Pelmazo En Quotes

#1. In this world we're all travelers on the same ship that has set sail from one unknown port en route to another equally foreign to us; we should treat each other therefore with the friendliness due to fellow travelers. #Quote by Fernando Pessoa

#2. Everybody thinks of others as being excessively human, with all the frailties and crotchets appertaining to that curious condition. But each of us also seems to regard himself as existing on a detached plane of observation, exempt (save in moments of avid crisis) from the strange whims of humanity en masse. #Quote by Christopher Morley

#3. A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the-surely not always strong-hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. Such realities are, I think, at stake in a poem. #Quote by Paul Celan

#4. And yet even in reaching for the beautiful there is beauty, and also in suffering whatever it is that one suffers en route. #Quote by Plato

#5. Not long ago I stood with a friend next to an art work made of four wood beams laid in a long rectangle, with a mirror set behind each corner so as to reflect the others. My friend, a conceptual artist, and I talked about the minimalist basis of such work: its reception by critics then, its elaboration by artists later, its significance to practitioners today, all of which are concerns of this book as well. Taken by our talk, we hardly noticed his little girl as she played on the beams. But then, signaled by her mother, we looked up to see her pass through the looking glass. Into the hall of mirrors, the mise-en-abîme of beams, she moved farther and farther from us, and as she passed into the distance, she passed into the past as well.

Yet suddenly there she was right behind us: all she had done was skip along the beams around the room. And there we were, a critic and an artist informed in contemporary art, taken to school by a six-year-old, our theory no match for her practice. For her playing of the piece conveyed not only specific concerns of minimalist work - the tensions among the spaces we feel, the images we see, and the forms we know - but also general shifts in art over the last three decades - new interventions into space, different construction of viewing, and expanded definitions of art. Her performance became allegorical as well, for she described a paradoxical figure in space, a recession that is also a return, that evoked for me the paradoxical figur #Quote by Hal Foster

#6. The survival instinct prove that we are alive. (L'instinct de survie - Prouve qu'on est en vie.) #Quote by Charles De Leusse

#7. Writing for money and reservation of copyright are, at bottom, the ruin of literature. No one writes anything that is worth writing, unless he writes entirely for the sake of his subject. What in inestimable boon it would be, if in every branch of literature there were only a few books, but those excellent! This can never happen as long as money is to be made by writing. It seems as though the money lay under a curse; for every author degenerates as soon as he begins to put a pen to paper in any way for the sake of gain. The best works of the greatest men all come from the time when they had to write for nothing or for very little. And here, too, that Spanish proverb holds good, which declares that honour and money are not to be found in the same purse--honra y provecho no caben en un saco. The reason why Literature is in such a bad plight nowadays is simply and solely that people write books to make money. A man who is in want sits down and writes a book, and the public is stupid enough to buy it. The secondary effect of this is the ruin of language. #Quote by Arthur Schopenhauer

#8. It might sound like a contradiction at first, but it isn't; collective processes make the best sense when participants are acting as individuals.

Lanier, Jaron. Ten Arguments for Deleting Your Social Media Accounts Right Now (Posición en Kindle670-671). Henry Holt and Co.. Edición de Kindle. #Quote by Lanier, Jaron

#9. A decade ago young people en masse began declaring themselves as Yugoslavs. It was a form of rising Yugoslav nationalism, which was a reaction to brotherhood and unity and a feeling of belonging to a single socialist self-managing society. This pleased me greatly. #Quote by Josip Broz Tito

#10. Polyphiloprogenitive
The sapient sutlers of the Lord
Drift across the window-panes.
In the beginning was the Word.

In the beginning was the Word.
Superfetation of to en,
And at the mensual turn of time
Produced enervate Origen.

A painter of the Umbrian school
Designed upon a gesso ground
The nimbus of the Baptized God.
The wilderness is cracked and browned



But through the water pale and thin
Still shine the unoffending feet
And there above the painter set
The Father and the Paraclete.



. . . . . .



The sable presbyters approach
The avenue of penitence;
The young are red and pustular
Clutching piaculative pence.



Under the penitential gates
Sustained by staring Seraphim
Where the souls of the devout
Burn invisible and dim.



Along the garden-wall the bees
With hairy bellies pass between
The staminate and pistilate,
Blest office of the epicene.



Sweeney shifts from ham to ham
Stirring the water in his bath.
The masters of the subtle schools
Are controversial, polymath. #Quote by T.S. Eliot

#11. I want to take the time right now to thank all the people who believed in me from day one. Gracias, gracias a todo gente creo en me. You know, I can prove that dreams do come true. I'm living proof that dreams come true in life. #Quote by Oscar Gutierrez

#12. Reading Mrs Gaskell's Life of Charlotte Brontë after Jane Eyre is a curious experience. The subject of the biography is recognisably the same person who wrote the novel, but the effect of the two books is utterly different. The biography is indeed depressing and painful reading. It captures better, I believe, than any any
subsequent biography the introverted and puritan pessimist side of Charlotte Brontë, and conveys the real dreariness of the world of privation, critical discouragement and limited opportunity that
so often made her complain in her letters that she felt marked out for suffering.
Jane Eyre, on the other hand, is exhilarating reading, partly because the reader, far from simply pitying the heroine, is struck by her resilience, and partly because the novel achieves such an imaginative transmutation of the drab. Unlike that of Jane Austen's Fanny Price or Dickens's Arthur Clennam or John Harmon, Jane
Eyre's response to suffering is never less than energetic. The reader is torn between exasperation at the way she mistakes her resentments and prejudices for fair moral judgements, and admiration at the way she fights back. Matthew Arnold, seeking 'sweetness and light' was repelled by the 'hunger, rebellion and rage' that he
identified as the keynotes of the novel. One can see why, and yet feel that these have a more positive effect than his phrase allows. The heroine is trying to hold on to her sense of self in a world that gives it little en #Quote by Ian Gregor

#13. Because it is written by a nineteenth-century American, and because of its closeness to the twentieth century, The Portrait of a Lady foregoes Victorian affirmations. The price it pays, however (together with several twentieth-century novels) is that it eventually leaves the reader, along with its heroine, 'en Vair' amid its self-reflections. #Quote by Ian Gregor

#14. When you were talking about the caste system, I was thinking about how Mexicans still have to come to terms with this in our own culture. We spoke earlier about the castas paintings that were made during the eighteenth and nineteenth centuries in Mexico. The Spanish, establishing a form of racial apartheid, delineate the fifty-three categories of racial mixtures between Africans, Indians, and the Spanish. And they have names, like tiente en el aire, which means stain in the air; and salta otras, which means jump back; or mulatto, a word that comes from mula, the unnatural mating between the horse and the donkey. "Sambo" is now a racial epithet in the US, but it was first used as one of the fifty-three racial categories in the castas paintings. #Quote by Amalia Mesa-Bains

#15. Bekase why: would a wise man ant to live in de mid's er such a blimblammin' all de time? No
'deed he wouldn't. A wise man 'ud take en buil' a biler-factry; en den he could shet down de biler-factory when he want to res'. #Quote by Mark Twain

#16. The great brainwave of the inventors of Christianity: "God is love!" And then? What does it change? You may always preach a god of love to men, they will make use of him to sanctify their villainies and their crimes "for the good fight" as well as the massacres en masse, blessing priests leading the way. #Quote by Francois Cavanna

#17. Language is a door. Words en-trance and are an entrance; they draw you in. When you read, the book you cradle disappears and the tales within unfold in your mind. Writing is a shelter of words and reading an interior adventure. #Quote by Laurie Seidler

#18. Te amo, Querida," he whispered suddenly, stroking her hair. "Tu eres mi luz en la oscuridad."
"This is the second time you've said that," Cassandra murmured. "What does it mean?"
"I love you." His voice was as rough as his hand on her cheek was gentle. "You are my light in the darkness. #Quote by Brooklyn Ann

#19. First I went to the Sorbonne to do my licence en lettres, but I also started to study law. #Quote by Claude Chabrol

#20. Ce n'est gue' re que dans les asiles que les coquettes gardent avec ente tement une foi entie' re en des regards absents; normalement, elles re clament des te moins. Women fond of dress are hardly ever entirely satisfied not to be seen, except among the insane; usually they want witnesses. #Quote by Simone De Beauvoir

#21. Joan Durbeyfield always manged to find consolation somewhere: 'Well, as one of the genuine stock, she ought to make her way with 'en, if she plays her trump car aright. And if he don't marry her afore he will after. For that he's all afire wi' love for her any eye can see.'
'What's her trump card? Her d'Urberville blood, you mean?'
'No, stupid; her face - as 'twas mine. #Quote by Thomas Hardy

#22. And when we wr i t e he r life hi s tory, we f ind tha t we know nothing about the f i r s t s even ye a r s of he r life, but the de eds of he r l a t e r chi ldhood a r e to be s e en in the old rocks .( #Quote by Anonymous

#23. I try to keep feeling what's going on and try to use the camera, the actors and the design to enhance those feelings. There's something really emotionally direct and honest about how I put the material with the images. You hope that the strength of mise-en-scene comes from an honesty towards the material. You also hire really well. #Quote by Ira Sachs

#24. I'll give you what I've managed to unearth and the rest will have to wait for the day the páginas en blanco finally speak. #Quote by Junot Diaz

#25. Listen in close, Wall Street Conquistadors, you're spreading like vapor up through people's floors, you're moving en masse under the cracks of our doors and grabbing our children to work in your stores, feeding the needy to make them your whores, but you need to remember the grave you're digging is yours. #Quote by Trevor D. Richardson

#26. Ten years ago a book appeared in France called D'Une foi l'autre, les conversions a l'Islam en Occident. The authors, both career journalists, carried out extensive interviews with new Muslims in Europe and America. Their conclusions are clear. Almost all educated converts to Islam come in through the door of Islamic spirituality. In the middle ages, the Sufi tariqas were the only effective engine of Islamisation in Muslim minority areas like Central Asia, India, black Africa and Java; and that pattern is maintained today.

Why should this be the case? Well, any new Muslim can tell you the answer. Westerners are in the first instance seeking not a moral path, or a political ideology, or a sense of special identity - these being the three commodities on offer among the established Islamic movements. They lack one thing, and they know it - the spiritual life. Thus, handing the average educated Westerner a book by Sayyid Qutb, for instance, or Mawdudi, is likely to have no effect, and may even provoke a revulsion. But hand him or her a collection of Islamic spiritual poetry, and the reaction will be immediately more positive. It is an extraordinary fact that the best-selling religious poet in modern America is our very own Jalal al-Din Rumi. Despite the immeasurably different time and place of his origin, he outsells every Christian religious poet.

Islam and the New Millennium #Quote by Abdal Hakim Murad

#27. The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief.

In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what?

But Mao's theory might just be the extension o #Quote by Jung Chang

#28. "He sido un hombre afortunado en la vida, nada me ha sido facil." "I've been a fortunate man in life, nothing has come easy" #Quote by Sigmund Freud

#29. This plucky NASA telescope is able to find planets en masse. If you compare planet hunting to prospecting for gold, then Kepler is equivalent to trading in your trusty pan for a diesel-powered sluice box. #Quote by Seth Shostak

#30. In league with a general called Feng Yuxiang, a Christian warlord, who entered legend by baptizing his troops en masse with a firehose, #Quote by Jung Chang

#31. Yes - en I's rich now, come to look at it. I owns myself, en I's wuth eight hund'd dollars. I wisht I had de money, I wouldn' want no mo'. #Quote by Mark Twain

#32. Our spirit knows our purpose, let these en-grained impressions shape our perceptions of who we think we are today. #Quote by Napz Cherub Pellazo

#33. The cheese and wine party has the form of friendship without the warmth and devotion. It is a device either for getting rid of social obligations hurriedly en mass, or for making overtures towards more serious social relationships, as in the etiquette of whoring. #Quote by Brooks Atkinson

#34. If I cannot have a religion that will lead me to God, and place me en rapport with him, and unfold to my mind the principles of immortality and eternal life, I want nothing to do with it. #Quote by John Taylor