Orwell Why I Write Quotes

#1. Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations. #Quote by George Orwell

#2. Plain words on plain paper. Remember what Orwell says, that good prose is like a windowpane. Cut every page you write by at least a third. Stop constructing those piffling little similes of yours. Work out what you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blood. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage! But do I take my own advice? Not a bit. Persiflage is my nom de guerre. (Don't use foreign expressions. It's elitist.) #Quote by Hilary Mantel

#3. In the same essay, Said (who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction) congratulates them on their forceful use of tautology:

'Orwell belonged to the category of writers who write.' And could afford to write, they might have added. In contrast they speak of George Garrett, whom Orwell met in Liverpool, a gifted writer, seaman, dockworker, Communist militant, 'the plain facts of [whose] situation - on the dole, married and with kids, the family crowded into two rooms - made it impossible for him to attempt any extended piece of writing.' Orwell's writing life then was from the start an affirmation of unexamined bourgeois values.

This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing - under the name Matt Lowe - for John Middleton Murry's Adelphi. As he told his diary:

I urged him to write his autobiography, but as usual, living in about two rooms on the dole with a wife (who I gather objects to his writing) and a number of kids, he finds it impossible to settle to any long work and can only do short stories. Apart from the enormous unemployment in Liverpool, it is almost impossible for him to get work because he is blacklisted everywhere as a Communist.

Thus the evidence that supposedly shames Orwell by contrast is in fact supplied by - none other than Orwe #Quote by Christopher Hitchens

#4. If Orwell had a chance to write 1984 from the vantage point of 1984 instead of 1948, perhaps he would have seen the class of hackers instead of the proles as a threat to Big Brother's rule. #Quote by Ishmael Reed