Light Skin Baby Quotes

#1. Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two. #Quote by Victor Hugo

#2. It seems that in death the chakras are externalised, so to speak, becoming visible for the dead man., expressing themselves in concrete form like the astrological heavens, with their houses of the Zodiac. . . .

The moment of death, one has the presentiment of a great light, the Midnight Sun of the ancients. Then follows the diminution of this light and the indecision of the choice of paths, the dejection particular to a change of state, when the dead person is swallowed up by the Whale of Death. Of coarse, whoever has followed a discipline of initiation in this life will be in a position to overcome this great crisis of dejection and arrest the slow process of decomposition.

'The 'ego' is really a reflection of an Eternal Form, of the 'Name written in the Book of the Stars'. When consciousness disappears, the 'ego' dissolves in the waters of death, in a prolonged dream. In death, only the one who has become alive, who has managed to wake up, takes this eternal form, his real name, and gives it a face: the face of his soul, which is the face of his Beloved. . . .

To die is like passing to the other side of the mirror, 'into an upside-down sky', like 'falling out of one's skin into the soul'. Whoever has experienced mystic death during his life is already the Lord of the Two Worlds. #Quote by Miguel Serrano

#3. I wonder why it is that so many light-haired women smell of amber..."
"You mean amber perfume?" Daisy asked.
"No-their skin itself. Amber, and sometimes honey..."
"What on earth do you mean? the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash."
The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..."
"Others have a scent like plum, or palm sap, or fish hay," Nettle commented.
Lillian glanced at him with a satisfied smile. "Yes, exactly!"
Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have. #Quote by Lisa Kleypas

#4. His smile faded into something awed, something ... reverent, and I reached out to cup his face in my hands-
To find my skin glowing.
Faintly, as if some inner light shone beneath my skin, leaking out into the world. Warm and white light, like the sun-like a star. Those wonder-filled eyes met mine, and Rhys ran a finger down my arm. Well, at least now I can gloat that I can literally make my mate glow with happiness. #Quote by Sarah J. Maas

#5. I really like Neutrogena for skin care and CoverGirl makeup. I can't stand heavy makeup. I feel like my skin can't breathe, and CoverGirl is really light. #Quote by Francia Raisa

#6. Old and alone, thought Pelletier. Just one of thousands of old men on their own. Like the machine célibataire. Like the bachelor who suddenly grows old, or like the bachelor who, when he returns from a trip at light speed, finds the other bachelors grown old or turned into pillars of salt. Thousands, hundreds of thousands of machines célibataires crossing an amniotic sea each day, on Alitalia, eating spaghetti al pomodoro and drinking Chianti or grappa, their eyes half closed, positive that the paradise of retirees isn't in Italy (or, therefore, anywhere in Europe), bachelors flying to the hectic airports of Africa or America, burial ground of elephants. The great cemeteries at light speed. I don't know why I'm thinking this, thought Pelletier. Spots on the wall and spots on the skin, thought Pelletier, looking at his hands. Fuck the Serb. #Quote by Roberto Bolano

#7. A heavenly female with long, russet tresses that drifted over her right shoulder in undulating waves stepped toward him. A bright blue ribbon held her unruly mass of hair. She wore a light blue, snugly fitted shirt that matched the ribbon. It clung to full breasts tapering to a narrow waist. Skin like polished stone with a light kiss from the sun gleamed in the gathering light. Large, round, azure eyes the shade of sea shoals under a noonday summer sun and blanketed with thick lashes assessed him and left him speechless. #Quote by Aleigha Siron

#8. Hair in darkness doesn't feel the way it does in light. In light, you can touch a person's hair and not feel it at all - you might think you are feeling it, but really you are seeing its color, seeing its shape, seeing the light and the shadows intertwined between the hair and your own hands. But in darkness, her hair poured across his palms like molten music between his fingers. Skin in darkness is different, too. In light, you don't notice skin, distracted as you are by eyes watching you, eyes you are afraid to trust, eyes that could be waiting for your shame. But in pure darkness, her skin was warm and trembling and alive - secret whorled passageways of ears, soft fingertips tracing circles on his neck, the living heartbeat-shudders of falling-closed eyelids, cheeks erupting into lips and giving way to his tongue. And in light you don't think of how warm a person is, of how a person can enfold you, enclose you amid arms and clothes and ribs in pure primeval underground darkness, the heat between you glowing like an ember that you are afraid to put out. #Quote by Dara Horn

#9. Nathan's mother is thinking about the body of Christ and the wings of angels. Her spirit lightens in the safety, the sanctity, of the church. Dark hair surrounds her pretty oval face. Light from the stained-glass window tints her skin. Nathan thinks about the body of the son of the farmer who owns the house Nathan's parents rented three weeks ago. #Quote by Jim Grimsley

#10. There's one disturbing notion throughout India that light skin is more attractive than dark. #Quote by Freida Pinto

#11. The island. As I tally my losses, it figures large there. If God takes a beloved one unto himself, we feel that loss in our heart. Yet we know well enough that nowt will quicken the dead, and so we must strive to be reconciled. But the island - its briny air, its ever changing light - these things yet exist. There, the clean and glassy breakers still beat upon the sands, the clay cliffs still flare russet and purple each sunset. All of this goes on, but I am not there to rejoice in it. It is a loss I feel on my very skin. #Quote by Geraldine Brooks

#12. The bed sank as Amar sat beside me. Warm fingertips trailed across my cheek, brushing the hair from my forehead and sending sparks of light up my spine. His lips grazed my temples.
"Soon, jaani."
I waited until his footsteps echoed outside before squinting around the room. Without him, it seemed colder. I retraced his touch lightly, careful to avoid smudging the imprint of his lips against my skin. He had called me jaani--"my life." I stared at the closed door. Where his skin touched mine felt burnished, hallowed by the words he left hanging in the air. Jaani jaani jaani. I wanted him to say it again. I wanted him to say it closer to my ear, my neck…my lips.
But the surge of warmth faded as the memory of my dream prickled behind my eyes.
Magic was not the only coaxing, dangerous thing around me. #Quote by Roshani Chokshi

#13. Liquids require receptacles. This is the great problem of packaging, which every experienced chemist knows: and it was well known to God Almighty, who solved it brilliantly, as he is wont to, with cellular membranes- eggshells, the multiple peel of oranges, and our own skin, because after all we too are liquids. Now, at that time, there did not exist polyethylene, which would have suited me perfectly since it is flexible, light, and splendidly impermeable: but it is also a bit too incorruptible, and not by chance God Almighty himself, although he is a master of polymerization, abstained from patenting it: He does not like incorruptible things. #Quote by Primo Levi

#14. them. His backhand sent the first flying a good six feet in the air and he landed with a crack on the asphalt almost fifteen feet away. It was so loud when he landed that it even caught my attention, and by this point sparkles of light were filling my eyes. The second guy couldn't stop fast enough. Wolfe's hand lanced out, wrapping around the man's throat, but I could tell his grip was less merciful because the guy's eyes were bugging out of his head and Wolfe's fingernails had dug into his skin. Blood dripped down Wolfe's fingers, mixing with the spots in my vision. I hammered the bigger man's hands and wrists, searching for leverage, but I couldn't #Quote by Robert J. Crane

#15. She glides to a stop in front of me, all grace and luscious skin. Her bare chest and shoulders glow in the low light. I want to touch her, caress her, so much so that I ball my fingers into tight fists to keep them to myself.
"You look beautiful." My voice sounds strained, even to my own ears. #Quote by Michelle Leighton

#16. People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her. #Quote by Marlon James

#17. Mircea must have heard us come in, but he continued what he was doing.
He stood with his back to us, the candlelight on his bare skin causing his muscles to fall into sharp relief. He'd washed the river gunk out of his hair and now he threw it back, the water droplets shimmering in the light. The scene looked for all the world like a really good romance novel cover. #Quote by Karen Chance

#18. Even if you had a feminist mother like mine, you still absorbed the messages about our limited future through the pores of your skin…We were baby-making machines, always had been, always would be, and we were supposed to be satisfied with that. The women who were beginning to assert their full and separate humanity were often caricatured as harpies, termagants and shrews. #Quote by Jane Caro

#19. My thoughts of you are a rainbow in splashing ocean waves...appearing...disappearing in sacred depths of skies the grasps of mine reach to the highest... Will you, ah, long for kissing me tonight? so I could feel the sweetest pleasure of your lips on mine... As we embrace in our dream, I'll dance your quiet loving tune deeply within. The softness of your gentle touch so ever fine..the painting fingertips caress my dewy glowing skin...and feel my heated inner flesh pulsate...they make my body sing like strings of violin...again.. The warmth of body yours so close... so real is the feeling of your beating heart against my chest...inhaling you is easy... I crave the safety of your soul arms around me. Joint passions together fully blooming, so wild, so intense..it makes time stand still... So kiss me, want tonight with golden, silver light of stars in darkest royal blue of velvet summer skies... To love you ~ I'm yours... I spread this crystal spring-like bliss under your feet...tread softly for you tread upon my dreams.. #Quote by Oksana Rus

#20. She wished Felix and Jay were babies again, though they were never babies at the same time, and she wished she could have been a baby with them, too, that they could all lie in a thoughtless baby lump, void of all responsibilities and knowledge, without history, just soft skin and fat, piled on each other like puppies, mother and children, impossibly all infants at the same time. She #Quote by Catherine Lacey

#21. Rachel arched, deliberately parting herself more widely over him, inviting him deeper into her body. She heard his intake of air, felt the raw tremor that shook him. Sweat sprang out on his skin, making him glow copper in the half-light. His lips drew back, baring his teeth as he fought for the control she was intent on denying him; then, with a rough sound somewhere between a groan and a purr, his hips jackhammered, and he thrust himself all the way in.
Time stopped. Rachel registered the wild dilation in Cullen's eyes, her own sense of unreality. She was backed up against a wall, her arms and legs wrapped around Cullen, and he was so deep inside her that her muscles quivered in reaction to his alien heat and hardness. #Quote by Fiona Brand

#22. Here was my choice: I could continue down the well-trod path upon which I'd been running for so very long and pass along the inheritance like a baton, as blithely as I did my light hair and fair skin. My daughter could do her best to outrun it...
Or I could slow down, catch my breath, and look mindfully for a new path. There had to be another way and I owed it to my daughter to find it. #Quote by Adrienne Brodeur

#23. Ana Magdalena nods. For an instant the blue eyes fix on his. 'She sees straight through me', he thinks with a jolt. 'Sees through me and doesn't like me'.
It hurts him. It is not something he is used to, being disliked, and being disliked moreover on no grounds. But perhaps it is not a personal dislike. Perhaps the woman dislikes the fathers of all her students, as rivals to her authority. Or perhaps she simply dislikes men, all save the invisible Arroyo.
Well, if she dislikes him he dislikes her too. It surprises him: he does not often take a dislike to a woman, particularly a beautiful woman. And this woman is beautiful, no doubt about that, with the kind of beauty that stands up to the closest scrutiny: perfect features, perfect skin, perfect figure, perfect bearing. She is beautiful yet she repels him. She may be married, but he associates her nevertheless with the moon and its cold light, with a cruel, persecutory chastity. Is it wise to be giving their boy - any boy, indeed any girl - into her hands? What if at the end of the year the child emerges from her grasp as cold and persecutory as herself? For that is his judgement on her - on her religion of the stars and her geometric aesthetic of the dance. Bloodless, sexless, lifeless. #Quote by J.M. Coetzee

#24. I, who cannot see, find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough shaggy bark of a pine ... Yet, those who have eyes apparently see little. The panorama of color and action which fills the world is taken for granted ... It is a great pity that, in the world of light, the gift of sight is used only as a mere convenience rather than as a means of adding fullness to life. #Quote by Helen Keller

#25. I'd say he's not much older than you," Mother said when she noticed.
"Really?" Lynn peered closer at his face. "How can you tell?"
"Well," Mother peered up at the gray sky as she considered how to answer, "I guess it's in the way his skin isn't so tough, he's still got the little bit of baby soft on him. #Quote by Mindy McGinnis

#26. Living every day knowing people were keeping him down because of the color of his skin, Foster said, "You feel like you are a piece of dynamite ready to explode. The only thing it takes is but a little fire--a cigarette butt--and light the fuse." His explosion came one day at work. "I was pretty good in the computation laboratory; and I had one of my supervisors tell me he wanted me to train another person in that unit [a white man] and 'I want to make him your boss.' That bomb went off--my bomb. He didn't get any training from me and never did he become my damn boss! #Quote by Richard Paul

#27. As we sleep later, Ali holds on to me, spooning me from behind and I have to admit it feels damn good. I need the contact of the warm skin and the solidity of his body. Most all-nighters are hard work and the sex can be relentless. With Ali, it feels like I am staying with a boyfriend. I sense his hot breath on my shoulder and his faint snores are soothing. I'm a light sleeper. It makes it easier to turn tricks at night, but tonight I let myself be held
and enjoy the closeness. I manage to sleep for a few hours with some pleasant dreams for once. It hasn't seemed like work. I've felt valued and cared for, which is a brand-new experience for me. The next day, I should have left early but I give him a lazy early morning blow job instead, before getting dressed to leave. Because Ali has shown me respect, I want to provide the best service to him. #Quote by A. Zukowski

#28. And girl-women, women, curved like instruments or fruit, skin burnished brown-bright, suit tops held by delicate knots of fragile colored string against the pull of mysterious weights, suit bottoms riding low over the gentle juts of hips totally unlike your own, immoderate swells and swivels that melt in light into a surrounding space that cups and accommodates the soft curves as things precious. You almost understand. #Quote by David Foster Wallace

#29. But at the end of the white board, the edge, where you'll come down with your weight to make it send you off, there are two areas of darkness. Two flat shadows in the broad light. Two vague black ovals. The end of the board has two dirty spots. They are from all the poeple who've gone before you. Your feet as you stand here are tender and dented, hurt by the rough wet surface, and you see that the two dark sports are from people's skin. They are skin abraded from feet by the violence of the disappearance of people with real weight. More people than you could count without losing track. The weight and abrasion of their disappearance leaves little bits of soft tender feet behind, bits and shards and curls of skin that dirty and darken and tan as they lie tiny and smeared in the sun at the end of the board. They pile up and get smeared and mixed together. They darken in two circles. #Quote by David Foster Wallace

#30. Most people think of ways why their desires or goals would fail, instead of thinking of ways why they will succeed. Do not give in to why it would fail, but why it would succeed. Many people also fail to take action or give up to quickly on their desires or goals. It took Edison 1,000 attempts to obtain his goal the light bulb. People like Latimer improved on Edison's invention at time when our society dictate his status based on the color of his skin. They had the mentality that it would be impossible for them to fail. When you have this mentality, miracles will take place in your life. Remember winners or not quitters and quitters are not winners. Look for opportunities to realize your desires or goals today and every day. #Quote by Angela Williamson

#31. With throbbing veins and burning skin, eyes wild and heavy, thoughts hurried and disordered, he felt as though the light were a reproach, and shrunk involuntarily from the day as if he were some foul and hideous thing. #Quote by Charles Dickens

#32. Darn! what a beautiful night!
Heading towards Pandara Road-Gulati Restaurant, with open windows of my baby sedan and this broad chest guy with big brown eyes.
He hums the oldies well and his Issey Miyake is making me lose the grip over my senses.
One more thing is distracting me, he ain't wearing anything inside but a transparent white, V necked, cotton short Kurta.
I can see the hair winking out and his collar bones!!
Not only men get excited by transparent dresses but women as well.
His broad shoulders and chest is my weakness and he knows it.
This man is not doing good to me!
It's a crime to seduce in this way, when you are not touched, when you are distracted by the aroma of his skin, when you know, he is well aware of the intentions..
when you can't do anything except getting seduced by the corner stretching smile of a man with animal instinct..
I certainly am missing myself to be tied up to the bedpost,choked and groaning his name! #Quote by Himmilicious

#33. He touched me with such reverence, his fingertips light and curious as they cruised up my spine while his mouth was bold and knowing, his tongue lavishing taut, puckered skin with deadly precision. #Quote by Linda Kage

#34. Team Light Skin? No. Team Dark Skin? No. Team Brown Skin? No. TEAM MELANIN… Black Women and Black Girls are Exquisite Beauty in EVERY Shade. #Quote by Stephanie Lahart

#35. Before she could change her mind, she placed one hand on the alicorn's cheek and used the other to grab the pendant hanging from a long chain around her neck. She held the crystal up, and light hit the single facet cut into the stone, refracting toward the ground.

"Sophie, don't you - " Grady started to say, but he was too late.

She stepped into the light, letting the warmth swell under her skin like thousands of tickling feathers as the simmering rush swept her and the alicorn away. #Quote by Shannon Messenger

#36. Miss Bridgerton," he said, "the devil himself couldn't scare you."

She forced her eyes to meet his. "That's not a compliment, is it?"

He lifted her hand to his lips, brushing a feather-light kiss across her knuckles. "You'll have to figure that out for yourself," he murmured.

To all who observed, he was the soul of propriety, but Hyacinth caught the daring gleam in his eye, and she felt the breath leave her body as tingles of electricity rushed across her skin. Her lips parted, but she had nothing to say, not a single word. There was nothing but air, and even that seemed in short supply.

And then he straightened as if nothing had happened and said, "Do let me know what you decide."

She just stared at him.

"About the compliment," he added. "I am sure you will wish to let me know how I feel about you."

Her mouth fell open.

He smiled. Broadly. "Speechless, even. I'm to be commended."

"You - "

"No. No," he said, lifting one hand in the air and pointing toward her as if what he really wanted to do was place his finger on her lips and shush her. "Don't ruin it. The moment is too rare. #Quote by Julia Quinn

#37. Vain is your boast in that you have scratched the sole of my foot ... A worthless coward can inflict but a light wound. When I wound a man, though I but graze his skin, it is another matter, for my weapon will lay him low. His wife will tear her cheeks out for grief and his children will be fatherless: there he will rot, reddening the earth with his blood, and vultures, not women, will gather round him. #Quote by Homer

#38. He folded back the hem of her housedress. Peeled the wet underpants from her skin and moved them down over her pale knees and her small feet and then dropped them on the floor. He could hear the voices of the children playing in the tree outside. He gently pushed her thighs apart and saw immediately that the baby had already begun to crown. Her skin was paler than his wife's was, even in midwinter. He gave her his hand to get her through the next contraction, keeping his arm steady as she squeezed. He spread the fingers of the other over her taut belly. Mr. Persichetti wore a silver Saint Christopher's medal around his neck and kept a Sacred Heart scapular in his pocket, but when Mary Keane asked him, catching her breath, "Who's the patron saint of women in labor?" he shrugged. He told her he only knew Saint Dymphna was the patron of the insane. He'd had the #Quote by Alice McDermott

#39. Adam leaned down and placed his lips next to her ear. He blew gently on it before he spoke. Mona leaned even closer into him as she listened intently to his words.
"Desdemona."
She moaned at the sound of her name on his lips.
"I need to tell you something." His words were accompanied by warm air caressing her skin.
"Before my time is done, I will watch the light fade from your eyes as you are sent to the hell you so deserve." Though his words promised destruction, the cadence of his voice still held her in a seductive rapture. #Quote by Quinn Loftis

#40. Throughout my questioning, the Dharma Raja stood by my side, a silken shadow against all this light. I believed in myself, and with Amar supporting me, my decision was invincible.
"How could you be so cruel?" exclaimed one. "No wife in his mortal life?"
"His wife would not be reincarnated with him. I will not give him another."
A woman with a white veil, whose skin glowed like dawn, shot me a trembling smile.
"And what about his brothers? Did they not also partake in his crime of theft?" retorted another.
"They did," I said.
"Then why must he endure a whole life as a human when his brothers live less than a year in that realm?"
"Because they were accomplices. Not the instigators of the crime. It was he who committed the most wrong. It is he who must live the longest."
The deva beside me stomped his feet and lightning flared behind him.
"And what say you, Dharma Raja? How will you defend your queen's decision?"
I remembered holding my chin high, surveying the crowd with the tasteful indifference of one who knew she was impervious. And I remembered when that moment fell with his next words:
"If you doubt her, then I propose an agni pariksha. Fire will always tell."
The devas and devis nodded approvingly to themselves. A trial by fire. Humiliation burned through me. I dropped my hand from his and the world broke between us. #Quote by Roshani Chokshi

#41. As for my ideal type, I like girls who don't have powerful presence, and not self-centered. I'd like her to have a light skin, and a calm personality. #Quote by Yesung

#42. He released her and traced one finger – just one finger – across her cheekbone, nose and down her jaw. "I've never had anybody that was just mine. All mine."
His touch ignited her skin, heating all the way down her body. A pulse set up between her legs. She kept perfectly still. "I have no intention of being all yours. If this happens, after a lot of negotiation, then we'll go our separate ways."
His hands caressed down, easily enclosing her entire neck. "You really think that's how a mating happens with a shifter? Any shifter? Much less with me?" His hold was infinitely gentle, but the strength in those fingers, in that broad palm, couldn't be denied. "You chose an alpha, baby. Head of the entire grizzly nation."
"Aye," she whispered, her trachea moving against his hold.
His head lowered solely, deliberately, his molten gaze trapping hers. "Do you honestly think I'd let my mate go? Ever? #Quote by Rebecca Zanetti

#43. ...Women have preserved this `baby look' for as long as possible so as to make the world continue to believe in the darling, sweet little girl she once was, and she relies on the protective instinct in man to make him take care of her.
As with everything a woman undertakes on her own initiative, this whole maneuvre is as incredible as it is stupid. It is amazing, in fact, that it succeeds. It would appear very shortsighted to encourage such an ideal of beauty. For how can any woman hope to maintain it beyond the age of twenty-five? Despite every trick of the cosmetics industry, despite magazine advice against thinking or laughing (both tend to create wrinkles), her actual age will inevitably show'- through in the end. And what on earth is a man to do with a grown-up face when he has been manipulated into considering only helpless, appealing little girls to be creatures of beauty?

What is a men to do with a woman when the smooth curves have become flabby tires of flesh, the skin slack and pallid, when the childish tones have grown shrill and the laughter sounds like neighing? What is to become of this shrew when her face no longer atones for her ceaseless inanities and when the cries of `Ooh' and Ah' begin to drive him out of his mind? This mummified `child' will never fire a man's erotic fantasy again. One might think her power broken at last.

But no, she still manages to get her own way - and for two reasons. The first is obvious: she now has child #Quote by Esther Vilar

#44. I know Jojo is innocent because I can read it in the unmarked swell of him: his smooth face, ripe with baby fat; his round, full stomach; his hands and feet soft as younger sister's. He looks even younger when he falls asleep. His baby sister has flung across him, and both of them slumber like young feral cats: open mouths, splayed arms and legs, exposed throats. When I was thirteen, I knew much more than him. I knew that metal shackles could grow into the skin. I knew that leather could split flesh like butter. I knew that hunger could hurt, could scoop me hollow as a gourd, and that seeing my siblings starving could hollow out a different part of me, too. Could make my heart ricochet through my chest desperately. #Quote by Jesmyn Ward

#45. He had a swift and utterly lucid vision of himself in this position in thirty-odd years. Loathsome tea, hot steam, silver spoon, and fifty-year-old Chloe seated opposite him talking about clothing, because to her it was categorically, absolutely, the most fascinating topic on the planet.
Besides, of course, herself.
For an unflinching instant, Armand wished with his whole heart that he were dead.
Then, at the very edge of his perception, something changed.
He glanced up.
She was passing by the doorway, walking with that fluid, nearly animal grace that no one else seemed to capture or even notice.
He was given four steps of her.
One: She moved from the hallway shadows into the light cast from the parlor. He saw her illuminated, drab colors gone bright; her skin alabaster, reflective; her hair tinted pink and gold and pink again.
Two: Her gaze met his, finding him past all the other people crowded inside the stuffy mirrored room, dying by inches and taking their tea.
Three: He was paralyzed. He couldn't move, couldn't smile, couldn't nod. He was pinned in the gray of her eyes, a prisoner to their piercing clarity.
For an unflinching instant, Armand felt his heart explode like a firework, and the future seemed unwritten.
Then four: Eleanore looked away and passed the doorway. He was stuck with tea and dresses once more. #Quote by Shana Abe

#46. Tears shone in Lucien's remaining eye as he raised his hands and removed the fox mask.
The brutally scarred face beneath was still handsome - his features sharp and elegant. But my host was looking at Tamlin now, who slowly faced my dead body.
Tamlin's still-masked face twisted into something truly lupine as he raised his eyes to the queen and snarled. Fangs lengthened.
Amarantha backed away - away from my corpse. She only whispered "Please" before golden light exploded.
The queen was blasted back, thrown against the far wall, and Tamlin let out a roar that shook the mountain as he launched himself at her. He shifted into his beast form faster than I could see - fur and claws and pound upon pound of lethal muscle.
She had no sooner hit the wall than he gripped her by the neck, and the stones cracked as he shoved her against it with a clawed paw.
She thrashed but could do nothing against the brutal onslaught of Tamlin's beast. Blood ran down his furred arm from where she scratched.
The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn't touch him.
"Tam!" Lucien cried over the chaos.
A sword hurtled through the air, a shooting star of steel.
Tamlin caught it in a massive paw. Amarant #Quote by Sarah J. Maas

#47. They took you away from me."
His hand squeezed mine, the pendants and chains digging into my skin.
"I'm back, baby. #Quote by Kristen Ashley

#48. Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better."
"Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with."
He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands."
She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X."
"Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The #Quote by Diana Abu-Jaber