Edurne Eurovision Quotes

#1. I feel like Eurovision is a parallel dimension. It reminds me of 'Dance Fever' and 'Solid Gold' when I was a kid. Then when you hear these songs sung in English by someone who may or may not understand the words, the unique awesomeness hits you. #Quote by Seamus Dever

#2. Participating in Eurovision felt like coming home #Quote by Conchita Wurst

#3. I don't make the mistake of thinking it's a major musical event. I love the Eurovision Song Contest and it will continue long after I'm gone. Just please don't ask me to take it seriously, #Quote by Terry Wogan

#4. The attention for bad literature is symptomatic: they pretends its the most normal thing in the world to fill an entire newspaper page with talk about a bad book, and good books are silenced to death. This mechanism is exactly the same formula as used in the Eurovision Songfestival: to present monoculture, and the proverbial hatred for that monoculture is only ritualistic, intended to give the reader the impression that the newspaper is on their side. Its the formula of entertainment: present things the reader can feel superior to. #Quote by Martijn Benders

#5. My wife Juliana and I first saw Eurovision while on our honeymoon in Greece in 2006, and we were amazed by it. They basically recreate a music video onstage, and pyro cannons, LED video screens, background dancers, fireworks, costume changes, and wind machines are their tools. #Quote by Seamus Dever

#6. There's not enough silliness in the world. Eurovision helps to keep it balanced. #Quote by Terry Wogan

#7. When I was younger, I did my first audition at 'Eurovision.' I was about 17. After my first audition, I blacked out; I was just like, 'I can't do this.' I'm not knocking it or anything - it's been around for years. I'm just very, very happy I made that decision myself. I think that's one of the best decisions I've ever made. #Quote by Rita Ora

#8. But the real and actual 'riggedness' of the Eurovision lies in the vision it presents to us as to what 'Culture' is supposed to be: a monotone, cheap, cloned industrialized song with some glamour attached. The formula is always the same: 24 cloned songs, like computer automated, and 2 'crazy' ones so it seems that all this clonedness is actually supported by creativity. But in this image of 'craziness' there is the same formula: cloned, boring songs with some carnavalesque stuff attached. The factual dynamics of the event are in fact fascist: its almost purely Riefenstahl, but the Chinese mass production version of it. It shows us one thing and one thing only: Countries are an illusion, they are all the same. There are no countries. #Quote by Martijn Benders

#9. Not only do we mock the Eurovision Song Contest itself, but we lampoon other European countries for taking it so seriously, and they all retaliate by voting for each other every year and ignoring our (sometimes) palpably superior songs. Accordingly, Britain has become the Millwall FC of Eurovision: we are hated, we know we are hated, and we pretend we are happy to be hated. It's actually quite a sad state of affairs. #Quote by Marcus Berkmann

#10. If you can't imagine female torch singers and Skrillex-style demon techno onstage at the same moment, you don't know Eurovision. #Quote by Seamus Dever