Ebby Start Page Quotes

#1. You can't fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen. #Quote by Howard Hawks

#2. A lot of times it's the child that sees something and not the grownup. I love that because, when readers get older, they start looking for the most important ideas in the story. They don't look at things in the same way anymore. Children haven't really learned to do that yet. They take all their great, intellectual skills, look at the full page, and appreciate all of the different things. #Quote by Jan Brett

#3. I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out. #Quote by Jonathan Levine

#4. So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again. #Quote by Catherynne M Valente

#5. I'm definitely not on Twitter. I do have a Facebook page and Facebook friends. It's a lot of fun, especially if you don't just start friending people you don't know. #Quote by Quentin Tarantino

#6. All he would say was that sometimes you have to burn it down and start over. #Quote by Kelly Braffet

#7. You are looking at the largest portal ever. The internet. You can start on the Wikipedia page for jelly donut, and four link clicks later, end up on the meaning of life. #Quote by Jake

#8. DEATH

Why do you fear me?
I am your friend.
I but guide trav'lers
Rounding the bend ---
Lead them to freedom
From time and age,
Help them start writing a new page...

Seek for me never,
Keep your course true ---
When I am needed
I'll come to you,
Then I will show you
Roads without end ---
Why do you fear me?
I am your friend. #Quote by Clarence E. Flynn

#9. What would it be like to be a white page, starting from the beginning with stories untold and memories unmade? To start with a blank slate and go from there?"-Travis Thrasher, Broken #Quote by Travis Thrasher

#10. [Chris Langan] told me not long ago. "I found if I go to bed with a question on my mind, all I have to do is concentrate on the question before I go to sleep and I virtually always have the answer in the morning. Sometimes I realize what the answer is because I dreamt the answer and I can remember it. Other times I just feel the answer, and I start typing and the answer emerges onto the page. #Quote by Malcolm Gladwell

#11. I still have enough faith in language to believe that if I place enough words next to each other on the page, they will start to speak with sounds of their own. #Quote by Dexter Palmer

#12. Don't tear up the page and start over again when you write a bad line-try to write your way out of it. Make mistakes and plunge on. Writing is a means of discovery, always. #Quote by Garrison Keillor

#13. The most difficult thing to do after a life well lived is to sit down and type it all out. To start with, your fingers are old and gnarled. You can see the skin crinkled up like paper, the knobby knuckles, the veins standing up blue and aggressive and you wonder, when did your hands change, when did they stop being young and firm and definite, when did the hesitancy creep in, when did the trembling begin. Your mind sieves through memories as thick as molasses and as bitterly sweet. The words trip on your tongue but hesitate to make their way onto the page because you debate endlessly in your head about which of them you should put down in print, terrified of the permanency of the written word. Memories are the kind of elusiveness that shift, change form, and remodel themselves by the second. It is a challenge to wrestle with them, to get them to agree to be analysed, to be put down in words and encapsulated into sentences, moulded into paragraphs. As long as they are shifting, morphing into different things as the moment suits them, they aren't bound by one person's recollection of how things were, of how they happened. These are my memories.
And this was my life. And so I try to write this. I am already half way through what I am trying to put down. I have no idea who would want to read the story of my life. But I write it out, more for myself, than for anyone else who would care to read. #Quote by Kiran Manral

#14. To be honest, what I struggled with in my degree is what's so helpful when it comes to social media in that I lack focus. I'll start reading about evolutionary biology and end up on quantum physics. While that makes writing your dissertation very difficult, for a page like IFLS, that's amazing because I get a wide range of everything. #Quote by Elise Andrew

#15. Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page. #Quote by Katori Hall

#16. We start out talking about the story, trying to figure out who is who and what should happen, taking notes the whole time. Then I do a rough layout of the issue, showing what happens on each page. Then we discuss that some more. #Quote by Phil Foglio

#17. A writer's will is the winds of dead calm in the Western Lands. Point way out he can start stirring of the sail. Writer, where are you going? To write. Here we are in texts already written on the sky. Where he doesn't need to write anymore. A slight seismic with the cat book. Always remember, the work is the mainsail to reach the Western Lands. The texts sing. Everything is grass and bushes, a desert or a maze of texts. Here you are ... never use the same door twice. Sky in all directions ... on the word for word. The word for word is word. The western sail stirs candles on 1920 country club table. Each page is a door to everything is permitted. The fragile lifeboat between this and that. Your words are the sails. #Quote by William S. Burroughs

#18. Child, unless you are opening a dictionary, you start at the book's opening page and you read the story through. If it's terribly dreadful, then just put it down and move on. What I will not tolerate is reading ahead. It's not fair to the reader or to the author. If they meant to have their books read backwards, they would surely have written them that way! #Quote by Camron Wright

#19. OK, I have to make sure we're on the same page here. Because I might mean one thing and she might mean, intending to start a Cordon Bleu course when I get back to England. #Quote by Sophie Kinsella

#20. Truth in theatre is always on the move. As you read this book, it is already moving out of date. it is for me an exercise, now frozen on the page. but unlike a book, the theatre has one special characteristic. It is always possible to start again. In life this is myth, we ourselves can never go back on anything. New leaves never turn, clocks never go back, we can never have a second chance. In the theatre, the slate is wiped clean all the time.

In everyday life, "if" is a fiction, in the theatre "if" is an experiment. In everyday life, "if" is an evasion, in the theatre "if" is the truth. When we are persuaded to believe in this truth then the theatre and life are one. This is a high aim. It sounds like hard work. To plays needs much work. But when we experiences the work as play, then it is not work anymore. A play is play. #Quote by Peter Brook

#21. Thank you again for standing up for me."

He grumbled, "Stop it."

I smiled a little more genuinely. "I have this cream for bruises, let me go grab it."

Aiden jerked his head back like I was about to try to shove a hot dog in his mouth. "You know I don't care about bruises."

"Too bad. I do. He can be black and purple tomorrow - and I freaking hope he is - but I'd rather you didn't." I winced at the small crack in his lip. "What did he have to do? Take a running start to reach your face?"

Aiden burst out laughing, not even grimacing as his cut split wide.

"Seriously, Aiden." I reached up to touch his bruised jaw gently with my fingertips. "Did he sucker punch you?"

The big guy shook his head.

"He actually managed to get a fair shot in?" I wasn't going to lie. I was a little disappointed. Aiden getting punched was almost like finding out Santa Claus wasn't real. He'd gotten into a handful fights in his career before - I'd seen footage of it online when I shared it on his fan page because people were vicious and loved that kind of thing - and while he wasn't this hotheaded asshole who liked to get into it for no reason, each time it happened, he beat the shit out of whoever tried to start something with him.

It was impressive. What could I say?

Then he gave me that dumb look that drove me nuts and I frowned. "No. I made sure he hit me first, and I let him do it twice befor #Quote by Mariana Zapata

#22. It's tempting to start each sentence with an apology or disclaimer. To preface everything with "In my life I've found" so that people can't yell at me for being wrong (I often am) or misinformed (sure) or overly emotional (HOW DARE YOU). ... That's one of the frightening things about writing a book that no one ever tells you. You have to pin down your thoughts and opinions and then they exist on a page, ungrowing, forever. #Quote by Jenny Lawson

#23. Isn't it funny that what the Japanese authors consider their first page is our happily-ever-after last one? When you think about it, it's not a bad way to approach life. What appears to be an ending--heartbreaking wounds that you can and cannot see--may just be a beginning, a start of a brand-new adventure. #Quote by Justina Chen

#24. I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel.

Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.

Okay.

Okay, R.

Here it comes. #Quote by Isaac Marion

#25. I generally don't walk out of films. If I start a book, and I don't love it by page 100, I will stop reading because it's just too much of a time commitment. But you never know with a movie what's going to turn around. #Quote by David Dobkin

#26. Slow down. The party won't start until I get there
- Jo, Remember me.
Page 43. #Quote by Christopher Pike

#27. You see, what I really want, and what I'm getting with Stephen, is the opportunity to rebuild myself from scratch. David's picture of me is complete now, and I'm pretty sure neither of us likes it much; I want to rip the page out and start again on a fresh sheet, just like I used to do when I was a kid and had messed a drawing up. It doesn't even matter who the fresh sheet is, really, so its beside the point whether I like Stephen, or whether he knows what to do with me in bed, or anything like that. I just want his rapt attention when I tell him that my favorite book is Middlemarch, and i just want that feeling, the feeling I get with him, of having not gone wrong yet #Quote by Nick Hornby

#28. If you haven't got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you'll only have to throw away the first three pages. #Quote by William Campbell Gault

#29. To get a better idea try this: focus on these words, and whatever you do don't let your eyes wander past the perimeter of this page. Now imagine just beyond your peripheral vision, maybe behind you, maybe to the side of you, maybe even in front of you, but right where you can't see it, something is quietly closing in on you, so quiet in fact that you can only hear it as silence. Find those pockets without sound. That's where it is. Right at this moment. But don't look. Keep your eyes here. Now take a deep breath. Go ahead take and even deeper one. Only this time as you start to exhale try to imagine how fast it will happen, how hard it's gonna hit you, how many times it will stab your jugular with it's teeth or are they nails?, don't worry, that particular detail doesn't matter, because before you have time to even process that you should be moving, you should be running, you should at the very least be flinging up your arms – you sure as hell should be getting rid of this book – you won't have time to even scream.

Don't look.

I didn't. #Quote by Mark Z. Danielewski

#30. Once there are good sentences on the page, I can feel a loyalty to them and start following their logic, and take refuge from myself. #Quote by Jonathan Franzen

#31. I write in a pretty straightforward way. I kind of sit down at page one and start writing. #Quote by Zack Snyder

#32. I can't bury another friend."
"You won't."
"If anything ever happened to you, Rowan-"
"Don't" he breathed. "Don't even say it. We dealt with that enough the other night."
He lifted a hand - hesitated, and then brushed back a strand of hair that had fallen across her face. His callused fingers scrapped against her cheekbone, then caressed the shell of her ear.
It was foolish to even start down that road, when every other man she'd let in had left some wound, in one way or another, accidentally or not.
There was nothing tender in his face. Only a predator's glittering gaze. "When we get back," he said, "remind me to prove you wrong about every thought that just went through your head."
She lifted an eyebrow. "Oh?"
He gave her a sly smile that made thinking impossible. Exactly what he wanted - to distract her from the horrors of tomorrow. "I'll even let you decide how I tell you: with words"- his eyes flickered once to her mouth- "or with my teeth and tongue. #Quote by Sarah J. Maas

#33. It is easier for the reader to judge, by a thousand times, than for the writer to invent. The writer must summon his Idea out of nowhere, and his characters out of nothing, and catch words as they fly, and nail them to the page. The reader has something to go by and somewhere to start from, given to him freely and with great generosity by the writer. And still the reader feels free to find fault. #Quote by Fay Weldon

#34. Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy. #Quote by Harold Evans

#35. The store owner had settled himself behind the counter again and was reaching for his
book. "The journey will test your sanity." He spoke in a matter-of-fact tone, as though
there were nothing extraordinary about his words. "And once you start walking down
that road, there is no turning back. You will start craving the rush. One can become
addicted to madness, you know. Develop a taste for it." He looked down at the book
in his hands, frowned and turned a page. #Quote by Natasha Mostert

#36. Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting. #Quote by Joan Didion

#37. The facility of the entrance into another world is an illusion: you start writing in a rush, anticipating the happiness of a future reading, and the void yawns on the white page. #Quote by Italo Calvino

#38. The curb is the launching point for many a deed. To step off could be the start of a life-changing journey. On the other hand to push someone off could crush that person beneath the wheels of a truck. #Quote by Neal Shusterman

#39. Replace Negative Character Labels

Negative character labels are an even more serious problem than fixed mindsets. Examples of negative character labels include "I'm selfish," "I'm needy," "I'm unlovable," "I'm weak," "I'm defective," "I'm incompetent," and "I'm worthless." Such an uplifting list! Those negative beliefs sound quite dramatic when written down on the page, and sometimes people don't realize that they hold those beliefs about themselves. If your immediate reaction is to say, "Oh, I don't think any of those things about myself" or "Only someone who was super depressed would think those things," then take an extra second to make sure you're not even partially buying into these types of thoughts about yourself. It might be that you believe a negative character label only 20% of the time, but even that can still be an issue.
There are two types of negative character labels. Both can be changed. One type is very stable. For example, you believe you are incompetent, and you have never believed anything else, not even when you are in a positive mood. The other type is the type that goes up and down with your mood, anxiety, and stress. When your mood is low, you believe the negative character label much more strongly than when your mood is positive. If your negative character label changes due to transient things like your mood, anxiety, or stress, this can help you start to see that the belief is a product of these things rather than true. #Quote by Alice Boyes