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#1. Wow! So how Solomon's ushers dressed mattered? How the building was built mattered? How the greeters greeted mattered? How the entryway was organized mattered? You better believe it! To this queen, they were all evidence that validated the reality of God at work in Solomon's temple. Notice it says she "had seen all the wisdom of Solomon." How do you "see" wisdom? Every aspect of the temple and its people were managed and trained to create this impression. She was convinced before she even heard Solomon speak. She goes on . . . How the entryway was organized mattered? To this queen, they were all evidence that validated the reality of God at work in Solomon's temple. "However I did not believe the words until #Quote by Richard L. Reising
#2. The soul is the entryway to the heart,
the heart is the doorway to the mind,
the mind is the hallway to the world,
and the world is the passageway to the universe. #Quote by Matshona Dhliwayo
#3. ItHaving to put someone between himself and Emma made him feel sick, but the memory of the way he'd snapped at her in the entryway made him feel sicker.
It had been like watching someone else talking to the person he loved the most in the world; someone else, hurting his parabatai on purpose. He had been able to do something with his feelings while she'd ben with Mark - twist and crumple them, shove them far underneath his skin and consciousness. He had felt them there, bleeding, like a tumor slicing open his internal organs, but he hadn't been able to see them.
Now they were there again, laid out before him. It was terrifying to love someone who was forbidden to you. Terrifying to feel something you could never speak of, something that was horrible to almost everyone you knew, something that could destroy your life.
It was in some ways more terrifying to know that your feelings were unwanted. When he had thought Emma loved him back, he had not been completly alone in his hell.
Jules #Quote by Cassandra Clare
#4. If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It's not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can't get it at any time of the year. It's good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It's tough and hard to digest and makes you fall ill with a high fever. It's porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place.
WON'S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, #Quote by Kyung-ran Jo
#5. Adrenaline pumped through her body as she stopped in the cabin entryway, just a few inches from Scott. His intense expression made her nervous - he looked suspicious. Was she coming on too strong? Flirting was not her specialty. She'd always been much more comfortable using scalpels and microscopes than smiles and sauntering strides. Scott's #Quote by Kass Morgan
#6. There was no part of this house that felt inviting. Paul's cold, calculating hand could be seen behind every choice. The concrete on the entryway floor was polished to a dark mirror straight out of Snow White. The spiral stairs looked like a robot's asshole. The endless white walls made Lydia feel like she was trapped inside a straightjacket. The sooner she was out of here the better. #Quote by Karin Slaughter
#7. She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair.
She heard the voice again, a deep sound that penetrated to her soul. "Lillian."
Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can't be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. "Westcliff," she whispered, and took a few hesitant steps forward.
The rest of the room seemed to vanish. Marcus's face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. "My God," he muttered, and buried his face in her hair.
"You came," Lillian gasped, trembling all over. "You found me." She couldn't conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair.
"Marcus," Lillian said thickly. "Have I gone mad? Oh, please be real. Please don't go away - "
"I'm here." His voice was low and sha #Quote by Lisa Kleypas
#8. Papa said that when he wanted to escape from something unpleasant or sad all he needed was to find a crack in the wall and pretend it was an entryway into another world, a world where all that was lost - yourself included - would again be found. #Quote by Vaddey Ratner
#9. Cardan tucks my arm firmly through his before striding into the entryway, and I feel a rush of warmth as I match his step. I can't afford to be less than ruthlessly honest with myself. Against my better judgment, despite the fact that he is terrible, Cardan is also fun.
Maybe I should be glad of how little it will matter. #Quote by Holly Black
#10. So, whose man parts are you setting on fire?" he asked, quirking an eyebrow....
"No one. I was just telling Belle about how I need to lose my virginity."
Aaaaand, that did it. He froze, his arm dropping from Belle's shoulders as he took a not very subtle step toward the entryway. "I need to get the door."
She picked up her tulip-shaped glass, fighting a grin. "I didn't hear the doorbell. #Quote by Katie Reus
#11. Andrew just shrugged, and I fiddled with the napkin in my lap while glancing idly around the restaurant. The obligatory mirrors hung on the walls, and there was one of those fountains with fake lily pads in the entryway. The restaurant was also lit like a mine shaft. I've never understood why dim lighting is supposed to be so romantic. Night vision belongs into a Paris Hilton sex tape - not in a restaurant that could potentially poison me with peanut sauce. #Quote by Alicia Thompson
#12. Wait a minute, who was in your room then?"…
"That would be me," Spencer replies smugly from the entryway. How does he always pop up at the most inopportune times? It's like he has some radar in his brain that tells him the best time and place where douchebaggery may occur, and he follows it religiously. #Quote by Rebecca Espinoza
#13. Hey Charlotte," Julianne yelled. "Hell must have frozen over!" And then in a quieter voice she added, "Charlotte was hoping it would."
"What?" Colton asked.
I sprinted the rest of the way to the door. As I rounded the corner I saw both Wesley and Colton in the entryway. Julianne stood in front of them transfixed, staring up at Colton with adoring eyes.
"Julianne, it's time for you to go to your room," I said. "Right now."
"Do you really know the devil?" she asked Colton. "Have you ever been to hell?"
"Sometimes I think I have," he answered, glaring at me. #Quote by Janette Rallison
#14. Stop!" Leilani's worried voice cut through the haze in his mind as he pinned Ruari face down on the stone entryway.
He could have let the fight drag on, but the panic in her voice did something strange to him. He wanted to get up and soothe all her fears. But since he didn't trust the male, or any male, around her, he kept a firm hold on Ruari as he stared at Leilani. And it was impossible not to. Her long, dark hair hung in a single braid draped over one shoulder and breast. The females on the mainland dressed differently than the few females who lived in the mountain clans. Her dress-style was no different than the other Luminet mainlanders he'd seen. The bright red shift dress she had on cinched right under her breasts, the V cut dipping low enough that he could see the soft upper swell of her breasts. Her skin tone was a deep bronze and her shoulders, which he'd never thought of as sexy before, were bare except for straps of gauzy material pinned by jewel-studded dragons.
He wondered where she'd gotten the pins, if some male had given them to her. The thought made something dark and possessive flare inside him. The possessiveness took him off guard.
That was when he realized Cyn and Brandt were both standing there staring at him, clearly wondering if he was going to let Ruari up. Leilani was watching him as well, but her expression was much harder to read. He thought he might have seen a trace of desire in her gaze yesterday when she looked at him but th #Quote by Savannah Stuart
#15. Information about time cannot be imparted in a straightforward way. Like furniture, it has to be tipped and tilted to get it through the door. If the past is a solid oak buffet whose legs must be unscrewed and whose drawers must be removed before, in an altered state, it can be upended into the entryway of our minds, then the future is a king-size waterbed that hardly stands a chance, especially if it needs to be brought up in an elevator.
Those billions who persist in perceiving time as the pursuit of the future are continually buying waterbeds that will never make it beyond the front porch or the lobby. And if man's mission is to reside in the fullness of the present, then he's got no space for the waterbed, anyhow, not even if he could lower it through a skylight. #Quote by Tom Robbins
#16. But when she turned at the entryway and looked back at him, he left the table and followed, as if she were a magnet, drawing him away from his better judgement. #Quote by Hannah Tinti
#17. Abby took the box, and then tugged on my hand until we were in the entryway. It smelled like a combination of cleaner, candles, and kids. It smelled like home. #Quote by Jamie McGuire
#18. Somehow: Molly.
He heard her in the entryway. Mol, Molly, oh boy. When they were first married they used to fight. Say the most insane things. Afterward, sometimes there would be tears. Tears in bed? And then they would - Molly pressing her hot wet face against his hot wet face. They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone's affection for you expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he'd ever -
She came in flustered and apologetic, a touch of anger in her face. He'd embarrassed her. He saw that. He'd embarrassed her by doing something that showed she hadn't sufficiently noticed him needing her. She'd been too busy nursing him to notice how scared he was. She was angry at him for pulling this stunt and ashamed of herself for feeling angry at him in his hour of need, and was trying to put the shame and anger behind her now so she could do what might be needed.
All of this was in her face. He knew her so well.
Also concern.
Overriding everything else in that lovely face was concern.
She came to him now, stumbling a bit on a swell in the floor of this stranger's house. #Quote by George Saunders
#19. Alec took a deep breath and let it out. Well, he'd come this far; he might as well go on. The bare lightbulb hanging overhead cast sweeping shadows as he reached forward and pressed the buzzer.
A moment later a voice echoed through the stairwell. "WHO CALLS UPON THE HIGH WARLOCK?"
"Er," Alec said. "It's me. I mean, Alec. Alec Lightwood."
There was a sort of silence, as if even the hallway itself were surprised. Then a ping, and the second door opened, letting him out onto the stairwell. He headed up the rickety stairs into the darkness, which smelled like pizza and dust. The second floor landing was bright, the door at the far end open. Magnus Bane was leaning in the entryway. #Quote by Cassandra Clare
#20. A lot of time, with stories, I'll start out with a title and try to dream myself into the story that it evokes - a kind of subconscious exercise in which I'm trawling for some kind of entryway into fiction. #Quote by Dan Chaon
#21. Do you ... still believe?'
'Our very presence here, a Polynesian goddess sitting next to a Zulu thunder god, listening to the song of a Greek siren, should be proof enough that religions can and do coexist.' He looked back at the cross over the entryway. 'And I still do not know. #Quote by Karsten Knight
#22. When I stepped into the brown-tiled entryway of the Kentwood Public Library, the sunlight flowing down on me from the high windows, I felt a sense of importance. It gratified me to be in a place devoted to books and quiet; I was filled with a sense of hope. Reading to me was fundamental, as fundamental as food. And nothing could be more satisfying than reading a good book while eating a good meal of mi soup, french fries, and a thin cut of steak. I plowed through books as fast as possible in order to read them again. #Quote by Bich Minh Nguyen
#23. I know of no pleasure like that of books, yet I read very little. Books are the entryway to dreams, but people at ease in life don't need such introductions to enter into conversation with dreams. I could never read a book and give myself over to it; always, with each step, the commentary of my intellect or my imagination interrupts the narrative sequence. After some minutes I am the one who writes and the writing is nowhere to be seen. #Quote by Fernando Pessoa
#24. The flowers on the entryway table have wilted, and a dozen or so petals have fallen to the floor.
I kneel down to clean them up but stop, suddenly struck by the unexpected beauty in what might otherwise be considered debris in need of a broom and dustpan. I reach for my sketchbook and pencils and begin capturing the scene as I see it, a perfect, beautiful mess. #Quote by Sarah Jio