Penakut Chord Quotes

#1. Playing inside the changes means playing enough of the important notes of the chord progression at important times. A good solo might be very free, but every once in a while it loops or hooks into an essential note that describes the harmonic change. #Quote by Chuck Israels

#2. I was still in and out of consciousness so much, and so emotional. But there were little things that helped. I remember at one point hearing my dad say, "He likes music. I am going to put on some music." He brought in a little red radio and left it on this Top 40 station all the time hoping to cheer me up. Top 40 stations play the same songs over and over again. At the time there was one song that stood out and struck a chord with me: Sheryl Crow's "Good is Good." I don't know what Sheryl Crow's intentions were when she wrote it, but I felt like she was singing to me directly.
I really related to this song. The words would bounce around my head even when I was asleep, about things going south and that it was up to you to make it better. Things are only as good as you make them. I felt calmer and comforted every time I heard it. #Quote by Noah Galloway

#3. I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn. #Quote by Naomi Shihab Nye

#4. I've played the guitar since I was 12, and just taught myself songs chord by chord. #Quote by Jamie Blackley

#5. The - the sort of thing that I want to do is to strike a resonant chord of universality in other people, which is best done by fiction. #Quote by Joyce Carol Oates

#6. I love playing all kinds of roles. I hope it doesn't sound too pretentious, but I always feel human nature is like a piano, and there are 88 keys, and there are some white keys and some black keys, and each character is a different chord on the piano. Basically, I hope that in the course of my life, I will have played all 88 keys. So, I'll have played heroes and villains and princes and kings and warriors and beggars and thieves and lovers and fathers and wizards and all of those things. That is why I'm an actor ... I love studying people. #Quote by Tom Hiddleston

#7. The flanger setting ... makes it sound as if the chord is being chewed over thoughtfully by a large genie accustomed to telling long, implausible stories #Quote by Tim Brookes

#8. There is not a string attuned to mirth but has its chord of melancholy. #Quote by Thomas Hood

#9. Why do we care about singers? Wherein lies the power of songs? Maybe it derives from the sheer strangeness of there being singing in the world. The note, the scale, the chord; melodies, harmonies, arrangements; symphonies, ragas, chinese operas,jazz, the blues: that such things should exist, that we should have discovered the magical intervals and distances that yield the poor cluster of notes, all within the span of a human hand from which we can build our cathedrals of sound, is alchemical a mystery as mathematics, or wine, or love. Maybe the birds taught us. Maybe not. Maybe we are just creatures in search of exaltation. We don't have much of it. Our lives are not what we deserve; they are, let us agree, in many painful ways deficient. Song turns them into something else. Song shows us a world that is worthy of our yearning, it shows us our selves as they might be, if we were worthy of the world. #Quote by Salman Rushdie

#10. Like Princes crowned they bore them
Like Demi-Gods they wrought,
When the New World lay before them
In headlong fact and thought.
Fate and their foemen proved them
Above all meed of praise,
And Gloriana loved them,
And Shakespeare wrote them plays!
...
Now Valour, Youth, and Life's delight break forth
In flames of wondrous deed, and thought sublime
Lightly to mould new worlds or lightly loose
Words that shall shake and shape all after-time!
Giants with giants, wits with wits engage,
And England-England-England takes the breath
Of morning, body and soul, till the great Age
Fulfills in one great chord:
Elizabeth! #Quote by Rudyard Kipling

#11. PRELIMINARY EXERCISE:

What does a turbine veil? a bird avail what chord?
I heard a bird whir no word, felt
a turbine shadow turning from the floods of time
electric currents the darkness stirrd,
and trees in blaze of light arose
casting shadows of speech, seductive, musical, abroad.
It was a single tree. It was a word of many trees
that filld the vale.
It was a store of the unspoken in the bird
that whirrd the air, that every occasion of the word
overawed. #Quote by Robert Duncan

#12. I'd have these weird experiences where I'd just be walking down the street with this chord progression in my head, this happened more than a few times, and I'd walk home and find a fax in my machine and it would match the music in my head. #Quote by Duncan Sheik

#13. Playing octaves was just a coincidence. And it's still such a challenge, like chord versions, block chords like cats play on piano. There are a lot of things that can be done with it, but each is a field of its own. I used to have headaches every time I played octaves, because it was extra strain, but the minute I'd quit I'd be all right. But now I don't have headaches when I play octaves. #Quote by Wes Montgomery

#14. As long as they could still be moved by a minor chord, or brought to a crisis of tears by scenes of lovers reunited; as long as there was room in their cautious hearts for games of chance, and laughter in the face of God, that must surely be enough to save them, at the last. If not, there was no hope for any living thing. #Quote by Clive Barker

#15. Walter came from a strong line of self-motivated, determined folk: not grand, not high-society, but no-nonsense, family-minded, go-getters. His grandfather had been Samuel Smiles, who, in 1859, authored the original motivational book, titled Self-Help. It was a landmark work, and an instant bestseller, even outselling Charles Darwin's The Origin of Species when it was first launched.
Samuel's book Self-Help also made plain the mantra that hard work and perseverance were the keys to personal progress. At a time in Victorian society where, as an Englishman, the world was your oyster if you had the get-up-and-go to make things happen, his book Self-Help struck a chord. It became the ultimate Victorian how-to guide, empowering the everyday person to reach for the sky. And at its heart it said that nobility is not a birthright but is defined by our actions. It laid bare the simple but unspoken secrets for living a meaningful, fulfilling life, and it defined a gentleman in terms of character not blood type.

Riches and rank have no necessary connection with genuine gentlemanly qualities.
The poor man with a rich spirit is in all ways superior to the rich man with a poor spirit.
To borrow St. Paul's words, the former is as "having nothing, yet possessing all things," while the other, though possessing all things, has nothing.
Only the poor in spirit are really poor. He who has lost all, but retains his courage, cheerfulness, hope, virtue, and self-respe #Quote by Bear Grylls

#16. He pushes in then, slowly, deeply, stroking a chord inside of me. My breath hitches. Oh God.
"I love that sound," he whispers, his voice gritty. "It's the best music in the world."
I wrap my arms around him. "Maybe that should be your ringtone, then."
He laughs, his face nuzzled into my neck. "That wouldn't work."
"Why?"
"Because others would hear it. That sound belongs only to my ears. #Quote by J.M. Darhower

#17. I love John Stamos. John's a really friendly, cool dude. #Quote by Chord Overstreet

#18. His musical inspiration operates in a world uncluttered by conventional bar lines, conventional chord changes, and conventional ways of blowing or fingering a saxophone. Such practical 'limitations' did not even have to be overcome in his music; they somehow never existed for him. Despite this-or more accurately, because of this-his playing has a deep inner logic. Not an obvious surface logic, it is based on subtleties of reaction, subtleties of timing and color that are, I think, quite new to jazz-at least they have never appeared in so pure and direct a form. #Quote by Gunther Schuller

#19. Music takes us out of ourselves, away from our worries and tragedies, helps us look into a different world, a bigger picture. All those cadences and beautiful chord changes, every one of them makes you feel a different splendor of life. #Quote by Jennifer Ryan

#20. Do
you miss a parent you never knew?" he whispered.
Kate considered his question for some time. His voice had held a hoarse urgency that told her there was
something critical about her reply. Why, she couldn't imagine, but something about her childhood clearly
rang a chord within his heart.
"Yes," she finally answered, "but not in the way you would think. You can't really miss her, because you
didn't know her, but there's still a hole in your life - a big empty spot, and you know who was supposed
to fit there, but you can't remember her, and you don't know what she was like, and so you don't know
how she would have filled that hole." Her lips curved into a
sad sort of smile. "Does this make any sense?"
Anthony nodded. "It makes a great deal of sense #Quote by Julia Quinn

#21. There is in souls a sympathy with sounds:
And as the mind is pitch'd the ear is pleased
With melting airs, or martial, brisk or grave;
Some chord in unison with what we hear
Is touch'd within us, and the heart replies. #Quote by William Cowper

#22. I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist. #Quote by David Levithan

#23. When the wind is against you, like a kite, have your chord of faith rooted and you would fly highest ever. #Quote by Vikrmn

#24. The marvels of God are not brought forth from one's self. Rather, it is more like a chord, a sound that is played. The tone does not come out of the chord itself, but rather, through the touch of the musician. I am, of course, the lyre and harp of God's kindness. #Quote by Hildegard Of Bingen

#25. I freaking love Gwyneth Paltrow - I think she's awesome. She is fantastic. #Quote by Chord Overstreet

#26. When I first started, I worked with three chords in every bar, but I found that tied me down - I'm not a chord-change writer, I'm a songwriter. #Quote by Neil Diamond

#27. Not everyone in Santa Monica is a well-heeled, juice-cleansing, Prius-driving yogini, but for better or worse, that is the city's dominant chord. #Quote by Meghan Daum

#28. Rock & Roll is the physical thing that just comes out of you .. the other stuff you have to sit down and learn .. once you learn scales and chord progressions, you can make up your own versions #Quote by Brian Setzer

#29. The sense of beauty of a physical theory must be something hardwired in our brain and not a social construct. It is something that touches some internal chord. When you stumble on a beautiful theory you have the same emotional reaction that you feel in front of a piece of art. #Quote by Sabine Hossenfelder

#30. A third emotional source of the defense forces is the sadistic conception of sexuality that the children of all patriarchal cultural circles acquire in early childhood. Since every inhibition of genital gratification intensifies the sadistic impulse, the entire sexual structure becomes sadistic. Since, moreover, genital claims are replaced by anal claims, the reactionary sexual slogan that a woman is degraded by sexual intercourse strikes a chord in the adolescent structure. In short, it is owing to the already existing perversity in the adolescent structure that the slogan can be effective. It is from his own personal experience that the adolescent has developed a sadistic conception of sexual intercourse. Thus, here too we find a confirmation of the fact that man's compulsive moralistic defense forces constitute the basis of political reaction's power. #Quote by Wilhelm Reich

#31. I wonder if anyone else has an ear so tuned and sharpened as I have, to detect the music, not of the spheres, but of earth, subtleties of major and minor chord that the wind strikes upon the tree branches. Have you ever heard the earth breathe? #Quote by Kate Chopin

#32. I paused to listen to the silence. My breath, crystallized as it passed my cheeks, drifted on a breeze gentler than a whisper. The wind vane pointed toward the South Pole. Presently the wind cups ceased their gentle turning as the cold killed the breeze. My frozen breath hung like a cloud overhead. The day was dying, the night being born - but with great peace. Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence - a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps.
It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man's oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was rightfully a part of that cosmos as were the day and night. #Quote by Richard Evelyn Byrd

#33. Every time I finish a song ... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head. #Quote by Conor Oberst

#34. In the morning I'd write these essays, anything that I'd feel like writing, and in the afternoon, I'd spend time with my guitar. I had decided after listening to my last four or five albums that my biggest weakness musically was melody. the reason I had been singing in a monotone over the chord patterns in my songs was that I never practiced doing melodies. #Quote by Iggy Pop

#35. Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set. #Quote by Richie Hawtin

#36. I heard what I'd learned against my will to identify as new age music. Aimless and spacey, it meandered from unresolved keyboard chord to unresolved keyboard chord with some somnolent noodling in place of melody. Drooling pianos, music to sleepwalk by. #Quote by Timothy Hallinan

#37. If I'm looking really intense, it's not because I'm trying to be mystical. It's because I'm thinking '[Dagnabit], that was supposed to be a 7th chord'. #Quote by Ed Robertson

#38. Genius is when you strike a chord accidently, and the ensuing music is beyond your control #Quote by Bangambiki Habyarimana

#39. I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references. #Quote by Joanna Newsom

#40. Maybe sometimes things come to you that you never, in a thousand years, would have included. But they strike a chord, so grab it. Trust your ability to know what's true to it and what would carry you off into outer space. #Quote by Joan Tewkesbury

#41. Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear ... Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right. #Quote by Paul Simon