Land Of Stories A Grimm Warning Quotes

#1. In fact, Wen'an was the prefect location for the scrap-plastics trace: it was close, but not too close, to Beijing and Tianjin, two massive metropolises with lots of consumers and lots of factories in need of cheap raw materials. Even better, its traditional industry - farming - was disappearing as the region's once-plentiful streams and wells were run dry by the region's rampant, unregulated oil industry. So land was plentiful, and so were laborers desperate for a wage to replace the money lost when their fields died. As I hear these stories, I can't help but wonder: How much of the plastic that Wen'an recycles was made from the oil pumped from Wen'an's soil? Are all those old plastic bags blowing down Wen'an's streets ghosts of the fuel that used to run beneath them? #Quote by Adam Minter

#2. This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future.
But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves.
He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. 'And now', he said at last, 'I'd like to get on tape in your own words some of the stories you tell among yourselves.'
'Stories?' the other asked.
'You know, like your creation myth, if you have one.'
'What #Quote by Daniel Quinn

#3. Coming back like this to hunt for details for my stories feels a bit like poaching on land that used to be mine. But I've never lost the need to tell of my Alabama, to reveal it, lush and green and full of death. So I return, knowing what I've learned. #Quote by Tom Franklin

#4. No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you. #Quote by Milan Kundera

#5. Doctor Who has never pretended to be hard science fiction ... At best Doctor Who is a fairytale, with fairytale logic about this wonderful man in this big blue box who at the beginning of every story lands somewhere where there is a problem. #Quote by Neil Gaiman

#6. Many of the slaves believe such stories, and think it is not worth while to exchange slavery for such a hard kind of freedom. It is difficult to persuade such that freedom could make them useful men, and enable them to protect their wives and children. If those heathen in our Christian land had as much teaching as some Hindoos, they would think otherwise. They would know that liberty is more valuable than life. They would begin to understand their own capabilities, and exert themselves to become men and women. #Quote by Harriet Jacobs

#7. ...while epic fantasy is based on the fairy tale of the just war, that's not one you'll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.

See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we're torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.

The Classical internal monologue goes like this: do anything, anything, only don't be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don't you? So it's all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he'll alwa #Quote by Catherynne M. Valente

#8. [T]he old stories of human relationships with animals can't be discounted. They are not primitive; they are primal. They reflect insights that came from considerable and elaborate systems of knowledge, intellectual traditions and ways of living that were tried, tested, and found true over many thousands of years and on all continents.

But perhaps the truest story is with the animals themselves because we have found our exemplary ways through them, both in the older world and in the present time, both physically and spiritually. According to the traditions of the Seneca animal society, there were medicine animals in ancient times that entered into relationships with people. The animals themselves taught ceremonies that were to be performed in their names, saying they would provide help for humans if this relationship was kept. We have followed them, not only in the way the early European voyagers and prenavigators did, by following the migrations of whales in order to know their location, or by releasing birds from cages on their sailing vessels and following them towards land, but in ways more subtle and even more sustaining. In a discussion of the Wolf Dance of the Northwest, artists Bill Holm and William Reid said that 'It is often done by a woman or a group of women. The dance is supposed to come from the wolves. There are different versions of its origin and different songs, but the words say something like, 'Your name is widely known among the wolves. You are #Quote by Linda Hogan

#9. It was only a dream. Sometimes they say that, at the end of stories, in the land where Milo was born. And then I woke up - it was only a dream.
Stories here do not end like that. I cannot wake up. I do not sleep. #Quote by Catherynne M Valente

#10. Sighing, he rose from his desk and walked to the windows to stare out at the Vatican through the rain. What a burden men like Sandoz carried into the field. Over four hundred of Ours to set the standard, he thought, and remembered his days as a novice, studying the lives of sainted, blessed and venerated Jesuits. What was that wonderful line? "Men astutely trained in letters and in fortitude." Enduring hardship, loneliness, exhaustion and sickness with courage and resourcefulness. Meeting torture and death with a joy that defies easy understanding, even by those who share their religion, if not their faith. So many Homeric stories. So many martyrs like Isaac Jogues. Trekking eight hundred miles into the interior of the New World - a land as alien to a European in 1637 as Rakhat is to us now, Giuliani suddenly realized. Feared as a witch, ridiculed, reviled for his mildness by the Indians he'd hoped to gain for Christ. Beaten regularly, his fingers cut off joint by joint with clamshell blades - no wonder Jogues had come to Emilio's mind. Rescued, after years of abuse and deprivation, by Dutch traders who arranged for his return to France, where he recovered, against all odds.

Astonishing, really: Jogues went back. He must have known what would happen but he sailed back to work among the Mohawks, as soon as he was able. And in the end, they killed him. Horribly.

How are we to understand men like that? Giuliani had once wondered. How could a sane man have #Quote by Mary Doria Russell

#11. Stories of a mythical angel paradise called an Angelopolis are like Peter Pan's Never Never Land. #Quote by Danielle Trussoni

#12. A necessary part of our intelligence is on the line as the oral tradition becomes less and less important. There was a time throughout our land when it was common for stories to be told and retold, a most valuable exercise, for the story retold is the story reexamined over and over again at different levels of intellectual and emotional growth. #Quote by Wes Jackson

#13. Never forget,' says Sugar Daddy, 'we are a nation built on sugar. It is our history and it is the source of our prosperity, now and in the future.'

This is true. Our entire nation sits on reclaimed land made from sugar. Ours is an island that rose out of the sea, built on a hard core of toffee. #Quote by Julie Koh

#14. In the stories of faith I grew up with, men were allowed a full range of emotion: King David, who calls on God to destroy his enemies. Absalom rising up against his father the king. Jonah stewing under his tree, looking out on the city God saved but he hates. Job crying out to God for his miserable fate.

But the rage of good women in the Bible is all in the subtext. Nowhere is there an Eve angry for being removed from Eden and the loss of her two sons. Where is Esther, where is her horror and pain watching the genocide of her people? Or Ruth, who followed her miserable mother-in-law to a foreign land and had to listen to that lady bitching as if she felt nothing?

The women allowed to have feelings in the Bible are always the villains. Michal sneering at David that he ought to put his clothes on and stop dancing like a naked fool. She is indicted for her words, but hadn't she just been married, abandoned, and then taken back by this man? Used as a political pawn, then ignored for Bathsheba. Then there is Sarah, who beat her maidservant Hagar, blaming her for what should have rightly fallen on the shoulders of Abraham. And Job's wife, who Biblical scholars condemn for telling her husband to curse God and die. But wasn't she just wishing him a swift end to the suffering that they had walked through hand in hand? #Quote by Lyz Lenz

#15. Sure, zombies can "be a metaphor." They can represent the oppressed, as in Land of the Dead, or humanity's feral nature, as in 28 Days. Or racial politics or fear of contagion or even the consumer unconscious (Night of the Living Dead, Resident Evil, Dawn of the Dead). We could play this game all night.

But really, zombies are not "supposed to be metaphors." They're supposed to be friggin' zombies. They follow the Zombie Rules: they rise from death to eat the flesh of the living, they shuffle in slow pursuit (or should, anyway), and most important, they multiply exponentially. They bring civilization down, taking all but the most resourceful, lucky and well-armed among us, whom they save for last. They make us the hunted; all of us.

That's the stuff zombies are supposed to do. Yes, they make excellent symbols, and metaphors, and have kick-ass mythopoeic resonance to boot. But their main job is to follow genre conventions, to play with and expand the Zombie Rules, to make us begin to see the world as a place colored by our own zombie contingency plans. […]

Stories are the original virtual reality device; their internal rules spread out into reality around us like a bite-transmitted virus, slowly but inexorably consuming its flesh. They don't just stand around "being metaphors" whose sole purpose is to represent things in the real world; they eat the real world. #Quote by Scott Westerfeld

#16. Alice! A childish story take,
And with a gentile hand
Lay it where Childhood dreams are twined
In memory's mystic band,
Like pilgrim's withered wreath of flowers
Pluck'd in a far off land. #Quote by Lewis Carroll

#17. Funnel

The family story tells, and it was told true,
of my great-grandfather who begat eight
genius children and bought twelve almost-new
grand pianos. He left a considerable estate
when he died. The children honored their
separate arts; two became moderately famous,
three married and fattened their delicate share
of wealth and brilliance. The sixth one was
a concert pianist. She had a notable career
and wore cropped hair and walked like a man,
or so I heard when prying a childhood car
into the hushed talk of the straight Maine clan.
One died a pinafore child, she stays her five
years forever. And here is one that wrote-
I sort his odd books and wonder his once alive
words and scratch out my short marginal notes
and finger my accounts.
back from that great-grandfather I have come
to tidy a country graveyard for his sake,
to chat with the custodian under a yearly sun
and touch a ghost sound where it lies awake.
I like best to think of that Bunyan man
slapping his thighs and trading the yankee sale
for one dozen grand pianos. it fit his plan
of culture to do it big. On this same scale
he built seven arking houses and they still stand.
One, five stories up, straight up like a square
box, still dominates its coastal edge of land.
It is rented cheap in the summer musted air
to sneaker-footed families who pad through
its ro #Quote by Anne Sexton

#18. Fairy tales might not be history, but as I learned in the hours I spent in the library over Christmas break, Wilhelm and Jacob Grimm were historians. They didn't invent their fairy tales - they collected them, writing down the folk tales and stories they heard from friends and servants, aristocrats and innkeepers' daughters.

Their first collection of stories was meant for grown-ups and I could see why - they're way too bloody and creepy for children. Even the heroes go around boiling people in oil and feeding them red-hot coals. Imagine Disney making a musical version of "The Girl Without Hands," a story about a girl whose widowed father chops off her hands when she refuses to marry him! #Quote by Polly Shulman

#19. On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.

On New Year's Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.

Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.

Mathew Brobst was hit by a javelin.

David Striegl was actually
punched in the mouth by a kangaroo.

The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
"I guess things could've been worse."

So go ahead,
tell me you're having a bad day.

Tell me about the traffic.
Tell me about your boss.
Tell me about the job you've been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.

Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.

When Evan lost his legs he was speechless.
When my cousin was assaulted #Quote by Rudy Francisco

#20. Jon Land writes great fiction, and Betrayal reads like the best of it. The fact that it's true makes the story all the more riveting ... A sobering indictment of our law enforcement system and one man's relentless quest to see justice done. #Quote by Robert Leuci

#21. Intelligence is not a competition," she said. "There is plenty to go around, and there are many ways it can be demonstrated. #Quote by Chris Colfer

#22. We keep each other alive with our stories. We need to share them, as much as we need to share food. We also require for our health the presence of good companions. One of the most extraordinary things about the land is that it knows this - and it compels language from some of us so that as a community we may converse about this or that place, and speak of the need. #Quote by Barry Lopez

#23. When they began their ascent, Froi heard the beauty of the Priestking's voice across the land, and the song inside Froi that he refused to sing, ached to be let loose. What had frightened him most about Rafuel of Sebastabol was that his stories had made Froi's blood dance. They had given him a restlessness. A need to be elsewhere to search for a part of himself that was lost. But what he feared was that the search to find answers would take him away from this land of light. That once he left, he would never find his way back home. #Quote by Melina Marchetta

#24. When we change the shape of the Land, we alter the contents and contexts of our collective, familial, and personal memories. Yet, stories can preserve both mythic and familiar elements of geography even when the physical features are forgotten, buried, or obliterated. And more than this: the stories can bring these elements back. If the Land can be preserved long enough for its stories to be told, and retold, perhaps we all - as custodians of both place and memory - stand a chance at real preservation. #Quote by Ari Berk

#25. I always felt in a sort of, liquified state. If that makes sense? I think it's interesting because I grew up near such a renowned, gorgeous and enigmatic land mark. Is it possible that nature interferes with and/or conditions us? I think so. At the end of the day, we are organic, we are offspring from the earth, sophisticated bacteria, if you will. So, why wouldn't moods and traits, characteristics, emotions, habits, thought-patterns--why wouldn't all of that be affected by nature? Growing up near water, I sincerely believe, affected me in SOME way. #Quote by Nicole DSettemi

#26. Too often she had listened to her father discourse on the necessity for peace and consideration of others. She believed in that policy wholeheartedly. The fact that occasionally violence was necessary did not alter her convictions one whit. No system of philosophy or ethics, no growth of goverenment, no improvement in living came without trial and struggle. Struggle, she had often heard her father say, was the law of growth. Without giving too much thought to it, she understood that such men as Rafe Caradec, Trigger Boyne, Tex Brisco and others of their ilk were needed. For all their violence, their occasional heedlessness and their desire to go their own way, they were building a new world in a rough and violent land where everything tended to extremes. Mountains were high, the praires wide, the streams roaring, the buffalo by the thousand, and tens of thousand. It was a land where nothing was small, nothing was simple. Everything, the lives of men and the stories they told, ran to extremes. #Quote by Louis L'Amour

#27. So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician. #Quote by Larkin Grimm

#28. One of the remarkable qualities of the story is that it creates space. We can dwell in a story, walk around, find our own place. The story confronts but does not oppress; the story inspires but does not manipulate. The story invites us to an encounter, a dialogue, a mutual sharing. As long as we have stories to tell to each other there is hope. As long as we can remind each other of the lives of men and women in whom the love of God becomes manifest, there is reason to move forward to new land in which new stories are hidden. #Quote by Henri Nouwen

#29. The spark for 'In Praise of Slowness' came when I began reading to my children. Every parent knows that kids like their bedtime stories read at a gentle, meandering pace. But I used to be too fast to slow down with the Brothers Grimm. I would zoom through the classic fairy tales, skipping lines, paragraphs, whole pages. #Quote by Carl Honore

#30. And the Crooked Man heard her dreams, because that was where he wandered. His place was the land of the imagination, the world where stories began. The stories were always looking for a way to be told, to be brought to life through books and reading. That was how they crossed over from their world into ours. But with them came the Crooked Man, prowling between his world and ours, looking for stories of his own to create, hunting for children who dreamed bad dreams, who were jealous and angry and proud. And he made kings and queens of them, cursing them with a kind of power, even if the real power lay always in his hands. And in return they betrayed the objects of their jealousy to him, and he took them into his lair deep beneath the castle ... #Quote by John Connolly

#31. I had no desire to have either dreams or adventures like Alice, and the amount of them merely amused me. I had very little desire to look for buried treasure or fight pirates, and Treasure Island left me cool. Red Indians were better: there were bows and arrows (I had and have a wholly unsatisfied desire to shoot well with a bow), and strange languages, and glimpses of an archaic mode of life, and, above all, forests in such stories. But the land of Merlin and Arthur was better than these, and best of all the nameless North of Sigurd of the Völsungs, and the prince of all dragons. Such lands were pre-eminently desirable. #Quote by J.R.R. Tolkien