Present Melting Into Past Quotes

#1. Now no sign, no scorch or char, marks the place where George built the fire. Remarkable, earth's strength to restore itself and erase human effort. But memory, stronger still, can send flames as high as the roof, and shift the wind and choke George and sting his eyes with smoke ... #Quote by Larry Watson

#2. Was it not youth, the feeling he experienced now, when, coming out to the edge of the wood again from the other side, he saw in the bright light of the sun's slanting rays Varenka's graceful figure, in a yellow dress and with her basket, walking with a light step past the trunk of an old birch, and when this impression from the sight of Varenka merged with the sight, which struck him with its beauty, of a yellowing field of oats bathed in the slanting light, and of an old wood far beyond the field, spotted with yellow, melting into the blue distance? He felt his heart wrung with joy. A feeling of tenderness came over him. He felt resolved. Varenka, who had just crouched down to pick a mushroom, stood up with a supple movement and looked over her shoulder. #Quote by Leo Tolstoy

#3. I picked up the large lapel button richly worked in purple, green and yellow plastic. 'January 1997,' it announced, 'Day of Visionaries.' Beneath the slogan was a portrait of Dr Martin Luther King Jr. And next to him, sharing the billing as it were, was a same-size picture of our newly elected President. And below was the official logo of the inauguration committee. I'm sorry, but that's too much. Much too much. I can tune out the Chief Executive when he drivels on about building a bridge to Newt Gingrich. I can be shaking a cocktail or grilling a lobster when he intones that 'nothing big ever came from being small.' I can be receiving a telephone call in a foreign language and still keep up with him when he says that the future lies before us, and the past behind, and that we must light the torch of knowledge from the fountain of wisdom (or whatever). As Orwell once remarked, after a point you stop noticing that you have said things like 'The jackboot is thrown into the melting pot,' or 'The fascist octopus has sung its swansong.' Motor-mouth and automatic pilot and sheer flatulence and conceit supply their own mediocre, infinitely renewable energy. But this cheap, cheery little button turned the scale. It's one thing to be bored, or subjected to boredom. It's another to be insulted. This is a pot of piss flung in the face. What does it take to get people disgusted these days? #Quote by Christopher Hitchens

#4. Lillian's lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air.
"What is that?" she murmured, drawing in the fragrance. "Cinnamon and wine…" Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus.
"Go and find out," he said.
Curiously Lillian went to investigate. Taking hold of the cover's handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey.
"Since I couldn't obtain a pear from a bottle for you," came Marcus's voice from behind her, "this was the next best alternative."
Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips #Quote by Lisa Kleypas

#5. Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed? #Quote by Karen Russell

#6. The house smelled like fireplace kindling, and hot water in old brass pipes - like metal melting into wood and becoming something all its own. It smelled like his childhood. Like chaos and terror and oatmeal cookies and lamb stew, and nighttime in front of that drafty front window. And the smell of it brought back thoughts, long past, about escaping from inside the walls and evoked the helplessness of every board that kept the place upright. #Quote by Melodie Ramone

#7. Please love me the way I smile when you enter the room
A dumb grin that feels no pain
Unafraid of the future,
Not thinking of the past
Who I was, who I will be
But who I am in this very moment
Please love me for what's in me now
What's filling my heart
An overflowing into your open palms
Sinking in your skin
And melting into your heart
Please love me knowing I'm growing
And far away from the woman I will be
The woman who will keep loving you
And hope that you love me too. #Quote by Beverly Tan

#8. When the shimmer of the past is melting into the presence, spreading a scent of attentiveness and inquiringness, our mind may ask for a new reading of the story of our life. An innocuous flicker from a hazy sequence in our memory lane can affect our current awareness, making us raise questions, throwing new light on our expectations; crafting an airy vision of the future. ("A change of vision" ) #Quote by Erik Pevernagie

#9. I'm spending until dawn with you," I said firmly. "Don't bother to argue."
"God forbid," said Jesse, solemn.
I pushed past him into the cottage. He'd been waiting up for me, I could tell. There was a book spread facedown upon the table, a pair of lamps lit beside it.
"I thought you said you were resting tonight.
"Aye. I was. But then it occurred to me that the bed wasn't nearly so comfortable without you. So I got up and hoped."
I crossed my arms over my chest and dug my toes into the soft nap of the rug. The cottage had been built within a protective circle of birches; even during the heat of the day, it was never very warm.
"You hoped for me?" I asked, uncertain.
Jesse came close, put his arms around me, and buried his face in my hair. "As always. As ever."
"And I came," I whispered, closing my eyes, breathing him. The ache behind my forehead began to unbind.
"And you came," he agreed.
And he summoned the magic that was all his own, beyond stars and starfire. A magic of mortal lips and hands, of bristly new whiskers scraping my chin, of melting kisses that made the whiskers unimportant.
Our bodies entwined, or hearts. Our lives.
I think that was the night a very quiet, very powerful part of me began to comprehend how it was going to be. I think the part of me that was magic, that had broken away from the practical earth to slip along Jesse's celestial family of stars, to allow them to bind me in their spell…
#Quote by Shana Abe

#10. It's okay," I said, my voice breaking. "It's okay. You guys stay back here. Try to help the others. I can't let her hurt anyone else. She won't leave until she gets me."
"You," Lend whispered, then looked at Reth. "Something unspoken passed between them. "Keep her safe," Lend said fiercely.
Reth nodded. "Always."
Lend leaned forward and smashed his lips into mine, kissing me desperately, then pulled away. "I love you," he said, his glamour melting off so it was him, just him for a heartbeat, and I got ready to stand and be lost forever. Then he replaced his water self with:
Me.
"No!" I screamed, but Reth wrapped his arms around me and traced one finger down my throat, freezing my voice.
I screamed and screamed, ripping my throat to shreds but no sound came out. Lend-as-me stood up, lifting both hands in the air.
"I'm coming," my voice said. "Stop."
He walked out from behind the counter and I couldn't see him and she'd kill him and I'd lose him forever and I couldn't live in a world where he wasn't.
I kicked against the counter as hard as I could, trying to force Reth to let me go, but his arms weren't flesh, they were permanent, there was no give. I slammed my head back into his chest again and again, but then I felt more than heard her faerie door closing as the air thinned again and I knew it was over and my world had been destroyed.
Lend was gone, and it was my fault.
I slammed my head against Reth again in rage; he pu #Quote by Kiersten White

#11. The day you finally start dealing with your past is the day you stop dragging it into the present. #Quote by Diane Guerrero

#12. If you keep having to dip into the story's past to explain the present, then there's a good chance your real story's in the past, and you're just using the present as a vehicle to deliver us there. #Quote by Stephen Graham Jones

#13. Words.

I'm surrounded by thousands of words. Maybe millions.

Cathedral. Mayonnaise. Pomegranate.
Mississippi. Neapolitan. Hippopotamus.
Silky. Terrifying. Iridescent.
Tickle. Sneeze. Wish. Worry.

Words have always swirled around me like snowflakes - each one delicate and different, each one melting untouched in my hands.

Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs.

From the time I was really little - maybe just a few months old - words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear.

Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them.

I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings.

But only in my head.

I have never spoken one single word. I am almost eleven years old. #Quote by Sharon M. Draper

#14. The imagination places the world of the future either far above us, or far below, or in a relation of metempsychosis to ourselves. We dream of traveling through the universe - but is not the universe within ourselves? The depths of our spirit are unknown to us - the mysterious way leads inwards. Eternity with its worlds - the past and future - is in ourselves or nowhere. The external world is the world of shadows - it throws its shadow into the realm of light. At present this realm certainly seems to us so dark inside, lonely, shapeless. But how entirely different it will seem to us - when this gloom is past, and the body of shadows has moved away. We will experience greater enjoyment than ever, for our spirit has been deprived. #Quote by Novalis

#15. The shutter of the photographer's camera makes that repeated mechanical sound. That unlocking and locking of the doors of light to send momentary images of the present into the light trap of the past. #Quote by Simon Mawer

#16. Our minds are mischievously clever. Time and again, they pull us back to the past and yank us forward into the future. Our perception of the world - and the story we tell ourselves about who we are - is completely colored by half-baked memories and imagined projections. But in truth this is all illusion... The only objective truth is the present moment - the now. #Quote by Rich Roll

#17. Logic might be imagined to exist independent of writing - syllogisms can be spoken as well as written - but it did not. Speech is too fleeting to allow for analysis. Logic descended from the written word, in Greece as well as India and China, where it developed independently. Logic turns the act of abstraction into a tool for determining what is true and what is false: truth can be discovered in words alone, apart from concrete experience. Logic takes its form in chains: sequences whose members connect one to another. Conclusions follow from premises. These require a degree of constancy. They have no power unless people can examine and evaluate them. In contrast, an oral narrative proceeds by accretion, the words passing by in a line of parade past the viewing stand, briefly present and then gone, interacting with one another via memory and association. #Quote by James Gleick

#18. Dear God

Please take away my pain and despair of yesterday and any unpleasant memories and replace them with Your glorious promise of new hope. Show me a fresh HS-inspired way of relating to negative things that have happened. I ask You for the mind of Christ so I can discern Your voice from the voice of my past. I pray that former rejection and deep hurts will not color what I see and hear now.

Help me to see all the choices I have ahead of me that can alter the direction of my life. I ask You to empower me to let go of the painful events and heartaches that would keep me bound. Thank You for Your forgiveness that You have offered to me at such a great price. Pour it into my heart so I can relinquish bitterness hurts and disappointments that have no place in my life. Please set me free to forgive those who have sinned against me and caused me pain and also myself. Open my heart to receive Your complete forgiveness and amazing grace. You have promised to bind up my wounds Psa 147:3 and restore my soul Psa 23:3 .

Help me to relinquish my past surrender to You my present and move to the future You have prepared for me. I ask You to come into my heart and make me who You would have me to be so that I might do Your will here on earth. I thank You Lord for all that's happened in my past and for all I have become through those experiences. I pray You will begin to gloriously renew my present. #Quote by Sue Augustine

#19. He was becoming something the world had never seen before - a dream animal - living at least partially within a secret universe of his own creation and sharing that secret universe in his head with other, similar heads. Symbolic communication had begun. Man had escaped out of the eternal present of the animal world into a knowledge of past and future. The unseen gods, the powers behind the world of phenomenal appearance, began to stalk through his dreams. #Quote by Loren Eiseley

#20. There's no linear narrative - the structure is more like a series of variations on a theme (how identity is shaped by language), with the past constantly bleeding into the present, dreams into reality. And the language, while incredibly lyrical in places, also has this underlying dissonance, the sense of it having itself been translated. #Quote by Deborah Smith

#21. They haven't killed us yet, I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it.
If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit.
This is the way the world is made now. #Quote by Lauren Oliver

#22. The passage of time, which transformed the volatile present into that finished, unalterable painting called the past, a canvas man always executed blindly, with erratic brushstrokes that only made sense when one stepped far enough away from it to be able to admire it as a whole. -pg. 19 #Quote by Felix J. Palma

#23. The European immigrants who emerged from the Ford Motor Company melting pot came to the United States because they hoped to assimilate into mainstream American society. The Hmong came to the United States for the same reason they had left China in the nineteenth century: because they were trying to resist assimilation. #Quote by Anne Fadiman

#24. VANNBRUGGHE. (Spitting upon the floor) But the bounds of the Mind are yet unknown: we form our Judgments too much on what has been done without knowing what might be done. Originals must soar into the region of Liberty.

DYER. And then fall down, since they have Wings made only of Wax. Why prostrate your Reason to meer Nature? We live off the Past: it is in our Words and our Syllables. It is reverberant in our Streets and Courts, so that we can scarce walk across the Stones without being reminded of those who walked there before us; the Ages before our own are like an Eclipse which blots out the Clocks and Watches of our present Artificers and, in that Darkness, the Generations jostle one another. It is the dark of Time from which we come and to which we will return.

VANNBRUGGHE. (Aside) What is this stuff about Time? (To Dyer) This is well said, but this Age of ours is quite new. The World was never more active or youthful than it is now, and all this Imitation of the past is but the Death's Head of Writing as it is of Architecture. #Quote by Peter Ackroyd

#25. To be sure, the ancient belief that the dream reveals the future is not entirely devoid of truth. By representing to us a wish as fulfilled the dream certainly leads us into the future; but this future, taken by the dreamer as present, has been formed into the likeness of that past by the indestructible wish. #Quote by Sigmund Freud

#26. I stared into Jared's eyes, and the strangest thing happened. All the melting and melding I had just been through was shoved aside, into the smallest part of my body, the little corner that I took up physically. The rest of me yearned toward Jared with the same desperate, half-crazed hunger I'd felt since the first time I'd seen him here. This body barely belonged to me or to Melanie-it belonged to him. #Quote by Stephenie Meyer

#27. People should learn to live in the now. They spend all their time thinking about past glories and worrying about the future. Meanwhile all the moments of spontaneity and beauty they'll ever have in their lives are flitting from future into past without being noticed. That's why there are so many grumpy assholes in the world #Quote by William Meikle

#28. Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated. #Quote by Vasily Grossman

#29. Memory is corrupted and ruined by a crowd of memories. If I am going to have a true memory, there are a thousand things that must first be forgotten. Memory is not fully itself when it reaches only into the past. A memory that is not alive to the present does not remember the here and now, does not remember its true identity, is not memory at all. He who remembers nothing but facts and past events, and is never brought back into the present, is a victim of amnesia. #Quote by Thomas Merton

#30. Living in the moment does not mean forgetting about the past or ignoring the future. It means drawing on our past experiences and keeping the future in sight as we put all of our energy into the present. #Quote by Ernest Cadorin

#31. It was one of the most sublimely exhilarating moments of my life. I was half a step in front of the real, an inch or two beyond the confines of my body, and when the thing happened just as I thought it would, I felt my skin had become transparent. I wasn't occupying space anymore so much as melting into it. What was around me was also inside me, and I had only to look into myself in order to see the world. #Quote by Paul Auster

#32. Those moments make me feel like I'm melting - like we're fusing together, ceasing to be two separate people, turning into one. #Quote by Claudia Gray

#33. Letting the last breath come.
Letting the last breath go.
Dissolving, dissolving into vast space,
the light body released from its heavier form.
A sense of connectedness with all that is,
all sense of separation dissolved
in the vastness of being.
Each breath melting into space
as though it were the last. #Quote by Stephen Levine

#34. He who receives Communion is made holy and Divinized in soul and body in the same way that water, set over a fire, becomes boiling ... Communion works like yeast that has been mixed into dough so that it leavens the whole mass; ... Just as by melting two candles together you get one piece of wax, so, I think, one who receives the Flesh and Blood of Jesus is fused together with Him by this Communion, and the soul finds that he is in Christ and Christ is in him #Quote by Cyril Of Alexandria

#35. Colours change: in the morning light, red shines out bright and clear and the blues merge into their surroundings, melting into the greens; but by the evening the reds loose their piquancy, embracing a quieter tone and shifting toward the blues in the rainbow. Yellow flowers remain bright, and white ones become luminous, shining like ghostly figures against a darkening green background. #Quote by Rosemary Verey

#36. The exact science of one molecule transformed into another
that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul. She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable? #Quote by Eowyn Ivey

#37. He cups the back of my neck with his hand and holds the other against my face, rubbing my cheek with his thumb. Slowly, he leans down and kisses me.
Soft, then deep.
I ooze against the house. I can feel his kiss in my whole body, like warm liquid pouring through me - gold, rich, and melting. After about a minute of what can only be described as sheer ecstasy, Corey rests his forehead against mine so we can both catch our breath. Then he takes my head into his hands and looks at me hard, like his heart is breaking.
'I have wanted to do that for so, so long.'
I cannot speak. I can only nod yes and hope he knows what I mean. He kisses me more...
"... for months and months..."
"... when you sprayed me with Dr. Pepper..."
"... at the bakery when you were holding that corned beef..."
"... and every single time I see you..."
I lean against the house and hold on to his wrists so I don't dissolve into a puddle. And I kiss him back. Over and over, I kiss him back. #Quote by Colleen Clayton

#38. Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent.

The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.)

Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone.

Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--t #Quote by David Mitchell

#39. Our advanced art approaches a fragile but marvelous life, one that maintains itself by a mere thread, melting into an elusive, changeable configuration, the surroundings, the artist, his work and everyone who comes to it. #Quote by Allan Kaprow

#40. There were so many wrongs piling up on both sides, so much of the past being dragged into the present, that living there was like carving the story of your life on to a sepulchral monument. #Quote by Sara Sheridan

#41. But it's not just me, you know. The whole world's sad," I said. "It's like a virus. It's going to end badly. Glaciers melting, ozone depleted. Terrorists blowing up buildings, nuclear rods infecting the aqueducts. Influenza hopping from the pigeons to the humans, killing millions. Billions. People rotting in the street. The sun bursting open, shattering us eight minutes later. If not that, starvation. Cannibalism. Freakish mutated babies with eyeballs in their navels. It's a terrible place to bring a child into," I said. "This world. It is terrible. Just terrible." I #Quote by Lauren Groff

#42. The alchemist saw the union of opposites under the symbol of the tree, and it is therefore not surprising that the unconscious of present-day man, who no longer feels at home in his world and can base his existence neither on the past that is no more nor on the future that is yet to be, should hark back to the symbol of the cosmic tree rooted in this world and growing up to heaven - the tree that is also man. In the history of symbols this tree is described as the way of life itself, a growing into that which eternally is and does not change; which springs from the union of opposites and, by its eternal presence, also makes that union possible. It seems as if it were only through an experience of symbolic reality that man, vainly seeking his own "existence" and making a philosophy out of it, can find his way back to a world in which he is no longer a stranger. #Quote by C. G. Jung

#43. Is that how it goes with writing? That as long as you are writing, no time is ever completely in the past? Is this the fate that befalls all writers--to flow backward, in present tense, into a time of pain, like a salmon migrating upstream, swimming against the current back to where it started, struggling through waterfalls, carrying a deep wound inside its belly, risking its own life. It returns, taking the same route back, tracking its own trail, travelling that singular path. #Quote by Shin Kyung-sook

#44. Minutes turn into hours
that add up to days
amounting to weeks
that become months
melting into years
accumulating for decades
to pile up for centuries
and ultimately form minutes again―
just on a grander, divine scale. #Quote by Richelle E. Goodrich