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#1. Every time he moved, with every breath he took, it seemed the man was carried along by iridescent orange and black wings.
She tried to convey how it was like travelling through the inside of a living body at times, the joints and folds of the earth, the liver-smooth flowstone, the helictites threading upward like synapses in search of a connection. She found it beautiful. Surely God would not have invented such a place as His spiritual gulag.
It took Ali's breath away. Sometimes, once men found out she was a nun, they would dare her in some way. What made Ike different was his abandon. He had a carelessness in his manner that was not reckless, but was full of risk. Winged. He was pursuing her, but not faster than she was pursuing him, and it made them like two ghosts circling.
She ran her fingers along his back, and the bone and the muscle and hadal ink and scar tissue and the callouses from his pack straps astonished her. This was the body of a slave.
Down from the Egypt, eye of the sun, in front of the Sinai, away from their skies like a sea inside out, their stars and planets spearing your soul, their cities like insects, all shell and mechanism, their blindness with eyes, their vertiginous plains and mind-crushing mountains. Down from the billions who had made the world in their own image. Their signature could be a thing of beauty. But it was a thing of death.
Ali got one good look, then closed her eyes to the heat. #Quote by Jeff Long
#2. Our sense of self, formulated in large part by the untold number of cross-related connections that we make with our physical, social, and family environments, is reliant upon fitting into our social fabric. The educational environment, family relationships, peer groups, books, television, films, music, along with an assortment of other cultural events shape our emergent persona. Our successes and failures interacting in the world leave their collective imprint upon the wet clay of our forming brains. We are sentimental creatures who cling to past memories. We are inquisitive critters who venture forth from our protective dens to explore new territory. We are perceptive organisms equipped with five basic senses. We are sentient beings who can consciously organize our sense impressions into guiding ideas and useful principles. Our survival responses form a central cord of our emotions. We are receptive, compassionate beings that respond with both body and mind to global stimuli. #Quote by Kilroy J. Oldster
#3. It's like we learn to think something's ugly. Maybe if we're could all stop being taught that only certain things are right or pretty, or that only certain things are the way that everything else should be, you know, I mean physically, then we could start looking at things through fresh eyes. And then we're wouldn't look at things or people in a way that would make them sad or that would exclude them. It might even stop us from constantly trying to change our own body image, and maybe we'd just learn to enjoy what we have, enjoy what great gifts we've been given and revel in them instead of wishing they'd be different. #Quote by John C. Horst
#4. And at the center of the room, a girl. A woman. She sits at the klavier with eyes closed, playing their song. Their story.
Elisabeth.
Her image flickers, wavers, a reflection seen on the edges of a candle flame. The shadows wriggle and writhe with curiosity, and with tremendous effort, the monster holds them back.
Please, he whispers. Please, let me have this one thing.
As he plays, the darkness recedes. From his skin, from his hair, the weight of the rams' horns on his head lightening. Color returns to the world and to his eyes, a mismatched blue and green as the monster remembers what it is to be a man.
Elisabeth.
He sits down on the bench beside her, begging her- beseeching her- to open her eyes and see him. Be with him. But she keeps her eyes closed, hands trembling on the keyboard.
Elisabeth.
She stirs. He sucks in a sharp breath and lifts his hand to stroke her cheek with fingers that are still mangled, broken, strange. His touch passes through her like a knife through smoke, yet she shivers as if she can feel the brush of his fingers in the dark places of her soul, her body, her heart. She is as insubstantial as mist, but he cannot resist the urge, the itch, to kiss. He closes his eyes and leans in close, imagining the silk of her skin against his lips.
They are met.
A gasp. His eyes fly open but hers are still closed. Her hand lifts to her mouth, as though the tingle of their unexpected caress still lingered there.
#Quote by S. Jae-Jones
#5. I know that whatever the complex origins of my own homosexuality are, there have been conscious choices I've made to indulge - and therefore to intensify, probably - my homoerotic inclinations. As I look back over the course of my life, I regret the nights I have given in to temptations to lust that pulsed like hot, itching sores in my mind. And so I cling to this image - washed. I am washed, sanctified, justified through the work of Jesus Christ and the Holy Spirit. Whenever I look back on my baptism, I can remember that God has cleansed the stains of homosexual sin from the crevasses of my mind, heart, and body and included me in his family, the church, where I can find support, comfort, and provocation toward Christian maturity. #Quote by Wesley Hill
#6. We ourselves, though we're guilty of every sin, are not just a work of God: we're image. Yet we have cut ourselves off from our Creator in both soul and body. Did we get eyes to serve lust, the tongue to speak evil, ears to hear evil, a throat for gluttony, a stomach to be gluttony's ally, hands to do violence, genitals for unchaste excesses, feet for an erring life? Was the soul put in the body to think up traps, fraud, and injustice? I don't think so. #Quote by Tertullian
#7. The Bible account of man's creation is that God created him perfect and upright, an earthly image of himself; that man sought out various inventions and defiled himself (Gen. 1:27; Rom. 5:12; Eccl. 7:29); that, all being sinners, the race was unable to help itself, and none could by any means redeem his brother or give to God a ransom for him (Psa. 49: 7, 15); that God in compassion and love had made provision for this; that, accordingly, the Son of God became a man, and gave man's ransom-price; that, as a reward for this sacrifice, and in order to the completion of the great work of atonement, he was highly exalted, even to the divine nature; and that in due time he will bring to pass a restitution of the race to the original perfection and to every blessing then possessed. These things are clearly taught in the Scriptures, from beginning to end, and are in direct opposition to the Evolution theory; or, rather, such 'babblings of science, falsely so called,' are in violent and irreconcilable conflict with the Word of God. #Quote by Charles Taze Russell
#8. This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image. #Quote by Julian Schnabel
#9. Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body. #Quote by Baldassare Castiglione
#10. The noblest works and foundations have proceeded from childless men, which have sought to express the image of their minds, where those of their bodies have failed. So the care of posterity is most in them that they have no posterity. #Quote by Francis Bacon
#11. Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader pres #Quote by Ayn Rand
#12. As a cosmion incarnating the cells of a new body, New Lights will function as transitional vessels through which transforming energy can renew the divine image in the world, moving postmoderns from one state of embodiment to another. #Quote by Leonard Sweet
#13. When the rich give a party and the meal is finished, a man carries round amongst the guests a wooden image of a corpse in a coffin, carved and painted to look as much like the real thing as possible, and anything from 18 inches to 3 foot long; he shows it to each guest in turn, and says: "Look upon this body as you drink and enjoy yourself; for you will be just like it when you are dead."
[Herodotus 'Histories', II 82] #Quote by Herodotus
#14. She fell asleep fairly quickly that night. As she slept just a few inches away, I watched her, trying to burn her image into my memory. The way her lashes fell against her skin; the way her wet hair felt against my arm; the fruity, clean smell that wafted from her lotioned body; the barely audible noise her nose made when she exhaled. She was so peaceful, and had become so comfortable sleeping in my bed. #Quote by Jamie McGuire
#15. I would like a light on somewhere, a candle perhaps, stuck into a bottle, some echo of college, but anything like that would be too great a risk; so I have to make do with the searchlight, the glow of it from the grounds below, filtered through his white curtains which are the same as mine. I want to see what can be seen, of him, take him in, memorize him, save him up so I can live on the image, later: the lines of his body, the texture of his flesh, the glisten of sweat on his pelt, his long sardonic unrevealing face. I ought to have done that with Luke, paid more attention, to the details, the moles and scars, the singular creases; I didn't and he's fading. Day by day, night by night #Quote by Margaret Atwood
#16. I do not know what inspires the image of a fish but it comes to me, wide eyed, open mouthed and gaping, glimmering, swimming towards me as though a creature of the darkness come to claim me. I imagine it in a twinkling blue pool. It swims through the dark currents of the sea, gliding above sea weed, beneath sunlight, augmenting and shying away from the surface. It belongs to this element between land and sky, sifts through it, a creature of the deep. My mind drifts, fades, but then comes back to the fish: its glimmering scales, its strange beady eyes. Its body is contained within the water. It opens its mouth, moving it open and closed as though it's trying to speak a language I never learned. I think about the fish's lungs, full of water. Is not the sea contained within the fish, too? #Quote by Annie Fisher
#17. From a yogic perspective, good health starts within. All yogic practices help to keep your skin healthy and radiant.
The beauty industry spends a lot of money projecting a certain image of beauty that causes you to feel inadequate if you do not match up to this ideal.
From a yogic view you foster your inner beauty through the natural care of your body. The yogi sees their physical body as a temple that houses your soul. True beauty is the reflection of your inner self radiating and touching others #Quote by Ntathu Allen
#18. I meeped something to the affirmative, and then flew out into the hall. My entire body was flaming as I pressed one hand against my still-tingling lips and the image of Zayne's behind emblazoned itself into my eye sockets.
He had a great ass.
And from what I'd seen, he wasn't hurting in any other department either. #Quote by Jennifer L. Armentrout
#19. In the middle of the night, he woke up and realized to his surprise that he had been having one erotic dream after the other. The only one he could recall with any clarity was the last: an enormous naked woman, at least five times his size, floating on her back in a pool, her belly from crotch to navel covered with thick hair. Looking at her from the side of the pool, he was greatly excited. How could he have been excited when his body was debilitated by a gastric disorder? And how could he be excited by the sight of a woman who would have repelled him had he seen her while conscious? He thought: In the clockwork of the head, two cogwheels turn opposite each other. On the one, images; on the other, the body's reactions. The cog carrying the image of a naked woman meshes with the corresponding erection-command cog. But when, for one reason or another, the wheels go out of phase and the excitement cog meshes with a cog bearing the image of a swallow in flight, the penis rises at the sight of a swallow. Moreover, a study by one of Tomas's colleagues, a specialist in human sleep, claimed that during any kind of dream men have erections, which means that the link between erections and naked women is only one of a thousand ways the Creator can set the clockwork moving in a man's head. And what has love in common with all this? Nothing. If a cogwheel in Tomas's head goes out of phase and he is excited by seeing a swallow, it has absolutely no effect on his love for Tereza. If excite #Quote by Milan Kundera
#20. Turning something over to the Holy Spirit is a leap of faith that lets go of attempting to control outcomes. The core of alcoholism, anorexia, bulimia, smoking and a host of things the world calls addictions is control. The little willingness the Holy Spirit asks is the key to letting go of the attempt to manage the body and the world, which is the insane attempt to maintain a self-concept image that God did not create. An idea to contemplate from the Course is this: "Seek not to change the world, but choose to change your mind about the world." The requirement is to change your thinking, not to focus on behavior and form. Behavior flows from thought, and transformation of the mind is synonymous with changing thought patterns from ego-based to Spirit-based. #Quote by David Hoffmeister
#21. When a body succeeds in emitting or in reflecting luminous vibrations in a distinct and recognizable order--I thought--what does it do with these vibrations? Put them in its pocket? No, it releases them on the first passer-by. And how will the latter behave in the face of vibrations he can't utilize and which, taken in this way, might even be annoying? Hide his head in a hole? No, he'll thrust it out in that direction until the point most exposed to the optic vibrations becomes sensitized and develops the mechanism for exploiting them in the form of images. In short, I conceived of the eye-encephalon link as a kind of tunnel dug from the outside by the force of what was ready to become image, rather than from within by the intention of picking up any old image. #Quote by Italo Calvino
#22. If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural.
For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, #Quote by Robert Farrar Capon
#23. The good news is that there is one kind of food you can never have too much of. The best way to fully recover from a food addiction or body-image problem is to fill up on the Lord. #Quote by Kate Wicker
#24. Our bodies and movements are in constant interaction with the environment; the world and the self inform and redefine each other constantly. The percept of the body and the image of the world turn into one single continuous existential experience; there is no body separate from its domicile in space, and there is no space unrelated to the unconscious image of the perceiving self. #Quote by Juhani Pallasmaa
#25. A horrified scream erupted from the deepest reaches of her subconscious as the image of the body surfaced, and the sound echoed through her tortured thoughts. #Quote by Amy Crandall
#26. Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: "Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image - and like a dream. #Quote by Akira Mizuta Lippit
#27. ...The premise that birthing, by nature, had to be a painful ordeal was totally unacceptable to me. I could not believe that a God who had created the body with such perfection could have designed a system of procreation that was flawed. So many questions prevented me from accepting the concept of pain in birthing. Why are the two sets of muscles of the uterus the only muscles that do not perform well under normal conditions? Why are the lesser animals blessed with smooth, easy birthing while we, the very highest of creatures, made in the image and likeness of God, are destined to suffer? And why are women in the some cultures able to have gentle, comfortable births? Are we women in the Western world less loved, less indulged, less blessed than they? It didn't make sense to me logically or physiologically."
"Even more importantly, I could not believe that a loving God would commit so cruel a hoax as to make us sexual beings so that we would come together in love to conceive and then make the means through which we would birth our children so excruciatingly painful."
"Dr. Christiane Northrup, author of Women's Bodies, Women's Wisdom, sums it up well with this challenge to all birthing mothers: Imagine what might happen if the majority of women emerged from their labor beds with a renewed sense of the strength and power of their bodies, and of their capacity for ecstasy through giving birth. When enough women realize that birth is a time of great opportu #Quote by Marie F. Mongan
#28. The flower of the ginger is superb and regal, but if we focus on nurturing the ginger plant to bloom we are unable to harvest its root. Enjoying the exquisite beauty of the plant will prevent us from unlocking its true potential - the nutrients secretly stored beyond the reach of the sun. Why care about trivial matters such as external beauty? What matters lies beneath the surface. What a waste! She is much more beautiful on the inside where she has so much more to give to the world. #Quote by Jamie Le Fay
#29. I've been chained to my bathroom scale for two decades now. I've used the number on my scale to tell me if I'm valuable or not. I've let the number on my scale destroy many beautiful opportunities in my life such as scheduling family photos, having fun at the beach, or giving myself 100% in intimacy. I've let the number on the scale tell me if I should be confident in who I am. I've let the number on the scale tell me if I am worthy of kind thoughts from others. Ultimately, I've always let some ridiculous number on the bathroom scale tell me whether or not I should love myself. #Quote by Dan Pearce
#30. The sexual map we acquire in youth includes body image, masturbatory guilt, sexual preferences and more. From what turns us on to what turns us off. From attitudes about menstruation to the right of women to wear certain clothing. But using this guilt- and shame-ridden map as a guide to sexuality is like using a map of an ancient city sewer system to locate the fiber optic network. What if the only map we had of a city was made 2,000 years ago? How useful would it be today? My city was an open prairie 2,000 years ago with no roads and maybe a few animal paths. A map of that reality would be of little use today. #Quote by Darrel Ray
#31. After that I went to Sydney and talked profitlessly with seamen and members of the vice-admiralty court. I saw the Alert, now sold and in commercial use, at Circular Quay in Sydney Cove, but gained nothing from its non-committal bulk. The crouching image with its cuttlefish head, dragon body, scaly wings, and hieroglyphed pedestal, was preserved in the Museum at Hyde Park; and I studied it long and well, finding it a thing of balefully exquisite workmanship, and with the same utter mystery, terrible antiquity, and unearthly strangeness of material which I had noted in Legrasse's smaller specimen. Geologists, #Quote by H.P. Lovecraft
#32. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us #Quote by Joseph Conrad
#33. God reproduces and lives out His image in millions of ordinary people like us. It is a supreme mystery. We are called to bear that image as a Body because any one of us taken individually would present an incomplete image, one partly false and always distorted, like a single glass chip hacked from a mirror. But collectively, in all our diversity, we can come together as a community of believers to restore the image of God in the world. (In His Image, Philip Yancey and Dr. Paul Brand, p. 40) #Quote by Philip Yancey
#34. Why do we bury our dead?" His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident.
I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. "Because it's respectful?"
He shook his head. "That's true, but that's not the reason we do it."
But that was the reason we buried people, wasn't it? After gazing at him in confusion, I raised my hand, determined to get the right answer. "Because leaving people out in the open is unsanitary."
Mr. B. shook his head and scratched the stubble on his neck.
I glared at him, annoyed at his ignorance and certain that my responses were correct. "Because it's the best way to dispose of a body?"
Mr. B. laughed. "Oh, but that's not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone."
Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I'd heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn't know what burials meant? I'd watched them bury my parents, hadn't I? "Because that's just what we do," I blurted out. "We bury people when they die. Why does there have to be a reason for everything?"
"Exactly!" Mr. B. gr #Quote by Yvonne Woon
#35. I declared earlier in this document that, 'with one exception,' there was no cuteness among The Seven. Sherry was the exception, although a serious qualification must be appended to this statement. Physically she was attractive, not to the point of being a harrowing beauty, but enough to put her over the line between women of average or even 'good' looks into the company of those who possessed across-the-room attraction. (If anyone believes that I'm perpetuating some arbitrary or twisted image of the world, that's fine with me - I wish them well in their transactions with social reality.) The qualification to which I made reference above is this: if you happened to cross that room on the other side of which stood Sherry, what you confronted was...I can't even name it - some kind of thing inhabiting the body of an attractive woman, an alien from some diseased planet or a creature of low evolutionary stature that by some curious means had insinuated itself into a human being at some stage in her development, the result being this Sherry-thing. #Quote by Thomas Ligotti
#36. Now there was nothing but awful, terrible silence. Sight is a sense outside and apart from the body, an image on the surface of the eye. But sound enters the ears, the head, it lives inside. In sound's absence, silence echoes. #Quote by Margaret Weis
#37. Reporters insist on portraying me as a curiosity. Rather like a talking horse."
"You're an unusual woman."
"Not really. Many thousands of women have the minds and temperaments to practice medicine. However, no medical school here will admit a female, which is why I had to study and train in France. I was fortunate enough to become certified before the British Medical Association closed the loopholes to prevent other women from doing the same."
"What did your father say about it?"
"At fist he was against the idea. He thought it indecent for a woman to have such an occupation. Viewing unclothed people, and so forth. However, as I pointed out to him, if we're made in God's image, there can be nothing wrong with the study of the human body. #Quote by Lisa Kleypas
#38. OTHER RELAXATION TECHNIQUES
There are many other stress management techniques that can help you to "bring yourself down" quickly when you are highly stressed. You can use them before a situation where anticipation raises tensions that do not automatically subside after a few minutes. You also can use them during an interaction or when a surprise threatens to escalate your stress out of control. Or use them after an encounter has raised your stress level, if it is not subsiding naturally.
Mental Imagery
You experimented with mental imagery in the previous chapter on goal-setting. The use of mental imagery also can be an effective tool for anxiety control. Think of it as a new application of skills you already have: memory and imagination. When I asked you earlier to recall how many windows there are in your bedroom, you used imagery to retrieve the information. Mentally, you went into the room, looked from wall to wall, and counted. That process is mental imagery.
From a relaxation perspective, your nervous system cannot distinguish between reality and imagery. Material passed from the body to the senses, whether real or imagined, is processed the same way. Therefore, imagery can play an important role in inducing internal self-regulation and relaxation. If there is a particular image - such as the warm, sandy beach of the previous exercise, a cool forest clearing covered with a blanket of pine needles, or even a clear blue sky - that represents relax #Quote by Jonathan Berent
#39. However we resolve the issue in our individual homes, the moral challenge is, put simply, to make work visible again: not only the scrubbing and vacuuming, but all the hoeing, stacking, hammering, drilling, bending, and lifting that goes into creating and maintaining a livable habitat. In an ever more economically unequal world, where so many of the affluent devote their lives to ghostly pursuits like stock trading, image making, and opinion polling, real work, in the old-fashioned sense of labor that engages hand as well as eye, that tires the body and directly alters the physical world tends to vanish from sight. The feminists of my generation tried to bring some of it into the light of day, but, like busy professional women fleeing the house in the morning, they left the project unfinished, the debate broken off in mid-sentence, the noble intentions unfulfilled. Sooner or later, someone else will have to finish the job. #Quote by Barbara Ehrenreich
#40. She had felt this intense disembodiment for the last four days, really from the moment the Snake Man had told them to turn around. And then the police, the undertaker, asking if she wanted to see the body one last time and Claire blanching at the word body and sobbing like a child because she had spent every single second since they had taken Paul from her arms trying to remove the image of her lifeless, murdered husband from her mind. #Quote by Karin Slaughter
#41. Eating disorders are prevalent among women who were sexually abused as children. They seem to have components of other symptoms such as obsessions, compulsions, avoidance of food, and anxiety, and they primarily include a distorted body image and feelings of body shame.
For some women, eating disorders are related to the loss of control over their bodies during the sexual abuse and serve as a means of feeling in control of their bodies now. Eating disorders can also be indicative of the developmental stage and age at which the sexual abuse began. Women with anorexia and bulimia report that they were sexually abused either at the age of puberty or during puberty, when their bodies were beginning to develop and they felt a great deal of body shame from the abuse. By contrast, women with compulsive eating report that the sexual abuse occurred before the age of puberty; they used food for comfort. #Quote by Karen A. Duncan
#42. My memory of the event stops at this point, like a scene that is held in the eye in the moments after a lamp is turned out. I can recall the burnished surface of the river flowing by, the rotations of birdsong from the trees behind us, and the imprint of my father's fingers on my forehead where he had brushed away my hair. But of my father I remember nothing save an impression of his lean body, perched on a rock, in white featureless silhouette as if his image had been carefully cut from a photograph. the image stays with me still.
"Do you understand?" the silhouette says.
I nod and say nothing. (pg 43) #Quote by John Sinclair
#43. If he doesn't get here soon, I'm going to fall asleep, Susan grumbled.
He loved hearing her voice in his head even when she was cranky.
The thought made him smile. I've been keeping you up too late.
Not really, she replied. I've always been a night owl. I just haven't been sleeping late the way I usually do.
And had had one scare after another whilst awake.
Did I mention I'm still sore from digging your handsome ass up?
He laughed.
It was totally worth it, of course, she went on.But if we find out you're single, I might hit you up for a nice long massage.
He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who's flirting?
Ooh, she purred. That's so cool. Even in your thoughts, your voice deepens and gets all growly when you're turned on. Before he could respond, she made a sound of impatience.Damn it. Now I'm turned on.
He laughed, delighted that she inspired him to do so even in such grim circumstances. #Quote by Dianne Duvall
#44. Every moment of this experience we call a physical life is determined by the choices you make in your thoughts, intentions, and actions. Thus, when you choose to experience a thought, image, or activity from a place of loving, joyful, and compassionate intentions for yourself and others, you have the power to weave a lovely fabric that heals your mind, body, and soul. When you choose differently, the fabric you weave may contribute to an experience of suffering and pain in the form of mental, emotional, physical, and spiritual anguish. The choice is always yours. #Quote by Susan Barbara Apollon
#45. I've heard that when you're in a life-or-death situation, like a car accident or a gunfight, all your senses shoot up to almost superhuman level, everything slows down, and you're hyper-aware of what's happening around you.
As the shuttle careens toward the earth, the exact opposite is true for me.
Everything silences, even the screams and shouts from the people on the other side of the metal door, the crashes that I pray aren't bodies, the hissing of rockets, Elder's cursing, my pounding heartbeat.
I feel nothing - not the seat belt biting into my flesh, not my clenching jaw, nothing. My whole body is numb.
Scent and taste disappear.
The only thing about my body that works is my eyes,and they are filled with the image before them. The ground seems to leap up at us as we hurtle toward it. Through the blurry image of the world below us, I see the outline of land - a continent. And at once, my heart lurches with the desire to know this world, to make it our home. My eyes drink up the image of the planet - and my stomach sinks with the knowledge that this is a coastline I've never seen before. I could spin a globe of Earth around and still be able to recognize the way Spain and Portugal reach into the Atlantic, the curve of the Gulf of Mexico, the pointy end of India. But this continent - it dips and curves in ways I don't recognize, swirls into an unknown sea, creating peninsulas in shapes I do not know, scattering out islands in a pattern I cannot conn #Quote by Beth Revis
#46. But now I get it! I am that other one!
I've finally seen through my own image!
I burn with love for - me! The spark I kindle
is the torch I carry: whatever can I do?
Am I the favor-seeker, or the favor sought?
Why seek at all, when all that I desire
is mine already? Riches in such abundance
that I've been left completely without means!
Oh, would that I were able to secede
from my own body, depart from what I love!
(Now that's an odd request from any lover.)
My grief is draining me, my end is near;
soon I will be extinguished in my prime.
This death is no grave matter, for it brings an end to sorrow. Of course, I would have been
delighted if my beloved could have lived on,
but now in death we two will merge as one. #Quote by Ovid
#47. His mind was completely occupied with the image of Aline by the river, the rich mass of her pinned-up hair, the exquisite lines of her body and throat.
Time had only made Aline's beauty more eloquent. Her body was ripe and fully developed, the form of a woman in her prime. With maturity, her face had become more delicately sculpted, the nose thinner, the lips faded from deep rose to the pale shade of pink that tinted the inside of a seashell. And there was that damned, never-forgotten beauty mark, the festive dark fleck that lured his attention to the tender corner of her mouth. #Quote by Lisa Kleypas
#48. So get up, pretty woman!
And from your beautifully shaped body don't be ashamed
For we are meant to be different,
Rounded shapes and squared
We come in a small, medium and a large size
And to each there is still a wide range
This is to create a beautiful portrait for the eyes
And we are not supposed to please the "media-thinking" and change!
So woman up!
Whether your size is infinity-X large or infinity-X Small
In love with "you" you should fall
Don't let them and their meaningless words or shallow looks
Make you lose it all
As to this nature you belong,
The beach, the mountains, the oceans
And the colorful life this mother earth has to give
So embrace this with your body and soul
No matter how they evolve…
For as long as you live! #Quote by Abeer Allan