Archetypally Pronunciation Quotes

#1. You know," he said, "this design begins to appeal to me after all. Sea slugs aren't the least bit arousing, but logarithms . . . I've always thought that word sounded splendidly naughty." He let it roll off his tongue with ribald inflection. "Logarithm." He gave an exaggerated shiver. "Ooh. Yes and thank you and may I have some more."

"Lots of mathematical terms sound that way. I think it's because they were all coined by men. 'Hypotenuse' is downright lewd."

" 'Quadrilateral' brings rather carnal images to mind."

She was silent for a long time. Then one of her dark eyebrows arched. "Not so many as 'rhombus.' "

Good Lord. That word was wicked. Her pronunciation of it did rather wicked things to him. He had to admire the way she didn't shrink from a challenge, but came back with a new and surprising retort. One day, she'd make some fortunate man a very creative lover. #Quote by Tessa Dare

#2. Remember that lettuce doesn't grow on a spruce; and it also doesn't rhyme with it. #Quote by Jakub Marian

#3. Just like literature, wine takes time to learn. Before having access to the emotion of a stunning poem or to the vigor of a captivating novel, we all had to go through a long initiation. First, we need to learn the alphabet, the sound of each letter. In wine, that would be learning about the grapes and their characteristics. Then, once we master our letters, we need to learn the arrangements of letters, the pronunciation, the grammar, the structure of sentences. Now we can read. In wine, that would be the stage when we start noticing differences between two reds. You no longer drink wine: you start drinking this wine. #Quote by Olivier Magny

#4. In other spheres of Victorian Society the appeal of a young woman dressed in black from head to toe was acknowledged. In Victorian popular culture, widows had two manifestations: the battleaxe and the man-eater, preying upon husbands and bachelors alike. Even today, an attractive, dark-haired person dressed in all black has vampiric connotations, as the novelist Alison Lurie has noted, 'so archetypally terrifying and thrilling, that any black-haired, pale-complexioned man or woman who appears clad in all black formal clothes projects a destructive eroticism, sometimes without concious intention. #Quote by Catharine Arnold

#5. If Ever You Feel Down, Remember, 100Trillion Cells Make Up Your Body and ALL each of them cares About is You.

Our body is made up of about
100,000 Billions of cells (100 Trillion)... all living working and sacrificing themselves completely for the exclusive benefit, well-being, and survival of the whole (which is you). We are each of us a universe unto ourselves.

To put 100 Trillion in perspective...
Jeremy Harper counted from one to one million in about 3 months. He did NOTHING but count, eat, and sleep (minimal). During this time; he didn't leave his home nor even shave. And that's only one MILLION, so if you ignore the fact that pronunciation takes much, much longer on ever larger numbers (more than a minute each), counting to 100 Trillion would take more than 25 Million years.

It's awe inspiring to think that 100 Trillion cells (worlds) are counting ON me also, my decisions determine (to a large degree) whether they are allowed to continue living and experiencing in this life or not.

Knowing all of this, who could realistically say that there are no miracles. We each have over 100 Trillion miracles working FOR us and depending ON us each and every second of every day.

So when praying, I must always keep in mind that each word is in behalf of 100 Trillion worlds.

OUR Father Who Art in Heaven... #Quote by Raymond D. Longoria Jr.

#6. Once, BBC television had echoed BBC radio in being a haven for standard English pronunciation. Then regional accents came in: a democratic plus. Then slipshod usage came in: an egalitarian minus. By now slovenly grammar is even more rife on the BBC channels than on ITV. In this regard a decline can be clearly charted ... If the BBC, once the guardian of the English language, has now become its most implacable enemy, let us at least be grateful when the massacre is carried out with style. #Quote by Clive James

#7. Can you say the following phrase in French: "Gentlemen, I haven't eaten in six days"?'

Ippolit Matveevich began haltingly, 'Messieurs... messieurs, je ne, I think, je ne mange pas... six, what is that again... un, deux, trois, quatre, cinq, six... six... jour. Right: je ne mange pas six jours!'

'That's quite a pronunciation you've got there, Kisa! Still, what do you expect from a beggar. Of course a beggar in European Russia speaks French worse than Millerand. #Quote by Ilya Ilf

#8. Dance Like A Pronunciation #Quote by Gagan Khiwani

#9. Pronunciation has made many an innocent word sound like a doctor's orders for a stomach pump ... #Quote by Zelda Fitzgerald

#10. Biting into a samosa is like trying to pronounce words in English, you have to shape your mouth in a way to get every bit. #Quote by Alain Bremond-Torrent

#11. The difficulty of learning the dead languages does not arise from any superior abstruseness in the languages themselves, but in their being dead, and the pronunciation entirely lost. It would be the same thing with any other language when it becomes dead. The best Greek linguist that now exists does not understand Greek so well as a Grecian plowman did, or a Grecian milkmaid; and the same for the Latin, compared with a plowman or a milkmaid of the Romans; and with respect to pronunciation and idiom, not so well as the cows that she milked. It would therefore be advantageous to the state of learning to abolish the study of the dead languages, and to make learning consist, as it originally did, in scientific knowledge. #Quote by Thomas Paine

#12. Same language, different dialects.
Same words, different pronunciation.
Same experiences, different reactions.
Same wisdom, different understanding.
Same knowledge, different application.
Same love, different expression.
Same ancestry, different races.
Same world, different people. #Quote by Matshona Dhliwayo

#13. When I was doing preliminary research on this case, I remembered the story about Tlazolteotl.' [Mulder] glanced at the old archaeologist. 'Am I pronouncing it correctly? It sounds like I'm swallowing a turtle. #Quote by Kevin J. Anderson

#14. The necessary and needful reaction from the collective unconscious expresses itself in archetypally formed ideas. The meeting with oneself is, at first, the meeting with one's own shadow. The shadow is a tight passage, a narrow door, whose painful constriction no one is spared who goes down to the deep well. But one must learn to know oneself in order to know who one is. For what comes after the door is, surprisingly enough, a boundless expanse full of unprecedented uncertainty, with apparently no one inside and no one outside, no above and no below, no here and no there, no mine and no thine, no good and no bad. It is a world of water, where all life floats in suspension; where the realm of the sympathetic system, the soul of everything living, begins; where I am indivisibly this and that; where I experience the other in myself and the other-than-myself experiences me.

No, the collective unconscious is anything but an encapsulated personal system; it is sheer objectivity, as wide as the world and open to all the world. There I am the object of every subject, in complete reversal of my ordinary consciousness, where I am always the subject that has an object. There I am utterly one with the world, so much a part of it that I forget all too easily who I really am. "Lost in oneself" is a good way of describing this state. But this self is the world, if only a consciousness could see it. That is why we must know who we are."

―from_Archetypes of the Collectiv #Quote by C.G. Jung

#15. Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song. #Quote by Jorge Luis Borges

#16. Hyperbolic Suggestion is - as one might infer from the term's literal interpretation - a method of suggestion induced upon the subject (or subjects), in question, through the blatant and immoderate invocation of hyperbole. Simply stated, excessive exaggeration induces a trance upon the recipient, rendering him or her remarkably susceptible to suggestion. Thus, through the use of a multitude of descriptive adjectives and superlatives, neural mechanisms and pathways are overloaded, as canals and bypasses are burrowed into the thick of the gray matter. The dendrites are, through this process, tuned to a predetermined frequency by which the seeds of suggestion can be sown. When this occurs, the subject becomes incredibly compliant to any orders given at a certain tone of voice. In some cases, orders need not be given. The subject's attitudes might well be so affected by the hyperbole as to affect his natural tendencies...Emmanuel silently wondered if there existed a perfect combination of words or phrases that could somehow - as in the case of Hyperbolic Suggestion - subvert even the most stubborn of wills. Then again, maybe it wasn't so much the words as it was how they were spoken: if he achieved exactly the most desirable intonation, rhythm, timing, pitch and pronunciation in his speaking, would his verbal appeals somehow make greater inroads in garnering their consent? There had to be some optimal combination of aspirated consonants, diphthongs, facial expressions and inflect #Quote by Ashim Shanker

#17. Thinking can change through the pronunciation of the word of God in your life , because it contains enough strength and energy to change your sub-consciousness #Quote by Sunday Adelaja

#18. I think my style as far as vocal delivery and even down to the pronunciation of certain words is so deliberate. #Quote by Miguel

#19. Glass. A broad resembles the a of the German; as all, wall, call. Many words pronounced with a broad were anciently written with au; as sault, mault; and we still say, fault, vault. This was probably the Saxon sound, for it is yet retained in the northern dialects, and in the rustick pronunciation; as maun for man, haund for hand. The short a approaches to the a open, as grass. The long a, if prolonged by e at the end of the word, is always slender, as graze, fame. A forms a diphthong only with i or y, and u or w. Ai or ay, as in plain, wain, gay, clay, has only the sound of the long and slender a, and differs not in the pronunciation from plane, wane. Au or aw has the sound of the German a, as raw, naughty. Ae is sometimes found in Latin words not completely #Quote by Samuel Johnson

#20. Schwa: The faint vowel sound in many unstressed syllables in the English language. It is signified by the pronunciation "uh" and represented by the symbol upside down e. For example, the e in overlook, the a in forgettable, and the o in run-of-the-mill.
It is the most common vowel sound in the English language. #Quote by Neal Shusterman

#21. I think the first time I was ever really conscious of the difference between people's voices was that my mother's voice was so soft and gentle and her pronunciation was so perfect. #Quote by Marian Seldes

#22. If I stop being on good behaviour for a moment, my dark little secret is that I don't actually believe many people in the art world have much feeling for art and simply cannot tell a good artist from a weak one, until the artist has enjoyed the validation of others - a received pronunciation. #Quote by Charles Saatchi

#23. Even after all these years, she still said the word "gig" self-consciously, in the same way that she always said "croissant" with the proper French pronunciation, but with an apologetic, self-deprecating look to make up for her pretentiousness. #Quote by Liane Moriarty

#24. HOSTESS. Oh, nonsense! She speaks English perfectly.
NEPOMMUCK. Too perfectly. Can you shew me any English woman who speaks English as it should be spoken? Only foreigners who have been taught to speak it speak it well. #Quote by George Bernard Shaw

#25. In classes, the more lively and uninhibited ones will "suck away the air" from those with a more passive nature, despite all the efforts of the teacher. It is also a special danger in large groups that you will hear your fellow students' bad pronunciation more than the teacher's perfected speech. #Quote by Kato Lomb

#26. Looking at each other, something made sense that hadn't made sense before...I still don't know what it is or was about him, about us together (his pronunciation), that made us bind so decisively, two indecisive people so clear, for a time, about each other. #Quote by Catherine Lacey

#27. Of village: it is not called so because its inhabitants are of higher age on average; in fact, there is no connection between the words "village" and "age" whatsoever. #Quote by Jakub Marian

#28. she's used to clients and new colleagues looking past her to the person they are clearly expecting to meet
she will stride up to the client, shake his hand firmly (yet femininely), while looking him warmly (yet confidently) in the eye and smiling innocently, and delivering her name unto him with perfectly clipped Received Pronunciation, showing off her pretty (thank-god-they're-not-too-thick) lips coated in a discreet shade of pink, baring her perfect teeth as he adjusts to the collision between reality and expectation, and tries not to show it while she assumes control of the situation and the conversation #Quote by Bernardine Evaristo

#29. They have learned our language and pronunciation, and write as well as we do, and even better; for they are so bright that they learn everything with the greatest ease. #Quote by David Barrows

#30. Many words are in a state of mutation, the pronunciation being unsettled even in the best society, a result that must often arise where language is as variable and undetermined as the English. #Quote by James F. Cooper

#31. Demosthenes overcame and rendered more distinct his inarticulate and stammering pronunciation by speaking with pebbles in his mouth. #Quote by Plutarch

#32. Nobody wants a house in Osaka,' he said, and it was strange to hear him switch suddenly to foreign pronunciation in the middle of his English. 'It would mean you had to live in Osaka.'

'What's wrong with it?'

'It's like . . . Birmingham. #Quote by Natasha Pulley

#33. When he talked, there was a sort of mushy sound to his pronunciation that was charming because one sensed that it betrayed not so much an impediment in his speech as a quality of his soul, a sort of vestige of early childhood innocence that he had never lost. Each consonant he could not pronounce appeared to be another instance of a hardness of which he was incapable. #Quote by Marcel Proust

#34. Many lyricists rhyme as they pronounce, and their pronunciation is simply horrible. They can make "home" rhyme with "alone," and "saw" with "more," and go right off and look their innocent children in the eye without a touch of shame. #Quote by P.G. Wodehouse

#35. I recognized the words "domestic violence" because the Japanese use the same words, only with blockier pronunciation. " Domesuchikku baiorensu". I think it's weird they use the same word; I'm pretty sure they invented domestic violence independently of us English-speakers, at the same time we were inventing it independently of them. #Quote by Tim Rogers

#36. The early dictionaries in English were frequently created by a single author, but they were small works, and not what we think of today as dictionaries. Robert Cawdrey's A Table Alphabeticall, published in 1604, is generally regarded as the first English dictionary. It was an impressive feat in many respects, but it contained fewer than 2,500 entries, the defining of which would not be a lifetime's work. This and the other dictionaries of the seventeenth century were mostly attempts to catalog and define "difficult words"; little or no attention was given to the nuts and bolts of the language or to such concerns as etymology and pronunciation. For #Quote by Ammon Shea

#37. He said "cool" like I say a Spanish word when I'm not sure of the pronunciation. #Quote by Kelley Armstrong

#38. Sandwich Spanish will have you speaking and understanding Spanish with ease, using native-like pronunciation, and demonstrating culturally appropriate behaviors. You will be ready to take that vacation or live and thrive among the world's Spanish speaking societies! #Quote by Carol Ann George PhD

#39. Most of the people who have verbally asserted that 'there is no master of pronounciation' have intentionally made a claim and unintentionally made their claim believable. (It is 'pro-nun-ciation' not 'pro-noun-ciation'.) #Quote by Mokokoma Mokhonoana

#40. The pronunciation of both Sami and Portuguese languages is strikingly similar: the Portuguese evolved from folksy Latin while the Sami evolved from reindeers' howling. #Quote by Arto Paasilinna

#41. I also think pronunciation of a foreign tongue could be better taught than by demanding from the pupil those internal acrobatic feats that are generally impossible and always useless. This is the sort of instruction one receives: 'Press your tonsils against the underside of your larynx. Then with the convex part of the septum curved upwards so as almost but not quite to touch the uvula try with the tip of your tongue to reach your thyroid. Take a deep breath and compress your glottis. Now without opening your lips say "Garoo".' And when you have done it they are not satisfied. #Quote by Jerome K. Jerome

#42. Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it's written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation's OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme wit #Quote by Gerard Nolst Trenité

#43. Fiancé. Americans had simply adopted a pronunciation from the French to sugarcoat the sticky implication of the word: Constrained. Bound. Trapped. #Quote by Stephanie Bond

#44. For my nymphet I needed a diminutive with a lyrical lilt to it. One of the most limpid and luminous letters is "L". The suffix "-ita" has a lot of Latin tenderness, and this I required too. Hence: Lolita. However, it should not be pronounced as you and most Americans pronounce it: Low-lee-ta, with a heavy, clammy "L" and a long "o". No, the first syllable should be as in "lollipop", the "L" liquid and delicate, the "lee" not too sharp. Spaniards and Italians pronounce it, of course, with exactly the necessary note of archness and caress. Another consideration was the welcome murmur of its source name, the fountain name: those roses and tears in "Dolores." My little girl's heartrending fate had to be taken into account together with the cuteness and limpidity. Dolores also provided her with another, plainer, more familiar and infantile diminutive: Dolly, which went nicely with the surname "Haze," where Irish mists blend with a German bunny - I mean, a small German hare. #Quote by Vladimir Nabokov

#45. Art is the body's pronunciation of the soul. #Quote by Michael Gungor

#46. They have a lot of trouble with pronunciation, because they can't move their jaw muscles, because of malnutrition caused by wisely refusing to eat English food, much of which was designed and manufactured in medieval times during the reign of King Walter the Mildly Disturbed. #Quote by Dave Barry