Enculturation In A Sentence Quotes

#1. When a man interrupts a woman in mid-sentence, it reveals much about him. First, it shows he hasn't been listening to what she is saying, and secondly, it indicates that he doesn't want to listen to what she will say. Her views are not important. #Quote by Madeleine M. Kunin

#2. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs Callendar was nice, and then - finding the ground safe - had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. #Quote by E. M. Forster

#3. All the same, we should excuse ourselves," Vergil said. "Although I am wondering if the meeting was already well concluded when we intruded." He gave Nathaniel a deep look on the last sentence that made Charlotte's caution prickle. She saw the big brother in him, thinking that a private chat with this man was in order.
Bianca still had not picked up the cue. "You are making plans regarding the petitions?"
"I trust that a petition came up at some point in the visit," Vergil said dryly. "Correct, Knightridge?"
Charlotte wanted to die. "Indeed one did," she said. "Mr. Knightridge is proving to be a great help in the cause."
Bianca beamed. "I always knew that the two of you would find common ground in something."
"Yes, we have discovered that we think alike in one small area," Nathaniel agreed.
Charlotte wanted to hit him.
"Indeed," Vergil muttered. #Quote by Madeline Hunter

#4. You don't need to be able to string a sentence together in a way that is elegant or even vaguely meaningful to produce a bestseller - as Dan Brown has demonstrated time and again. #Quote by Anthony Horowitz

#5. There's another way to edit the sentence, which is to add a comma before the second 'which.' The survivor is struggling toward 'some resolution,' not a specific resolution that the mind may never find. The final clause is an appended thought, not a conclusion of the previous clause: 'Death ends a life, but it does not end a relationship, which struggles on in the survivor's mind toward some resolution, which it may never find.' #Quote by Robert Anderson

#6. The label of liberalism is hardly a sentence to public ignominy: otherwise Bruce Springsteen would still be rehabilitating used Cadillacs in Asbury Park and Jane Fonda, for all we know, would be just another overweight housewife. #Quote by Barbara Ehrenreich

#7. I tend to like the last sentence I just wrote, which is: 'It was late in the fall and the trees lining our driveway had turned red like a row of burning matches.' #Quote by Jess Walter

#8. If I had simply wanted to trade on an insult to Islam, I could have done it in a sentence rather than writing a 250,000-word novel, a work of fiction. #Quote by Salman Rushdie

#9. We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive. #Quote by Penelope Lively

#10. I usually start writing a novel that I then abandon. When I say abandon, I don't think any writer ever abandons anything that they regard as even a half-good sentence. So you recycle. I mean, I can hang on to a sentence for several years and then put it into a book that's completely different from the one it started in. #Quote by Kate Atkinson

#11. Oh, I know I'll improve. It's just that my life is a perfect graveyard of buried hopes now. That's a sentence I read once, and I say it over to comfort myself in these times that try the soul. #Quote by Anne Shirley

#12. Maslow notes that the self-actualized person has a strong desire for privacy; vehemently resists enculturation, but always has a freshness of appreciation; and has a genuine desire to help the human race. Yet when it comes down to it, in certain basic ways he is like an alien in a strange land. Very few really understand him, however much they may like him. #Quote by Wayne W. Dyer

#13. Most of us learn to read by looking at each word in a sentence - one at a time. #Quote by Bill Cosby

#14. Remember to never split an infinitive. The passive voice should never be used. Do not put statements in the negative form. Proofread carefully to see if you words out. And don't start a sentence with a conjugation. #Quote by William Safire

#15. I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived. #Quote by Sy Safransky

#16. «"We're talking about the technical aspects of translation again. Do I have to do all the work here? Who can tell me one of the problems translators face?" Rashmi raises her hand. "Well, most words have different meanings." "Good," Professeur Cole says. "More. Elaborate." St. Clair sits next to Rashmi, but he's not listening. He scribbles something fiercely in the margins of his book. "Well," Rashmi says. "It's the translator's job to determine which definition the author means. And not only that, but there could be other meanings in relation to the context."55 "So what you're saying," Professeur Cole says, "is that the translator has a lot of decisions to make. That there are multiple meanings to be found in any word, in any sentence. In any situation." "Exactly," Rashmi says. And then she cuts her eyes at me.» #Quote by Stephanie Perkins

#17. You know when you mix butt and Angel in the same sentence, it becomes an insult," I say and take a big gulp from the can. With his back to me, he says, "Trust me, I would never dream of insulting your butt. I'm sure it's better than anything I'm cooking out here. #Quote by Rucy Ban

#18. They had been flattered by Korah and his company until they really believed themselves to be very good people, and that they had been wronged and abused by Moses. Should they admit that Korah and his company were wrong, and Moses right, then they would be compelled to receive as the word of God the sentence that they must die in the wilderness. They were not willing to submit to this, and they tried to believe that Moses had deceived them. They had fondly cherished the hope that a new order of things was about to be established, in which praise would be substituted for reproof, and ease for anxiety and conflict. [402] The men who had perished had spoken flattering words and had professed great interest and love for them, and the people concluded that Korah and his companions must have been good men, and that Moses had by some means been the cause of their destruction. #Quote by Ellen G. White

#19. In one simple sentence: what Christians want for the nation should first be a witnessed reality in their local church. #Quote by Scot McKnight

#20. Staying in a marriage without love is like serving a life sentence with an incompatible cell mate. #Quote by Jeanne Phillips

#21. When I woke the next morning in my room at White's Motel, I showered and stood naked in front of the mirror, watching myself solemnly brush my teeth. I tried to feel something like excitement but came up only with a morose unease. Every now and then I could see myself-truly see myself-and a sentence would come to me, thundering like a god into my head, and as I saw myself then in front of that tarnished mirror what came was 'the woman with the hole in her heart'. That was me. #Quote by Cheryl Strayed

#22. No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. #Quote by H.G.Wells

#23. It could snow
We don't take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn't expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: "It could snow …" We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it's what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn't know we knew. Before snow, before love, the same lack, the same dimmed grey which days' triteness creates pretending to suffocate.
We shall cross somebody:
-This time it's almost winter!
-Yes we start to be crestfallen!
Workers hang pieces of tinsel. We didn't say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow. #Quote by Philippe Delerm

#24. A knife!" I yelled, still brandishing my pillow. "Jim, I command you to get me a gelding knife. If this guy
wants to be a stallion - "
He dissolved in a flurry of white smoke even before I could finish the sentence.
Ha! Victorious again!"
Yeah," Jim drawled while I remade the bed and fluffed up my pillows. "Aisling, two; sexy, naked men
who just want to give her the pleasure of a lifetime with no commitment, zero. #Quote by Katie MacAlister

#25. Almost all American writers tend to overwrite, to tell too much. I get the disillusioned feeling that novels, today, are sold by the pound, like groceries. It actually takes a great deal more discipline to be able to leave out rather than to throw in everything. This means that you have to say in one sentence precisely what you mean, instead of saying sort of what you kind of mean in hundreds of sentences and hoping the sum total will add up. #Quote by Rona Jaffe

#26. Isn't a dead language rather a sad thing, Janet? Once it lived and burned and glowed. People said loving things in it…bitter things…wise and silly things in it. I wonder who was the very last person to utter a sentence in living Latin. #Quote by L.M. Montgomery

#27. I read used books because fingerprint-smudged and dog-eared pages are heavier on the eye. Because every book can belong to many lives. Books should be kept in public places and step out with passersby who'll onto them for a spell. Books should die like people, consumed by aches and pains, infected, drowning off a bridge together with the suicides, poked into a potbellied stove, torn apart by children to make paper boats. They should die of anything, in other words, except boredom, as private property condemned to a life sentence on a shelf. #Quote by Erri De Luca

#28. At sixty miles per hour, you could pass our farm in a minute, on County Road 686, which ran due north into the T intersection at Cabot Street Road. #Quote by Jane Smiley

#29. As Aunt Naomi was listing all the things she was going to do to help this person, her friend stopped her in mid-sentence. "Naomi, girl," she said, "you need to resign as general manager of the universe. You need to learn that sometimes the best way to help a person is to let them help themselves. Otherwise, they never learn how. And they are always going to make their problems your problems." #Quote by Patti LaBelle

#30. This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And #Quote by Tom Robbins

#31. Every day it's something worse being predicted. Mearth says that sooner or later copyright on books will be all in the past because they'll all be available electronically. She says that electric cars will replace gasoline-powered cars. She says that something called drones will be used to watch the entire country, she talks a lot about something called nanotechnology, and 3-dimensional printing and cellular phones being implanted into peoples' minds and all available careers being replaced by robots and human cloning and overpopulation and film becoming obsolete, cellular phones making regular telephones obsolete and LED lighting replacing everything and eventually she says that the planet will collapse and become an apathetic wreck," Alecto replied rapidly, his run-on sentence sounding sinister and dangerous. "Mearth says that eventually people will be able to see inside the minds of everyone. #Quote by Rebecca McNutt

#32. By comparison, George W. Bush was light and breezy and apparently forgot during one debate that Social Security was a federal program. In fact, his depth, and his unfamiliarity with the complexities of the issues, to say nothing of the simple declarative sentence, worked remarkably to his advantage. #Quote by Charles P. Pierce

#33. In my own life, I have noticed when I have been meeting directors, that the same sentence with the same inflection can be said by a man, like: "Get me this." But if the same thing is said by a woman, it's seen as harsh and unacceptable. That always fascinates me. #Quote by Meryl Streep

#34. The novel's not dead, it's not even seriously injured, but I do think we're working in the margins, working in the shadows of the novel's greatness and influence. There's plenty of impressive talent around, and there's strong evidence that younger writers are moving into history, finding broader themes. But when we talk about the novel we have to consider the culture in which it operates. Everything in the culture argues against the novel, particularly the novel that tries to be equal to the complexities and excesses of the culture. This is why books such as JR and Harlot's Ghost and Gravity's Rainbow and The Public Burning are important - to name just four. They offer many pleasures without making concessions to the middle-range reader, and they absorb and incorporate the culture instead of catering to it. And there's the work of Robert Stone and Joan Didion, who are both writers of conscience and painstaking workers of the sentence and paragraph. I don't want to list names because lists are a form of cultural hysteria, but I have to mention Blood Meridian for its beauty and its honor. These books and writers show us that the novel is still spacious enough and brave enough to encompass enormous areas of experience. We have a rich literature. But sometimes it's a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state #Quote by Don DeLillo

#35. I don't like killing, but I'm good at it. Murder isn't so bad from a distance, just shapes popping up in my scope. Close-up work though - a garrotte around a target's neck or a knife in their heart - it's not for me. Too much empathy, that's my problem. Usually. But not today. Today is different . . . #Quote by Graeme Shimmin

#36. I have devoted my whole life to the study of Nature, and yet a single sentence may express all that I have done. I have shown that there is a correspondence between the succession of Fishes in geological times and the different stages of their growth in the egg,-this is all. It chanced to be a result that was found to apply to other groups and has led to other conclusions of a like nature. #Quote by Louis Agassiz

#37. In a hole in the ground there lived a hobbit. #Quote by J.R.R. Tolkien

#38. To read is to surrender oneself to an endless displacement of curiosity and desire from one sentence to another, from one action to another, from one level of a text to another. The text unveils itself before us, but never allows itself to be possessed; and instead of trying to possess it we should take pleasure in its teasing #Quote by David Lodge

#39. Just as the sentence contains one idea in all its fullness, so the paragraph should embrace a distinct episode; and as sentences should follow one another in harmonious sequence, so paragraphs must fit into another like the automatic couplings of railway carriages. #Quote by Winston Churchill

#40. A writer in early 1930, boosting the beauty business, started off a magazine article with the sentence: The average American woman has sixteen square feet of skin. #Quote by Howard Zinn