Once You Go Black You Dont Go Back Quotes

#1. How You Doing, Little Lucy?" His bright tone and mild expression indicates we're playing a game we almost never play. It's a game called How You Doing? and it basically starts off like we don't hate each other. We act like normal colleagues who don't want to swirl their hands in each other's blood. It's disturbing.

"Great, thanks, Big Josh. How You Doing?"

"Super. Gonna go get coffee. Can I get you some tea?" He has his heavy black mug in his hand. I hate his mug.

I look down; my hand is already holding my red polka-dot mug. He'd spit in anything he made me. Does he think I'm crazy? "I think I'll join you."

We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives.

"Ah-ha-ha," we say to each other genially at some pretend joke. "Ah-ha-ha."

We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. "What's happening?"

Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force.

"Mommy and Daddy love you very much, kids," Joshua says quietly so only I can h #Quote by Sally Thorne

#2. When you get to a certain level of recognizability, celebrity, you can't go out of the house without someone going, "Can I just have one photo?" I don't mind, by the way, if anyone wants one we can take some photos. But sometimes you just wanna stay in the house or in the hotel room with the shades closed. #Quote by Jack Black

#3. What are you doing abovedecks, anyhow?"
"The cry went up for all hands."
"You're not a hand. You're a passenger."
"I may not be a hand, but I've got two perfectly good hands, and if I sit on them a second longer, I'll go mad."
Joss stared at Gray's open collar, where his cravat should have been knotted. "She's really getting to you, isn't she?"
"You have no idea," Gray muttered.
"Oh, I think I do."
Gray ignored his brother's smug tone. "Damn it, Joss, just put me to work. Send me up to furl a sail, put me down in the hold to pump the bilge…I don't care, just give me something to do."
Joss raised his eyebrows. "If you insist." He lifted the spyglass to his eye and began scanning the horizon again. "Batten the hatches, then."
Gray tossed a word of thanks over his shoulder as he descended to the quarterdeck and went to work, dragging the tarpaulins over the skylights and securing them with battens. As he labored, the ship's motions grew more violent, hampering his efforts. He saved the vent above the ladies' cabin for last, resisting the urge to peer down through the grate. Instead, he first secured one end, then blanketed the entire skylight with one strong snap on the canvas.
"Ahoy! Ahoy!" Wiggins leaned forward over the prow, hailing the approaching ship, its puffed scudding sails a stark contrast against the darkening sky.
Gray moved to cover the companion stairs, reaching inside the gaping black hole and groping for the #Quote by Tessa Dare

#4. In spite of the cold I took a seat at one of the sidewalk tables. It felt like a slab of ice under my butt. I shivered,but stuck it out.
"Hey, Loco Girl!"
Shout out "Hey, Gorgeous!" or "Einstein," and I don't budge. But this one had me at "Loco." Go figure. I looked across the sidewalk to see Daniel's face, so much like Frankie's, framed in the window of his Jeep. I felt a sad little tug in my chest.
"You are aware it's only forty degrees out there,aren't you?" he asked. I shrugged. "Meeting someone?"
"No," I admitted.
"Then get in.Your hands look like wax. It's seriously creepy."
I looked down at the hand gripping the blindingly cheerful cup.He was right.
He also got out to open the passenger's-side door for me. I was a little charmed, until he pointed at my partially eaten cheesesteak in its wilted paper wrapper. "You are not bringing that thing into my car. It's an abomination."
I eyed the cigarette he'd dropped in the gutter. He did his teeth-baring thing. I tossed my cold meal in the trash, knowing I wouldn't have eaten it anyway. The inside of the Jeep wasn't all that much warmer than out. "Here." Daniel took off his black leather jacket and held it out for me. It was heavy and smelled a little bit like a burned cookie. It went on over my own coat; the sleeves went past my fingertips. "You look like frozen-"
"Don't say it," I muttered as I settled into the battered seat.
"You have no idea what I was going to say," he sho #Quote by Melissa Jensen

#5. Like you? I go out of here every morning… bust my butt…putting up with them crackers everyday…cause I like you? You about the biggest fool I ever saw. It's my JOB. It's my RESPONSIBILITY! You understand that? A man got to take care of his family. You live in my house… sleep on my bed clothes…fill you belly up with my food… cause you my son. You my flesh and blood. Not 'cause I like you! Cause it's my duty to take care of you. I OWE a responsibility to you! Let's get this straight right here… before it go along any further… I ain't got to like you. Mr. Rand don't five me money come payday cause he likes me. He gives me cause he OWE me. I done give you everything I had to give you. I gave you your life! Me and your mama worked that out between us. And liking your black ass wasn't part of the bargain. Don't try and go through life worrying about if somebody like you or not. You best be making sure they doing right by you. You understand what I'm saying, boy?"

- August Wilson, Fences, 1986. #Quote by August Wilson

#6. In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie wou #Quote by Therese Anne Fowler

#7. You're supposed to be a spirit of intellect. I don't understand why you're obsessed with sex."
Bob's voice got defensive. "It's an academic interest, Harry."
"Oh yeah? Well maybe I don't think it's fair to let your academia go peeping in other people's houses."
"Wait a minute. My academia doesn't just peep -"
I held up a hand. "Save it. I don't want to hear it."
He grunted. "You're trivializing what getting out for a bit means to me, Harry. You're insulting my masculinity."
"Bob," I said, "you're a skull . You don't have any masculinity to insult."
"Oh yeah?" Bob challenged me. "Pot kettle black, Harry! Have you gotten a date yet? Huh? Most men have something better to do in the middle of the night than play with their chemistry sets. #Quote by Jim Butcher

#8. Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it's not depression, not even discomfort; it's a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the 'real black world,' preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest 'black' music. Like: the less real power a people have, the more they'll assert hegemony in areas that don't much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority - the foot-speed, vertical leap - we like them in fields, cotton- or ball-. It's a Hell we like to look at because it has so clearly been made someone else's very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a 'suffering' we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers. #Quote by David Foster Wallace

#9. But if you don't want to go with them, you're going to have to lash yourself to the bed like sailors who lashed themselves to masts to avoid jumping into the sea with Sirens. #Quote by Holly Black

#10. Looking up occasionally to see rare cars crossing the high bridge and wondering what they'd see on this drear foggy night if they knew a madman was down there a thousand feet below in all that windy fury sitting in the dark writing in the dark - Some sort of sea beatnik, tho anybody wants to call me a beatnik for THIS better try it if they dare - The huge black rocks seem to move - The bleak awful roaring isolateness, no ordinary man could do it I'm telling you - I am a Breton! I cry and the blackness speaks back "Les poissons de la mer parlent Breton" (the fishes of the sea speak Breton) - Nevertheless I go there every night even tho I dont feel like it, it's my duty (and probably drove me mad), and write these sea sounds, and all the whole insane poem "Sea". #Quote by Jack Kerouac

#11. If you've gone along with Morgan's plan enough to get this note, then I presume you're planning to go through with it. Let me give you some friendly advice about the toys in this case. First, if you don't know what it is, don't even think about using it. Second, if you don't know how to use it properly, don't even think about using it. (Hint: You don't know how to use the crop, the flogger, or the paddle, even if you think you do.) Third make sure Morgan always has a way to signal she wants to stop, and respect the signal if she gives it. And last but not least, if you ignore my advice, I'm going to come over there personally and kick your ass! Don't think because I'm gay I can't do it. Respect and treasure the power she's putting in your hands, and don't abuse it. (Dominic) #Quote by Jenna Black

#12. A little white woman, . . . [a] tiny little white woman I could fit in my pocket.' . . . 'And I don't know why I'm surprised. You don't even notice it – you never notice. You think it's normal. Everywhere we go, I'm alone in this… this sea of white. I barely know any black folk any more, Howie. My whole life is white. I don't see any black folk unless they be cleaning under my feet in the fucking café in your fucking college. Or pushing a fucking hospital bed through a corridor . . . 'I gave up my life for you. I don't even know who I am any more.' . . . 'Could you have found anybody less like me if you'd scoured the earth? . . . My leg weighs more than that woman. What have you made me look like in front of everybody in this town? You married a big black bitch and you run off with a fucking leprechaun? #Quote by Zadie Smith

#13. What do you do when you find yourself out in a lie - even a white one? Well, one thing for sure, you don't put on black, you don't mourn and beat out a staccato mea culpa on your breast. You go! Get the hell out! Take a chance! Forget you're an American, living in the suburbs of success, hoping to move into the big city ... You go! #Quote by Vincent Price

#14. Most people don't get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that's it.

But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America's Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson's handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children #Quote by Susan J. Douglas

#15. I am writing to go back to the time, at the rest stop in Virginia, when you stared, horror-struck at the taxidermy buck hung over the soda machine by the restrooms, its antlers shadowing your face. In the car, you kept shaking your head. " I don't understand why they would do that. Can't they see it's a corpse? A corpse should go away, not get stuck forever like that."

I think now of that buck, how you stared into its black glass eyes and saw your reflection, your whole body, warped in that lifeless mirror. How it was not the grotesque mounting of a decapitated animal that shook you - but that the taxidermy embodied a death that won't finish, a death that keeps dying as we walk past it to relieve ourselves. #Quote by Ocean Vuong

#16. Don't wear those trousers with that shirt. What are you thinking?"
"I'm going to a bust, not a party."
"That's no reason not to look your best. Let's see, what's the well-dressed cop wearing these days to take down a major terrorist organization? You can't go wrong with basic black."
"Is this a joke?" she asked as he selected another shirt.
"Good fashion sense is never a joke." He handed her the shirt, slid a finger down the dent in her chin. "But it's good to see you smile again, Lieutenant. Oh, and wear the black boots, not the brown."
"I don't have any black boots."
He reached in, pulled out a pair of sturdy black leather. "You do now. #Quote by J.D. Robb

#17. Okay, Maya. I get it. Just drop it. You don't want a nice, clean neighborhood. You'd rather drive all the way downtown for a good restaurant or get on the bus to go to the mall. You don't want-"
"Are you serious right now? Did I say I didn't want those things?"
"Well, that's how you're acting."
"I want things to be fair. And something is not fair when black men and women are turned down for business loans over and over again, but others aren't. #Quote by Renée Watson

#18. Go to any police-and-community meeting in Brooklyn, the Bronx, or Harlem, and you will hear pleas such as the following: Teens are congregating on my stoop; can you please arrest them? SUVs are driving down the street at night with their stereos blaring; can't you do something? People have been barbecuing on the pedestrian islands of Broadway; that's illegal! The targets of these complaints may be black and Hispanic, but the people making the complaints, themselves black and Hispanic, don't care. They just want orderly streets. #Quote by Heather Mac Donald

#19. The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes.
Astelle said, 'A man like you – I could take full time.'
He smiled regretfully. 'That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.'
'Suppose I should have a child?' she asked. 'You have put enough seed in me to make a dozen babies.'
'You will not,' he said with conviction. 'A Faen child can be conceived only in love, and we don't have that, do we?' Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him.
'I would not know if we did. I don't understand how love should feel.'
'If you loved, you would know it,' he told her. And you would not steal from your love, he thought fiercely.
He was buckling his sword belt over the black tunic.
She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. 'If I did have a child – could I let you know somehow?' Astelle clutched at the only strand of hope she could find.
He strove to reassure her. 'We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.' But he did not think this very likely.
'Please don't go, Griff.' She was a #Quote by Bernie Morris

#20. I don't know that he said a thing. He smelled strange, I noticed that right away, not rotten like you and Roticella said, more complicated, like an apple that the wasps are flying around, musty, but autumny... I can't explain. But he hissed, and those awful red eyes, like red fire, coals. God, they were anything but dead the way they are in his picture. I could see the iris was dark brown, almost black, and the whites were bloodshot lines... The lashes were thick and Harry I just can't say this right, but the eyes, they weren't repulsive. Evil, evil, but not to turn you away. I... I couldn't stop looking at him. It was like some sort of spider sucking out all my juices. Destroying me right there on the sidewalk.

'And I felt I was going to faint, and I tried, I tried to break out of that stare of his, but I couldn't. He was drawing everything out of me - my job, that you were trying to trap him, even things about me, even personal things. Then... then he was gone.

'I was conscious of myself again, it was like I had been left hollow, worthless. I mean something of me went with him and the rest of me wanted to go with him. I'm ashamed, Harry, so ashamed...' She sobbed for a moment, then with difficulty regained her control. #Quote by Leslie H. Whitten Jr.

#21. Don't know. Don't care. I'm hopping on a bus and going until I can't go any farther. Until I find a place that feels like home.'
He's quiet for a long time. 'How will you know what home feels like?'
It hangs in the air between us, as frozen as our breaths. I don't have an answer. #Quote by Holly Black

#22. What is it?" I hissed at Kamala. "I thought you were going to talk right then and there and then we would've been thrown out."
Kamala wouldn't look at me. "It's the Dharma Raja."
I froze. "What about him?"
"I can sense him." The blue veins that once stood out so prominently on her skin had begun to sink beneath pearlescent hair. Even the garnet gaze of her eyes had receded into something bright and black. Thoroughly animal.
"And?"
"He was here, but only for a moment."
"Where did he go?"
"I couldn't tell you that, not for all the salk-skin in the world." Kamala sighed.
"Do you know where he was?"
"That's the thing I was trying to tell you, maybe-queen!" exclaimed Kamala, pawing at the ground. "He was at the Chakara Forest. You were right."
I was right. There was a soft glow of warmth in that knowledge, even if knowing that I had just missed him rent through me like a new wound. I had trusted my instinct and it had been right. #Quote by Roshani Chokshi

#23. Seeee, I told you so!"
"Be quiet. Don't talk to me."
"Now you should understand
No matter where you go ...
you'll always be alone."
"Shut up ...
Intention of the abyss ... !!"
"Say ...
why are you Alice?
...
... Why ... is Alice you ... ?
'cos ...
... your name is ...
... The Bloody Black Rabbit Isn't It? #Quote by Jun Mochizuki

#24. I don't see black people as victims even though we are exploited. Victims are flat, one- dimensional characters, someone rolled over by a steamroller so you have a cardboard person. We are far more resilient and more rounded than that. I will go on showing there's more to us than our being victimized. Victims are dead. #Quote by Kristin Hunter

#25. Black is beautiful .Black isn't power. Knowledge is power. You can be black as a crow or white as snow but if you don't know and you ain't got no dough, you can't go and that's for sho'. #Quote by Lewis H. Michaux

#26. Stop it," spluttered Eustace, "go away. Put that thing away. It's not safe. Stop it, I say. I'll tell Caspian. I'll have you muzzled and tied up." "Why do you not draw your own sword, poltroon!" cheeped the Mouse. "Draw and fight or I'll beat you black and blue with the flat." "I haven't got one," said Eustace. "I'm a pacifist. I don't believe in fighting." "Do I understand," said Reepicheep, withdrawing his sword for a moment and speaking very sternly, "that you do not intend to give me satisfaction? #Quote by C.S. Lewis

#27. Deal with all this, live with myself, you mean? I honestly don't know. I stand often enough at the abyss of my soul, asking that same question, looking down into the dark crevices where the black monsters dwell on the bottom. They gaze up at me, and I look them in the eyes. "This also you are," they say, and I almost fall into the void."
"And then?"
Anaxantis shrugged.
"And then? I turn around and go do what needs to be done. What else is there? #Quote by Andrew Ashling

#28. Your shoes have to match your belt. That's rule number one for guys. You can't put the brown shoes with the black belt. Or a brown belt with a black wristwatch. Just don't do it! Also, I don't like boots with suits. And when you wear sneakers, make sure they go with your shirt. #Quote by Ashton Kutcher

#29. It The Weather Channel is the most watched cable channel in America. I'll repeat that. It is the most watched cable channel in America. They were worried about the terrorists immobilizing us, and a portion of our countrymen watch weather. 'Kay, you don't get any more immobile than that ... unless you're in a goddamn coma. That means you're saying, I'd go to the window, but it's too far. If you want to know what the weather is you go to a window and stick your hand out and if you want to know what the temperature is you drive by a bank. #Quote by Lewis Black

#30. Along the open road on winter nights, homeless, cold, and hungry, one voice gripped my frozen heart: 'Weakness or strength: you exist, that is strength. You don't know where you are going or why you are going, go in everywhere, answer everyone. No one will kill you, any more than if you were a corpse.' In the morning my eyes were so vacant and my face so dead, that the people I met may not even have seen me.

In cities, mud went suddenly red and black, like a mirror when a lamp in the next room moves, like treasure in the forest! Good luck, I cried, and I saw a sea of flames and smoke rise to heaven; and left and right, all wealth exploded like a billion thunderbolts. #Quote by Arthur Rimbaud

#31. That night Bindi, Steve, and I all curled up in bed together. "As long as we're together," Steve said, "everything will be just fine."
It was spooky, and I didn't want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve's hand.
Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve's arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly.
"What do you do if you get nailed by this poison?"
The bushmen smiled broadly. "We die," they said.
John filmed every step of the way as the skin of Steve's arm continued to blacken and he rode out the fever. He worried about the residual effects of gangrene.
Ultimately, Steve survived, but he felt the effects for weeks afterward. Once again, Steve and I discussed how uneasy we felt when we were apart. Every time we were together on a trip, we knew we'd be okay. When we were apart, though, we shared a disconcerting feeling that was hard to put into words. It made me feel hollow inside.
The Africa trip had #Quote by Terri Irwin

#32. Joy has to do with seeing how big, how completely unobstructed, and how precious things are. Resenting what happens to you and complaining about your life are like refusing to smell the wild roses when you go for a morning walk, or like being so blind that you don't see a huge black raven when it lands in the tree that you're sitting under. We can get so caught up in our own personal pain or worries that we don't notice that the wind has come up or that somebody has put flowers on the diningroom table or that when we walked out in the morning, the flags weren't up, and that when we came back, they were flying. #Quote by Pema Chodron

#33. Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him.
That was one of his favorite sounds - high heels on the wooden dock of the Boys of the Bayou swamp boat tour company.
He took his time turning and once he did, he started at the shoes.
They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn't start until mid-thigh, and showed off more tanned skin.
He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts.
He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color.
But before he could get to those lips, she used them, to say, "Oh, dammit, it's you."
Owen's gaze bypassed her mouth to fly to her eyes. Because he'd know that voice anywhere.
Madison Allain was home.
A day early.
Not that an extra day would have helped him prepare. He'd been thinking about her visit for a week and was still as wound tight about it as he'd been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month.
Owen stood just watching her, fi #Quote by Erin Nicholas

#34. I think you can be politically incorrect, but there's some responsibility with that. You've got to make sure that you are not condoning or bolstering any racial or other stereotypes. You've got to be free to make jokes, but just make sure ... you don't want to go and black face somewhere to just prove a point. If it's insulting and offensive just for the sake of it that's problematic. #Quote by Sacha Baron Cohen

#35. Helene, why did you even choose this field of study? Philosophy? The thing is, you double majored in psychology and philosophy in your undergraduate studies, but then you chose to pursue your doctorate in philosophy rather than psychology. There's a reason for that."
"Because, I like ... " I scratched my head as I let myself drop back into the sofa cushions, and then I sighed. "I like that nothing is black and white. I like that I can let my mind go and explore even the most basic of concepts as though my thoughts and feelings are as important as ... as ... Schopenhauer and Hume. I don't have to accept that there's a right and wrong answer. I can believe and feel that there are so many more shades of truth. #Quote by Elizabeth Finn

#36. I follow his stare at the speckles of stars. Suddenly I wonder, "Aren't you guys supposed to, like, sparkle or something?" And immediately wish I hadn't. Frederik stands up so quickly that he doesn't disturb the sand. He grabs the front of my shirt and growls--his eyes are black as the night sky along the horizon, and red veins fray against the white of his eyes. His sharp canines are exposed. "I.Don't.Sparkle." He lets go of me and becomes regular bored Frederik again, no fangs, no bloodshot eyes. Just a dude sitting on the beach at night. #Quote by Zoraida Cordova

#37. What is it about humans that make us so prone to prejudice?"
Blue arches one of his unnaturally colored eyebrows and looks up to meet my gaze. "If we didn't form prejudices, we wouldn't be learning from our environment, you dolt. It's an animal instinct. If a porcupine's quill gets stuck in your hand once, you won't be likely to go grabbing it again soon, right? #Quote by Rhi Etzweiler