Kapalit In English Quotes

#1. In 1980, shortly before my 11th birthday, I wrote my first essay in English. #Quote by Pankaj Mishra

#2. It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks - they are Gallinas with a dash of European blood that dates from the days of Vasco da Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition. (It's a curious thing to think that some of us may have distant cousins eating men on Sherboro Island or raiding with the Sofas.) At any rate, the Porroh man stabbed the woman to the heart as though he had been a mere low-class Italian, and very narrowly missed Pollock. But Pollock, using his revolver to parry the lightning stab which was aimed at his deltoid muscle, sent the iron dagger flying, and, firing, hit the man in the hand.

He fired again and missed, knocking a sudden window out of the wall of the hut. The Porroh man stooped in the doorway, glancing under his arm at Pollock. Pollock caught a glimpse of his inverted face in the sunlight, and then the Englishman was alone, sick and trembling with the excitement of the affair, in the twilight of the place. It had all happened in less time than it takes to read about it.

("Pollock And The Porroh Man") #Quote by H.G. Wells

#3. Once, in London, the BBC asked me what was my favorite English book. I said Alice in Wonderland. #Quote by Gyorgy Ligeti

#4. There are two sides of me, the bachata/tropical Latin side and the English pop as well. They're both equally important, so I'll always make sure to keep both roots in my music. #Quote by Prince Royce

#5. I didn't speak a single word of English when I was told that I was one of the lucky students been selected to go to study at the Houston Ballet Academy. I knew I had to study hard in every aspect, in both language and dance, which I did. I put my whole heart and soul into each minute of my day while in America and what an experience those six weeks gave me. #Quote by Li Cunxin

#6. Are you Italian?" Nico asked, putting
down his drink.

I looked up at him. "A quarter, and how
did you know that? I don't look it."

"You kind of do, plus you use a spoon like
Gina, that's the waitress, and she's half Italian."

I shrugged, having picked up the habit
from my nonna.

"What else are you?" he asked.

"I'm also a quarter Māori, part
French, Welsh, Danish, and English."

His eyes twinkled at me. "Add a few more
countries in there and you'll be a one-woman United Nations."

I smiled at that and lifted the pasta to
my mouth. Gina returned with Nico's plate of food, causing me to lower the fork
momentarily, making me wonder whether I should wait for him, but Gina started
asking him questions about university, so I took a bite. I shivered at the
delicious taste of garlic, the chef having put the perfect amount in, just how
my nonna would've made it.

The waitress disappeared as Nico picked up
his fork, twirling the spaghetti onto it without the aid of a spoon. "Looks
like you got the best parts out of all of those nationalities," he said.

I blushed at the compliment, always
embarrassed when people said nice things about my looks. "Thanks."

"You're welcome," he replied, popping the
spaghetti into his mouth, his unusual eyes once more twinkling at me, so bright
that I understood why his adop #Quote by Marita A. Hansen

#7. 'IT IS IMPOSSIBLE FOR YOU TO DO IT,' WAS THE TERRIBLE VERDICT. 'IN THE FIRST PLACE YOU ARE A WOMAN AND WOULD NEED A PROTECTOR, AND EVEN IF IT WERE POSSIBLE FOR YOU TO TRAVEL ALONE YOU WOULD NEED TO CARRY SO MUCH BAGGAGE THAT IT WOULD DETAIN YOU IN MAKING RAPID CHANGES. BESIDES YOU SPEAK NOTHING BUT ENGLISH, SO THERE IS NO USE TALKING ABOUT IT; NO ONE BUT A MAN CAN DO THIS.' #Quote by Nellie Bly

#8. His wife had also studied art in her hometown, and she could paint, but depending on such work for her livelihood was just not possible. As far as appearances went, she was definitely a real beauty. When she was young, she looked a little like Gong Li, but now that she was middle-aged, she had put on weight and gradually taken on more of a bell-shaped look, resembling Li Siqin. But no matter what, a wife always looks better than her balding, broadbellied husband. #Quote by Chew Kok Chang

#9. I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress. #Quote by Carey Mulligan

#10. Stick." I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. "Stick. where?"
He stared at me in utter confusion and then asked in perfect English, "why are you talking like that? #Quote by Richelle Mead

#11. They found the corpse in the closet of Alcide's apartment, and they hatched a plan to hide his remains." Eric sounded like that had been kind of cute of us.
"My Sookie hid a corpse?"
"I don't think you can be too sure about that possessive pronoun."
"Where did you learn that term, Northman?"
"I took 'English as a Second Language' at a community college in the seventies. #Quote by Charlaine Harris

#12. I have never been particularly good with languages. Despite a dozen years of Hebrew school and a lifetime of praying in the language, I'm ashamed to admit that I still can't read an Israeli newspaper. Besides English, the only language I speak with any degree of fluency is Spanish. #Quote by Joshua Foer

#13. English teachers, workshops, and myths try to make writers slow down. We are the ONLY ART on the planet that tells young artists to not practice and do less to get better. Head-shaking in its stupidity. And new writers buy into that. #Quote by Dean Wesley Smith

#14. To cover his tracks and mask his erotic withdrawal, he took pleasure in good-naturedly dirty stories and mildly ambiguous allusions, all delivered loudly and with laughter. The mother was his best ally, ever quick to support him with smutty remarks that she would pronounce in some exaggerated, parodic manner, and in her puerile English. Listening to the two of them, Irena got the sense that eroticism had once and for all turned into childish clowning. #Quote by Milan Kundera

#15. Now that I have made this catalogue of swindles and perversions, let me give another example of the kind of writing that they lead to. This time it must of its nature be an imaginary one. I am going to translate a passage of good English into modern English of the worst sort. Here is a well-known verse from Ecclesiastes:
I returned and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.
Here it is in modern English:
Objective considerations of contemporary phenomena compel the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must invariably be taken into account. #Quote by George Orwell

#16. I know the difference between peace and war better than any man in my country. Why will you take by force what you may have quietly by love? Why will you destroy us who supply you with food? What can you get by war? Why are you jealous of us? We are unarmed, and willing to give you what you ask, if you come in a friendly manner, and not so simple as not to know that it is much better to eat good meat, sleep comfortably, live quietly with my wives and children, laugh and be merry with the English, and trade for their copper and hatchets, than to run away from them, and to lie cold in the woods, and feed on acorns, roots, and such trash, and be so hunted that I can neither eat nor sleep. #Quote by Powhatan The Indian

#17. The best way to tell whether the Norwegian is a Norwegian is to say:
"Are you Swedish?"
Regardless whether you say this in English, French, Italian, Japanese, Urdu or Swahili, he will answer:
"Swedish? Me? I'm a Norwegian!"
Then you will be able to tell. #Quote by Odd Borretzen

#18. Growing up in the English countryside seemed an interminable process. Freezing winter gave way to frosty spring, which in turn merged into chilly summer-but nothing ever, ever happened. #Quote by Jessica Mitford

#19. Violence only makes a situation worse. It cannot help but provoke a violent response. Strictly speaking, satyagraha is not "nonviolence." It is a means, a method. The word we translate as "nonviolence" is a Sanskrit word central in Buddhism as well: ahimsa, the complete absence of violence in word and even thought as well as action. This sounds negative, just as "nonviolence" sounds passive. But like the English word "flawless," ahimsa denotes perfection. Ahimsa is unconditional love; satyagraha is love in action. Gandhi's message #Quote by Eknath Easwaran

#20. Threats is the wrong word," she said. "But English is a limited language in some ways. There's really no word to articulate what I mean. A threat with a measure of inevitability to it. A promise? Too feeble. People break promises too often. A curse? A malediction? Too… magical. An oath? The connotations are wrong. When I say I'll do something, I make it happen. #Quote by Wildbow

#21. We may hope that machines will eventually compete with men in all purely intellectual fields. #Quote by Alan Turing

#22. [O]ur English divines are sounder in it than any in the world, generally: I think because they are more practical, and have had more wounded, tender consciences under cure, and less empty speculation and dispute (336-7). #Quote by Richard Baxter

#23. I had decent but not great grades in high school because I was highly motivated in some subjects, like the arts, drama, English, and history, but in math and science I was a screw-up. Wooster saw something in me, and I really flourished there. I got into theatre, took photography and painting classes. #Quote by J. C. Chandor

#24. Shakespeare is absolutely big in Africa. I guess he's big everywhere. Growing up, Shakespeare was the thing. You'd learn monologues and you'd recite them. And just like hip-hop, it made you feel like you knew how to speak English really well. You had a mastery of the English language to some extent. #Quote by Ishmael Beah

#25. Biting into a samosa is like trying to pronounce words in English, you have to shape your mouth in a way to get every bit. #Quote by Alain Bremond-Torrent

#26. Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most ... are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so. #Quote by James Fenton

#27. In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school. #Quote by Patrick White

#28. Are there any two words in all of the English language more closely twinned than courage and cowardice? I do not think there is a man alive who will not yearn to possess the former and dread to be accused of the latter. One is held to be the apogee of man's character, the other its nadir. An yet, to me the two sit side by side on the circle of life, removed from each other by the merest degree of arc. (MARCH - Chapter 11 - page 168) #Quote by Geraldine Brooks

#29. We did meet forty years ago. At that time we were both influenced by Whitman and I said, jokingly in part, 'I don't think anything can be done in Spanish, do you?' Neruda agreed, but we decided it was too late for us to write our verse in English. We'd have to make the best of a second-rate literature. #Quote by Jorge Luis Borges

#30. Everything in English sounded funny. #Quote by Richard House

#31. desperately needed to practice her German, because she couldn't sing Schubert's songs in English for #Quote by Sarah Lark

#32. How does this happen? To fall in love and be disassembled. #Quote by Michael Ondaatje

#33. Cited by the author of 'Lucky Jim' as one of the most dismal depressing questions in the English language: Shall we go straight in? #Quote by Kingsley Amis

#34. If I spoke no English, my world would be limited to the Japanese-speaking community, and no matter how talented I was, I could never do business, seek employment or take part in public affairs outside that community. #Quote by S.I. Hayakawa

#35. Remember: If you go for a walk with a friend in England, don't say a single word for hours; if you go for a walk with your dog, talk to it all the time. #Quote by George Mikes

#36. Takes more than beer in your blood to take the English out of you. #Quote by Nancy Holder

#37. If you're, like, a PhD student in English, and you look at each instance that Richard Yates is mentioned in the book ... it has sort of it's own narrative that one could analyze and write literary criticism about. #Quote by Tao Lin

#38. In my mind's eye, the image of bodies dancing quickly fades into the image of a group of men standing in a circle outside a club, trading stories in perfect American English, and then to the awkward silence caused by the sudden appearance of a middle-aged woman in tattered clothes, a baby strapped to her chest, a hand stretched out for loose change. #Quote by Bobby Benedicto

#39. Today, for the first time in history, a Bishop of Rome sets foot on English soil. This fair land, once a distant outpost of the pagan world, has become, through the preaching of the Gospel, a beloved and gifted portion of Christ's vineyard. #Quote by Pope John Paul II

#40. This was in [Orwell's] 1946 'Politics and the English Language,' an essay that despite its date (and its title's basic redundancy) remains the definitive SNOOT statement on Academese. Orwell's famous AE translation of the gorgeous 'I saw under the sun that the race is not to the swift' in Ecclesiastes as 'Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must invariably be taken into account' should be tattooed on the left wrist of every grad student in the anglophone world. #Quote by David Foster Wallace