend, co-worker, boss, children, etc. You get the point…

If you land on the yellow space, the game stops, everyone gets quiet and you have to call that person up – on speakerphone. You apologize for something you've done in your past. Come on you know you are not perfect and you probably screwed up, hurt or disappointed everyone in your past at one time or another. So you call and you apologize. You explain what you did to them wrong if they forgive you, you move forward 10 places and everyone cheers! No forgiveness back- you move back to the beginning.

If you land on the green space- it's similar. But you call the person up and you try to explain to them how, in someway, they hurt you in the past. If they apologize… cheers and you move forward 10 spaces. No apology… move backward ten spaces. They curse at you- game over.

In the original packaging of the yellow and green cards, are mixed in a set of "I'm Sorry Cards." If you are lucky enough to get to pick up an "I'm Sorry Card," it's like a Get Out of Jail Free Card, and you don't have to make the call.

Th #Quote by Jose N Harris

#7. After a week's worth of failed fairy tales - stories that made my eyelids flutter open and not shut - my father tried telling me stories that belonged only to him. Thomas told me of an island off the coast of a different world. On this island, there stood a city whose buildings were made of glass. He told me that at the heart of this city was a forest with trees, ponds and a lake, swans and horses, and even a small castle. He told me that the streets of the city were filled with bright yellow cars that you hopped in and out of at will and that would take you wherever you wanted to go. In this city, there were sidewalks overflowing with people from the whole world over who wanted so much to be there. He told me of its neighborhoods, with names like Greenwich Village and Harlem and Chinatown. At the nucleus of these stories was my father, and spinning around him was the city of New York. Long before I would see them in photographs or in real life, my father had given me the white crown lights of the Chrysler Building and the shining needle of the Empire State. #Quote by Monique Truong

#8. Who is John Galt?"
The light was ebbing, and Eddie Willers could not distinguish the bum's face. The bum had said it simply, without expression. But from the sunset far at the end of the street, yellow glints caught his eyes, and the eyes looked straight at Eddie Willers, mocking and still - as if the question had been addressed to the causeless uneasiness within him.
"Why did you say that?" asked Eddie Willers, his voice tense.
The bum leaned against the side of the doorway; a wedge of broken glass behind him reflected the metal yellow of the sky.
"Why does it bother you?" he asked.
"It doesn't," snapped Eddie Willers. #Quote by Ayn Rand

#9. So?" I asked Vee. "What's the verdict?"
"The verdict? My doctor is a lard-arse. Closely resembles an Oompa-Loompa. Don't give me your severe look. Last time he came in, he broke into the Funky Chicken. And he's forever eating chocolate. Mostly chocolate animals. You know the solid chocolate bunnies they're selling for Easter? That's what the Oompa-Loompa ate for dinner. Had a chocolate duck at lunch with a side of yellow Peeps. #Quote by Becca Fitzpatrick

#10. An utter success,' her stepdaughters confided to
Margaret as they prepared to take their leave. 'The handsome king! That spoof!' Still the rain persisted, and the bishop had lost his hat. Maids danced in and out. Where was the bishop's hat? Alone at the window, Margaret didn't hear. The reflection of the parlor was yellow and warm. She watched it empty out. Then, an interruption. A voice came at her side: 'What do you look at with such interest, Lady Cavendish?' What did she see in the glass? She saw the Marchioness of Newcastle. She saw the aging wife of an aged marquess, without even any children to dignify her life. #Quote by Danielle Dutton

#11. Whisper of yellow globes
gleaming on lamp posts that sway
like bootleg licker drinkers in the fog
and let your breath be moist against me
like bright beads on yellow globes
telephone the power-house
that the main wires are insulate
(her words play up and down
dewy corridors of billboards)
then with your tongue remove the tape
and press your lips to mine
till they are incandescent #Quote by Jean Toomer

#12. I reduced painting to its logical conclusion and exhibited three canvases: red, blue, and yellow. I affirmed: this is the end of painting. #Quote by Alexander Rodchenko

#13. There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose
a gleaming, round saucer
over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul
or, as a new moon, silently bathed the earth in its own loneliness. THAT moon. #Quote by Haruki Murakami

#14. Color - that's another thing people don't expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.
She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue. #Quote by Anthony Doerr

#15. I let the lights and the faces come at me. I let the nerves tap out signals to my brain center. I let go. The pink, green, and yellow neons flashed on and off with a definite rhythm, each with its own particular tempo. Together they screamed out a syncopated color rhapsody. The faces; the cafés; the speed of light, steel cars. Swift; quick. Red; green. Flash; off. Stop; go. #Quote by Sylvia Plath

#16. I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold win #Quote by Roberto Bolano

#17. Robert Frost (1874–1963). Mountain Interval. 1920.

1. The Road Not Taken

TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I -
I took the one less traveled by,
And that has made all the difference. 20 #Quote by Robert Frost

#18. White is too brilliant to be seen, so yellow is its filter, its costume, revealing that pure light has not only brightness but emotional resonance and depth. #Quote by Richard Grossinger

#19. Drenched in British purples, I have offered up my tones: pigeon breast, hind belly, balky mule lung, monkey bottom pink, lapis lazuli and malachite, excited nymph thigh, panther pee-pee, high-smelling hen hair, hedgehog in aspic, barrel-maker's brothel, revered rose, monkeybush, turkey-like white, sly violet, page's slipper, immaculate nun spring, unspeakable red, Ensor azure, affected yellow, mummy skull, rock-hard gray, brunt celadon, shop soiled smoke ring. #Quote by James Ensor

#20. I looked up to see the sun struggling behind a gray mass of snow clouds.
I could relate.
And then a beam of sunlight found a way through. A sign? Maybe.
But what was this? I gasped. The bakery esters had refracted into visible bands of flavor.
Red raspberry, orange, and the yellow of lemon and butter.
Pistachio, lime, and mint green.
The deepest indigo of a fresh blueberry
The violet that blooms when crushed blackberries blend into buttercream.
The Roy G. Biv that a baker loves.
And then the darkness: chocolate, spice, coffee, and burnt-sugar caramel. #Quote by Judith Fertig

#21. I still remember, as a kid, tying a yellow ribbon around a tree in front of my house during the 444 days that Iran held 52 Americans hostage. Iran is not a place we should be doing business with. #Quote by Scott Walker

#22. And there, in the midst of blinding orange, yellow, and white flames, our forever begins. #Quote by A.G. Howard

#23. I cannot run, I am rooted, and the gorse hurts me
With its yellow purses, its spiky armoury.
I could not run without having to run forever. #Quote by Sylvia Plath

#24. Jorek was standing just inside the doorway. Staring. His hand hanging off the back of his neck, like always.
"What?" Akos said. He got out a dropper and touched it to the potion.
"Nothing, it's just…this isn't what I expected Cyra Noavek's room to look like," Jorek said.
Akos grunted a little--it wasn't that he'd expected, either--as he squeezed the yellow elixir from the dropper into the vial.
"You really don't sleep in the same bed," Jorek said.
Cheeks hot, Akos scowled at him. "No. Why?"
"Rumors." Jorek shrugged. "I mean, you do live together. Touch each other."
"I help her with her pain," Akos said.
"And you're fated to die for the Noaveks."
"Thanks for the reminder; I'd almost forgotten," Akos snapped. #Quote by Veronica Roth

#25. The Romans always wanted bread and circuses-food and entertainement! As we destroy their city, I will offer them both. Behold, a sample!"
Someething dropped from the ceiling and landed at Percy's feet: a loaf of sandwich bread in a white plastic wrapper with red and yellow dots.
Percy picked it up. "Wonder bread?"
"Magnificent, isn't it?" Ephialtes eyes danced with crazy excitement. #Quote by Rick Riordan

#26. Mrs. Forbes said that hating yellow and borwn is just being silly. And Siobhan said that she shouldn't say things like that and everyone has favorite colors. And Siobhan was right. But Mrs. Forbes was a bit right, too. Because it is sort of being silly. But in life you have to take lots of decisions and if you don't take decisions you would never do anything because you would spend all your time choosing between things you could do. So it is good to have a reason why you hate some things and you like others. It is like being in a restaurant like when Father takes me out to a Berni Inn sometimes and you look at the menu and you have to choose what you are going to have. But you don't know if you are going to like something because you haven't tasted it yet, so you have favorite foods and you choose these, and you have foods you dno't like and you don't choose these, and then it is simple. #Quote by Mark Haddon

#27. 66/ 'Two roads diverge in a yellow wood,' I think. It didn't ultimately matter which one you took; that was the real point of Frost's poem. The roads were pretty much the same. That stuff about the one less traveled making all the difference was bullshit. #Quote by Kim Addonizio

#28. I'm Crusty, he said, with a tartar-yellow smile.
I resisted the urge to say, Yes, you are. #Quote by Rick Riordan

#29. School is a terrible place, I have decided. There is nothing good about it except for math class. Everything else is a total waste of time. As I mentioned before I have done a lot of reading about prisons, and I notice that they always describe them as painted in very dull colors, and my school is also painted in these kinds of colors, with greenish lockers and brownish walls and grayish floors. Actually they recently fixed up one wing of the school, and now that part of the school is just the opposite - all the colors are really bright, with bright red and yellow lockers and blue doors and shiny white floors that are already all scuffed up. It's funny because I thought the other colors were terrible but these are much worse, because they make it seem like it's normal to be happy there when it isn't. #Quote by Dara Horn

#30. And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence. #Quote by Italo Calvino

#31. I've done lots of jobs. Right now, I'm a hair collector."

"That's good", said Ishvar tentatively. "What do you have to do as a hair-collector?"

"Collect hair."

"And there is money in that?"

"Oh very big business. There is a great demand for hair in foreign countries."

"What do they do with it? Asked Om skeptical."

"Many different things. Mostly they wear it.Sometimes they paint it in different colors-red, yellow, brown, blue. Foreign women enjoy wearing other people's hair. Men also, especially if they are bald.
In foreign countries they fear baldness. They are so rich in foreign countries, they can afford to fear all kinds of silly things. #Quote by Rohinton Mistry

#32. In Vietnamese hoa means 'flower' and the first thing we noticed on the menu was lau hoa, flower hotpot. This was where we were meant to be.
Stunning fresh blossoms of squash, daylilies, white so dua flowers, lotus stems and yellow velvetleaf buds made up the floral ingredients in our flower hotpot. All of these were cooked together in a light pineapple soup base that included chunks of salmon. The restaurant's brochure explained why the name had been chosen: 'Chi Hoa, which means "flowers", is a common name of many Vietnamese women who are sophisticated, caring and always bring great love into every meal they cook for their family. #Quote by Constance Kirker

#33. I can't tell you how much I love kissing ass. Especially wealthy, cellulose-stippled ass. But I'll smile as big as a personified yellow circle and assure the hiring manager that I was born to serve. I'll tell him that while other kids wanted to be cops or firemen when they grew up, I wanted to be Florence Nightingale. #Quote by Jarod Kintz

#34. . . . they beheld its atlas-familiar snowy poles, its blue land-locked seas, its green forests and yellow plains and wide red deserts. They looked down upon Mount Olympus, so tall her summit rose about the highest snow, and the bustling lands of the Grand Valley, thick with cities and towns. As their earth loomed closer, they saw the glittering moonring and here the oracle-eye rested, filling the room with incomprehensible drifting shapes. Some were so huge they took minutes to cross the room, some were tiny and tumbling, some were busy as insects, flitting through the spectators intent upon their small errands; all of them bore the name ROTECH somewhere upon them. #Quote by Ian McDonald

#35. There were intervals in which she could sit perfectly still, enjoying the outer stillness and the subdued light. The red fire with its gently audible movement seemed like a solemn existence calmly independent of the petty passions, the imbecile desires, the straining after worthless uncertainties, which were daily moving her contempt. Mary was fond of her own thoughts, and could amuse herself well sitting in the twilight with her hands in her lap; for, having early had strong reason to believe that things were not likely to be arranged for her peculiar satisfaction, she wasted no time in astonishment and annoyance at that fact. And she had already come to take life very much as a comedy in which she had a proud, nay, a generous resolution not to act the mean or treacherous part. Mary might have become cynical if she had not had parents whom she honoured, and a well of affectionate gratitude within her, which was all the fuller because she had learned to make no unreasonable claims.

She sat to-night revolving, as she was wont, the scenes of the day, her lips often curling with amusement at the oddities to which her fancy added fresh drollery: people were so ridiculous with their illusions, carrying their fools' caps unawares, thinking their own lies opaque while everybody else's were transparent, making themselves exceptions to everything, as if when all the world looked yellow under a lamp they alone were rosy. #Quote by George Eliot

#36. I'll let you in on a secret ... How to avoid taking a wrong turn. I speak from experience. Don't blame the world around you. The world is very much larger ... than you realize. Large enough to embrace all of you. #Quote by Yellow Tanabe

#37. Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about - the Saffron Shift.

If history itself had a color, it is . . . like wood or bark, or living forest floor.

Assigning hues to time periods, the sum total of history is saffron-brown - but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names.

As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world.

And the present moment is perfectly transparent.

It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . . #Quote by Vera Nazarian