Kumki Film Images With Love Quotes

#1. The decision to create a book trailer is entirely up to you. I can remember when "video killed the radio star" on MTV and how excited I was with some music videos (the ones that lived up to or exceeded my imagined vision of the song) and the ones I disliked so much, I even stopped listening to the song (the imagery just ruined it for me!) Some people argue that in a visual landscape, a book trailer is a must, while others stand firm that books should be read and not seen; unless of course it gets made into a screenplay and then a film. The most practical advice is to trust your instinct. You know what you want to say with your book and if it aligns congruently with your brand, then for a non-fiction book it may be a strategic move. On the other hand, it may come off as too "salesy" and go in the opposite direction. As you can see, I still have a love / hate relationship with matching someone else's images to my own imagination. No matter what you decide, remember to keep it aligned with your brand. #Quote by Kytka Hilmar-Jezek

#2. Everything feels right with her. I can't explain it. The world just stops. Everything freezes. It's me. It's her. It's just us. Everything else, every molecule, including the oxygen we breathe, is only secondary to the chemistry we create. When we watch a movie it's more than images strung together in the form of mindless entertainment. It's an experience. An experience we share together from making the popcorn to watching the film to talking about it for days after. Chemistry. What more can I say? You either have it or you don't. #Quote by Marilyn Grey

#3. Many people have failing relationships because they have not really fallen in love with each other, but they have fallen for the mental images they have created of one another. We assume we know our partner, we think about them nonstop, creating many different ideas of who they are, what they like, and how we will be together, then as soon as our partner does something that doesn't fit with our mental image of them, we become sad, upset, confused, or heart broken. Our partner did not cause our suffering; we caused it, through our false perceptions and mental images. #Quote by Joseph P. Kauffman

#4. If I can't spend the rest of my life with you, I will live alone. #Quote by Delano Johnson

#5. Sadly, history shows us that people literally scrambled their children's brains with heavy exposure to screens at young ages. Developing primate brains are wired to interact with others in a real environment, learning the enormous range of human behaviours from copying the people they love and trust, not staring mindlessly at images. #Quote by EXO Books

#6. ... and for the first time in his life the possibility of death presented itself, not in relation to the living world, or any effect it might have on other people, but purely in relation to himself and his own soul, and it seemed so vivid, almost a dependable certainty, stark and terrible. And from the heights of this vision everything that had once tormentingly preoccupied him seemed suddenly bathed in a cold, white light with no shadows, no perspective, no outline. His whole life seemed like a magic-lantern show that he had been staring at through glass by artificial light. Now suddenly the glass was gone, and he could see those awful daubings in the clear light of day. 'Yes, yes, here they are, these false images that I used to find so worrying, enthralling and agonizing,' he told himself, giving his imagination a free rein to run over the main pictures in the magic lantern of his life, looked anew in the cold, white daylight brought on by a clear vision of death. 'Here they are, these crudely daubed figures that used to seem so magnificent and mysterious. Honour and glory, philanthropy, love of a woman, love of Fatherland -- how grand these pictures used to seem, filled with such deep meanings! And now it all looks so simple, colourless and crude in the cold light of the morning I can feel coming upon me. #Quote by Leo Tolstoy

#7. And sometimes those remembered images aren't even accurate; in revisiting some of the movies I discuss here, I've been surprised to realize that what I remember about a particular movie moment, the influential lesson that has stayed with me - how to kiss in the rain, what to say to my shell-shocked parents about their divorce, where in the linen closet to hide the liquor - sometimes doesn't actually exist in the film. It's a trick of memory, #Quote by Tara Ison

#8. Love embraces the totality of the other person. It is impossible to completely and effectively love someone without being included in that other person's history. Our history has made us who we are. The images, scars, and victories that we live with have shaped us into the people we have become. We will never know who a person is until we understand where they have been. The secret of being transformed from a vulnerable victim to a victorious, loving person is found in the ability to open your past to someone responsible enough to share your weaknesses and pains. "Bear one another's burdens, and so fulfill the law of Christ" (Gal. 6:2). You don't have to keep reliving it. You can release it. #Quote by T.D. Jakes

#9. Images are really powerful. People fall in love with images, and as a way of falling in love with someone because they're like an image. #Quote by Hilton Als

#10. The scented cloud permeates the air and coats our tongues, triggering images: licorice tobacco and a seductive fae with an agenda, ocean salt and a mortal boy's sweat, maple syrup and a father's love, a mother's sacrifice and a lunar garden rich with lilies and honeysuckle. #Quote by A.G. Howard

#11. There was a time when I thought that film, unlike other art forms (being the most democratic of them all) had a total effect, identical of every audience. That it was first and foremost a series of recorded images; that the images are photographic and unequivocal. That being so, because it appears unambiguous, it is going to be perceived in one and the same way by everyone who sees it. (Up to a certain point, obviously)
But I was wrong. One has to work out a principle which allows for film to affect people individually. The 'total' image must become something private. (comparable with the images of literature, painting, poetry, music.)
The basic principle- as it were, the mainspring- is, I think, that as little as possible has actually to be shown, and form that little the audience has to build up an idea of the rest, of the whole. In my view that has to be the basis for constructing the cinematographic image. And if one looks at it from the point of view of symbols, then the symbol in cinema is a symbol of nature, of reality. Off course, it isn't a question of details, but of what is hidden. #Quote by Andrei Tarkovsky

#12. Desire I think has less to do with possession than with participation, the will to involve oneself in the body of the world, in the principle of things expressing itself in splendid specificity, a handful of images: a lover's irreplaceable body, the roil and shimmer of the sea overshot with sunlight, a handful of cherries, the texture and weight of a word. The word that seems most apt is partake ... We can say we partake of something but we may just as accurately say we take part in something' we are implicated in another being, which is always the beginning of wisdom, isn't it- that involvement which enlarges us, which engages the heart, which takes out of the routine limitations of self? #Quote by Mark Doty

#13. Judging Pius by what he did not say, one could only damn him. With images of piles of skeletal corpses before his eyes; with women and young children compelled, by torture, to kill each other; with millions of innocents caged like criminals, butchered like cattle, and burned like trash - he should have spoken out. He had this duty, not only as pontiff, but as a person. After his first encyclical, he did reissue general distinctions between race-hatred and Christian love. Yet with the ethical coin of the Church, Pius proved frugal; toward what he privately termed "Satanic forces," he showed public moderation; where no conscience could stay neutral, the Church seemed to be. During the world's greatest moral crisis, its greatest moral leader seemed at a loss for words.

But the Vatican did not work by words alone. By 20 October, when Pius put his name to Summi Pontficatus, he was enmeshed in a war behind the war. Those who later explored the maze of his policies, without a clue to his secret actions, wondered why he seemed so hostile toward Nazism, and then fell so silent. But when his secret acts are mapped, and made to overlay his public words, a stark correlation emerges. The last day during the war when Pius publicly said the word "Jew" is also, in fact, the first day history can document his choice to help kill Adolf Hitler. #Quote by Mark Riebling

#14. I am somebody who creates images, with my perspectives, fascinations and my instincts as a narrator. You have to activate the audience's imagination. If you are just giving them scientific results, they would forget the film in five minutes flat. #Quote by Werner Herzog

#15. [...]No human being has ever directly seen their own face. It's impossible within nature - the most you can do is glimpse your nose and, for those with full lips, the curve of you upper lip. And so we only see ourselves through external sources, whether as images in mirrors, pixels on the screen, or words on the page, words of love from a mother, words of hate from an ex-lover.
Long before Furo's story became my own, I was already trying to say what I see now, that we are all constructed narratives. #Quote by A. Igoni Barrett

#16. All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film. #Quote by Jack Nance

#17. You know I understand how you feel.... the loneliness that sets in....how empty your heart aches wishing you had someone near....to hold... to kiss and love. That type of passion poets write about...that person your souls yearns yet can not find....that love that all time will lie down and be still for.... but at last it feels ever more like a cruel joke and fickle fate which has no plans of happiness....we drudge on with our existence trying to make sense of it....then slowly you feel the light dim....till it blows out. You've set yourself in complete darkness, with no direction, fully immersing yourself in confusion, doubt and suffer. Feeding your starving desires with delusions; completely disabling your inner mind from seeing the ugly truth beyond the shattered reality. You look at yourself through a contaminated mirror, seeing what you want to see from a certain angle, completely ignoring the faults and imperfections hidden under the surface. I petty the day that will wash your fickle images, scattering your true colors to yourself not more... As I see through what you choose to hide. #Quote by N2

#18. We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too. #Quote by Karl Lagerfeld

#19. The topic of disinterested, non-calculating, and purposeless love for the sake of love is central to mysticism as such. To love God, not because of powerful institutions, or even because God commands it, but to do so in an act of unencumbered freedom, is the very source of mystical relation. To love God is all the reason there needs to be . . . The orthodoxies that have been handed down to us in the monotheistic religions called for obedience to the commanding God. They threatened with punishment and enticed with rewards - images of hell and heaven resting on that authority. In technologically advanced centers of the world, authoritarian religious systems are in sharp decline. Mystical perceptions and approaches to God, however, are entirely different: "God, if I worship Thee in fear of hell, burn me in hell. And if I worship Thee in hope of Paradise, exclude me from Paradise; but if I worship Thee for Thine own sake, withhold not Thine everlasting Beauty" (Aldous Huxley, in The Perennial Philosophy). Mysticism may he regarded as the anti-authoritarian religion per se. In it, the commanding lord becomes the beloved; what is to come later becomes the now; and naked or even enlightened self-interest that is oriented by reward and punishment becomes mystical freedom. #Quote by Dorothee Solle

#20. We are human beings. We cannot exist without relationship. It is the most important thing in life. And in that relationship, which is based on imagebuilding, you have an image about her and she has an image about you because you have both lived together for twenty years, for ten days, or one day. You have already created an image. And those images have relationship. If I have a wife, I have lived with her sexually, she has nagged me, I have bullied her, I possess her and she likes being possessed. So I have created an image about her, and she has created an image about me. And our relationship is based on those images.

When there are images built by thought, built by various experiences and incidents translated by thought and retained as memory, how can there be love? You may love your God - but you don't. You may love your scriptures through fear because you want to be saved. But where there is fear, there is no love. So the question arises whether it is possible not to create images. You have an image about yourself. Most people have images, but the most intimate image is between you and your wife, or between you and your husband, or your girlfriend. The root of conflict is there. #Quote by Jiddu Krishnamurti

#21. Masturbation is a meditation on self-love. So many of us are afflicted with self-loathing, bad body images, shame about our body functions, and confusion about sex and pleasure, I recommend an intense love affair with yourself #Quote by Betty Dodson

#22. My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me. I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first. #Quote by Neill Blomkamp

#23. He looked at her and tried to discover behind her lascivious expression the familiar features that he loved tenderly. It was as if he were looking at two images through the same lens, at two images superimposed one on the other with one showing through the other. These two images showing through each other were telling him that everything was in the girl, that her soul was terrifyingly amorphous, that it held faithfulness and unfaithfulness, treachery and innocence, flirtatiousness and chastity. This disorderly jumble seemed disgusting to him, like the variety to be found in a pile of garbage. Both images continued to show through each other, and the young man understood that the girl differed only on the surface from other women, but deep down was the same as they: full of all possible thoughts, feelings, and vices, which justified all his secret misgivings and fits of jealousy. The impression that certain outlines delineated her as an individual was only a delusion to which the other person, the one who was looking, was subject--namely himself. It seemed to him that the girl he loved was a creation of his desire, his thoughts, and his faith and that the real girl now standing in front of him was hopelessly other, hopelessly alien, hopelessly ambiguous. He hated her. #Quote by Milan Kundera

#24. That was the worst period of all: it is my profession to imagine, to think in images: fifty times through the day, and immediately I woke during the night, a curtain would rise and the play would begin: always the same play, Sarah making love, Sarah with X, doing the same things that we had done together, Sarah kissing in her own particular way, arching herself in the act of sex and uttering that cry like pain, Sarah in abandonment. I would take pills at night to make me sleep quickly, but I never found any pills that would keep me asleep till daylight. #Quote by Graham Greene

#25. He knew her, and she knew him. He had no idea if the images he saw came from past or future, or both, but he knew her. Their souls were bound, had always been bound, and always would be. They were two with one soul between them, perfectly joined, perfectly fitted. #Quote by Ann Marston

#26. To some extent, most of us are unconsciously driven by our ego-ideal. The ego-ideal is simply a set of ideas in the mind about how we should show up, how we should look, feel, behave, think. This collection of ideas and mental images is created out of fragments of highly charged experiences with important love objects in our lives, and out of the messages we receive in our interactions with the world as we grow. It remains mostly out of our awareness. The blueprint for the ego-ideal is first laid down by parental injunctions about how to be, or how not to be. These highly charged messages are taken in whole. They become the foundation of our scripts for life. The ego-ideal is certainly capable of modification and change, but for most of us it's deeply hardwired into our unconscious by the time we enter early adulthood, and it matures only marginally in later life. #Quote by Stephen Cope

#27. Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe. #Quote by Hiroshi Sugimoto

#28. In the middle of the night, he woke up and realized to his surprise that he had been having one erotic dream after the other. The only one he could recall with any clarity was the last: an enormous naked woman, at least five times his size, floating on her back in a pool, her belly from crotch to navel covered with thick hair. Looking at her from the side of the pool, he was greatly excited. How could he have been excited when his body was debilitated by a gastric disorder? And how could he be excited by the sight of a woman who would have repelled him had he seen her while conscious? He thought: In the clockwork of the head, two cogwheels turn opposite each other. On the one, images; on the other, the body's reactions. The cog carrying the image of a naked woman meshes with the corresponding erection-command cog. But when, for one reason or another, the wheels go out of phase and the excitement cog meshes with a cog bearing the image of a swallow in flight, the penis rises at the sight of a swallow. Moreover, a study by one of Tomas's colleagues, a specialist in human sleep, claimed that during any kind of dream men have erections, which means that the link between erections and naked women is only one of a thousand ways the Creator can set the clockwork moving in a man's head. And what has love in common with all this? Nothing. If a cogwheel in Tomas's head goes out of phase and he is excited by seeing a swallow, it has absolutely no effect on his love for Tereza. If excite #Quote by Milan Kundera

#29. Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.) #Quote by Anton Yelchin

#30. What a rare joy it is to linger in the lucid, transcendent worlds of Jennifer Maier's poems. In taut, precise language and lapidary images, Now, Now explores myriad pathways of connection, the ways desire, longing, and imaginative possibility brush up against the everyday, revealing a keen, fiercely compassionate intelligence-a sensibility so finely attuned and so clearly in love with the world that you would follow it almost anywhere. #Quote by Rick Hilles

#31. I think that every minority in the United States of America knows everything about the dominant culture. From the time you can think, you are bombarded with images from TV, film, magazines, newspapers. #Quote by Spike Lee

#32. If I love order, it's not the mark of a character subjected to an inner discipline, a repression of the instincts. In me the idea of an absolutely regular world, symmetrical and methodical, is associated with that first impulse and burgeoning of nature.
The rest of your images that associate passion with disorder, love with intemperate overflow - river fire whirlpool volcano - are for me memories of nothingness and listlessness and boredom. #Quote by Italo Calvino

#33. That sort of detailed filmmaking is one, hard to do and not have it be pretentious, and two, have it tell the story, which is what you're taught, that cinema is the language of images and you really should be able to make a film with no dialogue and tell a story. #Quote by Nicole Kidman

#34. One great film The 33, based on a book The 33 or Deep Down Dark by Hector Tobar. A story about miners, which are locked in a cave and survive 69 days with not a lot of food. The book can't show a lot of images, but if you want to feel everything the film is the best choice, a lot of different emotions, one moment you see anger, other rage and many others... but survive, still remaining brothers up to today! #Quote by Deyth Banger